20 50 2002 https://omeka.chrc-phila.org/files/original/6ac529c56bd514807c091b2c2a7a1e22.pdf aaf2dc3cf4cf2a2f94fbd89211496348 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to William Martin Campbell from Sarah Jane Campbell, 01/31/1918 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Campbell Correspondence. Description An account of the resource Letter to William Martin Campbell from Sarah Jane Campbell, discusses the weather and the American Catholic Historical Society. Creator An entity primarily responsible for making the resource Campbell, Sarah Jane, 1844-1928. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1918- 01-31 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F11_1918_01_31 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 4 pages Spatial Coverage Spatial characteristics of the resource. Philadelphia, (PA) https://omeka.chrc-phila.org/files/original/ac80521514e793f98076a0c4593cfaa6.pdf 0aa3e69af05a36bdb6a89519abb8d095 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to William Martin Campbell from Sarah Jane Campbell, 02/19/1919 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Campbell Correspondence. Description An account of the resource Letter to William Martin Campbell from Sarah Jane Campbell, about sending and receiving mail and updates from Philadelphia. Creator An entity primarily responsible for making the resource Campbell, Sarah Jane, 1844-1928. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1919-02-19 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F11_1918_02_19 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 4 pages Spatial Coverage Spatial characteristics of the resource. Philadelphia, (PA) https://omeka.chrc-phila.org/files/original/dec854d46d6ec4a8553eb38b03812beb.pdf 89378f5b6ca0d5869db6fd439db61290 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to William Martin Campbell from Sarah Jane Campbell, 02/27/1918 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Campbell Correspondence. Description An account of the resource Letter to William Martin Campbell from Sarah Jane Campbell, gives updates from Philadelphia, including the death of Archbishop Prendergast. Creator An entity primarily responsible for making the resource Campbell, Sarah Jane, 1844-1928. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1918-02-27 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F11_1918_02_27 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 4 pages Spatial Coverage Spatial characteristics of the resource. Philadelphia, (PA) https://omeka.chrc-phila.org/files/original/ed3924a656112175fbb7c24c528defcd.pdf 014c3f46c20fafebbc67d36b85718ef3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to William Martin Campbell from Sarah Jane Campbell, 03/14/1918 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Campbell Correspondence. Description An account of the resource Letter to William Martin Campbell from Sarah Jane Campbell, updates from Philadelphia and Catholic involvement in the war. Creator An entity primarily responsible for making the resource Campbell, Sarah Jane, 1844-1928. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1918-03-14 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F11_1918_03_14 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 4 pages Spatial Coverage Spatial characteristics of the resource. Philadelphia, (PA) https://omeka.chrc-phila.org/files/original/5b57f0f6550953301db643fd86cf4a0f.pdf 51befe8c084cec2fc9a22f4ecb4623f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to William Martin Campbell from Sarah Jane Campbell, 03/30/1918 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Campbell Correspondence. Description An account of the resource Letter to William Martin Campbell from Sarah Jane Campbell, giving updates of the family and life in Philadelphia. Creator An entity primarily responsible for making the resource Campbell, Sarah Jane, 1844-1928. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1918-03-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F11_1918_03_30 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 6 pages Spatial Coverage Spatial characteristics of the resource. Philadelphia, (PA) https://omeka.chrc-phila.org/files/original/2031a98e6dd606784a115ef9f8379f1d.pdf fc20c038ea5985b79c9ac44ab5561a71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to William Martin Campbell from Sarah Jane Campbell, 04/13/1918 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Campbell Correspondence. Description An account of the resource Letter to William Martin Campbell from Sarah Jane Campbell, updates of the family and life in Philadelphia Creator An entity primarily responsible for making the resource Campbell, Sarah Jane, 1844-1928. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1918-04-13 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F11_1918_04_13 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 4 pages Spatial Coverage Spatial characteristics of the resource. Philadelphia, (PA) https://omeka.chrc-phila.org/files/original/bab03556f0e4a30a761246a9035635c5.pdf 3edae62c7dc149a5561dc5afa1169aa2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to William Martin Campbell from Sarah Jane Campbell, 04/20/1918 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Campbell Correspondence. Description An account of the resource Letter to William Martin Campbell from Sarah Jane Campbell, about gardening and a lecture at the American Philosophical Society. Creator An entity primarily responsible for making the resource Campbell, Sarah Jane, 1844-1928. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1918-04-20 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource lat Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F11_1918_04_20 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 4 pages Spatial Coverage Spatial characteristics of the resource. Philadelphia, (PA) https://omeka.chrc-phila.org/files/original/9d645523d0df30406f7127fdea9dd35c.pdf ee5c7ad387e60c7cd6ab77ce4f8f360a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to William Martin Campbell from Sarah Jane Campbell, 04/27/1918 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Campbell Correspondence. Description An account of the resource Letter to William Martin Campbell from Sarah Jane Campbell discusses mailing packages and a parade in Germantown. Creator An entity primarily responsible for making the resource Campbell, Sarah Jane, 1844-1928. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1918-04-27 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F11_1918_04_27 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 4 pages Spatial Coverage Spatial characteristics of the resource. Philadelphia, (PA) https://omeka.chrc-phila.org/files/original/2a06c4586f2fda0639a2ddfb93aeaec1.pdf ba92e2a9e818d659886fdf6e8524e154 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to William Martin Campbell from Sarah Jane Campbell, 06/21/1900 Subject The topic of the resource Catholic women. Campbell Correspondence. Description An account of the resource Letter to William Martin Campbell from Sarah Jane Campbell, discusses fire at the Campbell house, weather and beach in New Jersey, and travel plans. Creator An entity primarily responsible for making the resource Campbell, Sarah Jane, 1844-1928. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1900-06-21 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F11_1900_06_21 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 4 pages Spatial Coverage Spatial characteristics of the resource. Longport (NJ) https://omeka.chrc-phila.org/files/original/6a29c91c2383a3c8aad3487879fa77d1.pdf aaf2dc3cf4cf2a2f94fbd89211496348 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to William Martin Campbell from Sarah Jane Campbell, 12/31/1917 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Campbell Correspondence. Description An account of the resource Letter to William Martin Campbell from Sarah Jane Campbell giving him updates on the family. Creator An entity primarily responsible for making the resource Campbell, Sarah Jane, 1844-1928. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1917-12-31 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F11_1917_12_31 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 4 pages Spatial Coverage Spatial characteristics of the resource. Philadelphia, (PA) https://omeka.chrc-phila.org/files/original/7a03d8320efbfe84245dc9ca62b3c0ae.pdf fdf5b344bda891d2f30210e5f6737c6d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to William Martin Campbell from the Marianne Campbell, 09/01/1908 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Campbell Correspondence. Description An account of the resource Letter to William Martin Campbell from the Marianne Campbell, describes her trip through Italy and mentions an audience with the Pope. Creator An entity primarily responsible for making the resource Campbell, Marianne, 1840-1913. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1908-09-01 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F13_1908_09_01 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 5 pages Spatial Coverage Spatial characteristics of the resource. Rome, Italy https://omeka.chrc-phila.org/files/original/0f9d696dda3e816204b5d81eb7653ab3.pdf 4353d2307923a6edcb41f9f70f77b32e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to William Rodrigue from Aristide Rodrigue, 06/23/1833 Subject The topic of the resource Catholic Church--Pennsylvania--History--19th century. Description An account of the resource Letter to William Rodrigue from Aristide Rodrigue. Creator An entity primarily responsible for making the resource Rodrigue, Aristide, 1809-1857. Source A related resource from which the described resource is derived Rodrigue Family Papers -MC46 Date A point or period of time associated with an event in the lifecycle of the resource 1833-06-23 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC46.B11.F4-William.1833.06.23 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/214ee2e6c996755817d1f9ff95bed665.pdf db2f8f274fd70367d3baede8b14cd4d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Wood, from Daniel O’Connor, 02/20/1880. Subject The topic of the resource Wood Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--19th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letter to Wood, from Daniel O’Connor. Father O’Connor’s objection to Father Walsh having established a new parish and collecting money from the people, etc., without his knowledge. There is also a request for the redistribution of families for the parishes to the Church in Girardville. Creator An entity primarily responsible for making the resource O’Connor, Daniel, 1846-1912. Source A related resource from which the described resource is derived Wood, Archbishop James - MC 75 Date A point or period of time associated with an event in the lifecycle of the resource 1880-02-20 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Wood.51.105ach Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/bbd98694c0bde24d97b18e521ac56fcb.pdf 193a1565aebc294bda48949041ee12d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Wood, from George Miller, 04/28/1878. Subject The topic of the resource Wood Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--19th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letter to Wood, from George Miller, a note of thanks for the Archbishop’s kind reception of the Committee and a promise of a solution to the Lithuanians’ problem, there is also a copy of the letter of Father Koncz, a Lithuanian priest who was asked to come to Shenandoah. Father Koncz replied he would gladly come if he were properly transferred. Creator An entity primarily responsible for making the resource George Miller. Koncz, P. Source A related resource from which the described resource is derived Wood, Archbishop James - MC 75 Date A point or period of time associated with an event in the lifecycle of the resource 1878-04-28 1878-04-14 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Wood.51.356con Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/">http://rightsstatements.org/vocab/NKC/1.0/</a> https://omeka.chrc-phila.org/files/original/be030f46e8c251029b014db6872394d0.pdf c5c73401993bd706a3083b4cb5081f43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Wood, from H. O’Reilly of Annunciation Church, Shenandoah, 12/27/1879. Subject The topic of the resource Wood Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--19th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letter to Wood, from H. O’Reilly of Annunciation Church, Shenandoah, arguments against the establishment of Lost Creek Parish Creator An entity primarily responsible for making the resource O'Reilly, Henry F., 1843-1908. Source A related resource from which the described resource is derived Wood, Archbishop James - MC 75 Date A point or period of time associated with an event in the lifecycle of the resource 1879-12-27 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Wood.51.102ach Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/3ae1cbd2021935cadd1928dc44caae61.pdf 739bb12d3b139edaee958247a0a6abfa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Wood, from Martin P. Walsh, 12/29/1879. Subject The topic of the resource Wood Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--19th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letter to Wood, from Martin P. Walsh, there is mentioned the following: the first masses celebrated at Lost Creek; the number of people attending the Masses; the number of confessions heard (in Gaelic and in English); and the first steps toward the establishment of a parish there. Creator An entity primarily responsible for making the resource Walsh, Martin P., 1844-?. Source A related resource from which the described resource is derived Wood, Archbishop James - MC 75 Date A point or period of time associated with an event in the lifecycle of the resource 1879-12-29 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Wood.51.103ach Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/47480b3ab62e95e675ec4795e6f3e67e.pdf 571e49116fc885de15708aa35b567603 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Wood, from Officers of the Polish National Guard of Warsaw, 07/16/1878 Subject The topic of the resource Wood Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--19th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letter to Wood, from Officers of the Polish National Guard of Warsaw, a letter of support for Father Lenarkiewicz which presents the Polish side of the story. Creator An entity primarily responsible for making the resource Officers of the Polish National Guard of Warsaw. Source A related resource from which the described resource is derived Wood, Archbishop James - MC 75 Date A point or period of time associated with an event in the lifecycle of the resource 07/16/1878 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Wood.51.359con Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/fc68586b49c06451ee0daa70686c32e9.pdf e1d362449e9095af57c0efb2c257233d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter undressed by M. F. Kopytkiewicz 11/07/1912 Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letter undressed by M. F. Kopytkiewicz concerning the “Kickers” of Shenandoah. Creator An entity primarily responsible for making the resource Kopytkiewicz, M. F., 1865-1936. Source A related resource from which the described resource is derived Prendergast, Edmond Francis - MC 77 Date A point or period of time associated with an event in the lifecycle of the resource 1912-11-07 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Prendergast.71.669con Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/4dbc7e0fabf74474c2c94b5fcf00c9d8.pdf d1112b14963986094f5011927c542def Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter, To Monsignor l’Abbe Nicolaus Mauron, Gen., C.SS.R., from Archbishop Wood, 04/14/1876, Subject The topic of the resource Wood Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--19th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource To Monsignor l’Abbe Nicolaus Mauron, Gen., C.SS.R., on financial trouble at St. Boniface Church. Creator An entity primarily responsible for making the resource Wood, James Frederick, 1813-1883. Source A related resource from which the described resource is derived Wood, Archbishop James - MC 75 Date A point or period of time associated with an event in the lifecycle of the resource 1876-04-14 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Wood.50.33 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/9e19b5b5f01cf68daca012dcb19c6383.pdf c12ec7b2493a1b9202ba2b5797945890 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letters Testamentary: Will of Jane Campbell, 04/16/1925 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Description An account of the resource Letters Testamentary: Will of Jane Campbell Creator An entity primarily responsible for making the resource Campbell, Sarah Jane, 1844-1928. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1925-04-16 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F12_1925_04_16 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 3 pages Spatial Coverage Spatial characteristics of the resource. Philadelphia, (PA) https://omeka.chrc-phila.org/files/original/9922ca0aae2275198748a75e96f5b616.pdf c06e26a356cdf6b06d36532f39cf3a32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letters Testamentary: Will of Marianne Campbell, 10/11/1910 Subject The topic of the resource Catholics--Pennsylvania--Philadelphia. Catholic women. Description An account of the resource Letters Testamentary: Will of Marianne Campbell Creator An entity primarily responsible for making the resource Campbell, Marianne, 1840-1913. Source A related resource from which the described resource is derived Martin-Campbell-Furlong Family Papers -MC 90 Date A point or period of time associated with an event in the lifecycle of the resource 1910-10-11 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Relation A related resource In Her Own Right Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC90_B11_F13_1910_10_11 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Extent The size or duration of the resource. 5 pages Spatial Coverage Spatial characteristics of the resource. Philadelphia, (PA) https://omeka.chrc-phila.org/files/original/439bb1c20d835bc38c68c5d4078f59fc.pdf 8fdccefa478e05ddbd2f1b1c531ca798 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letters to Cardinal Dougherty from the Congregation of St. Michael of the Saints, 06/25/1943- 06/28/1943 Subject The topic of the resource Dougherty Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letters to Cardinal Dougherty from the Congregation of St. Michael of the Saints, on the removal of the Trinitarian Fathers from St. Michael of the Saints Parish. Creator An entity primarily responsible for making the resource Congregation of St. Michael of the Saints Source A related resource from which the described resource is derived Dougherty, Cardinal Dennis Joseph -MC 78 Date A point or period of time associated with an event in the lifecycle of the resource 06/25/1943 06/28/1943 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/" target="_blank">http://rightsstatements.org/vocab/UND/1.0/</a> Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC78-80.7282 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.chrc-phila.org/files/original/28b69c0001dca9bf350329aa81ae4b3b.pdf 763c2a2d1d2f316dab604c93e4cae60b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource List of names of people who contributed to building of Church in Girardville. Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--19th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource List of names of people who contributed to building of Church in Girardville, their occupation and place of residence; no date. Source A related resource from which the described resource is derived Wood, Archbishop James - MC 75 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Wood.51.550 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/200deebcb60c0c28067a497f82e4bf31.pdf 81306a73e8d8017404358786c1e38e70 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource List of persons cared for by Little Sisters of the Poor, 05/01/1876, Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--19th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource From Little Sisters of the Poor, list of persons with their birth date, place of birth, year of immigration and parish of residence that the sisters cared for. Creator An entity primarily responsible for making the resource Little Sisters of the Poor. Source A related resource from which the described resource is derived Wood, Archbishop James - MC 75 Date A point or period of time associated with an event in the lifecycle of the resource 1876-05-01 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Wood.51.676R Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/86deb3b12b29eb00765b77a44fc83bc9.jpg b35cc21d010bfb542ed4f3ef24a0044c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Print depicting the settlement of Little Loretto in Kentucky. A key at the bottom describes what is depicted in the print. Text in German, French, and English. Creator unknown. Identifier An unambiguous reference to the resource within a given context 1993.018.OS063 Subject The topic of the resource Catholic Church--Kentucky--History--20th century. Church buildings--Kentucky--Loretto--Pictorial works. Engravings--1910-1920. Historic buildings--Kentucky--Loretto--Pictorial works. Loretto (Ky.)--Buildings, structures, etc.--Pictorial works. Title A name given to the resource Little Loretto, Kentucky, United States of America Language A language of the resource eng fre ger Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank">http://rightsstatements.org/vocab/NKC/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/562661beb21974c8e1bb038dc86201d1.JPG d9b7ae5857a2e864481472bb75efef1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Miscellaneous Description An account of the resource Print depicting the settlement of Little Loretto in Kentucky. A key at the bottom describes what is depicted in the print. Text in German, French, and English. Creator unknown. Identifier An unambiguous reference to the resource within a given context 2010.047.005 Subject The topic of the resource Catholic Church--Kentucky--History--20th century. Church buildings--Kentucky--Loretto--Pictorial works. Engravings--1910-1920. Historic buildings--Kentucky--Loretto--Pictorial works. Loretto (Ky.)--Buildings, structures, etc.--Pictorial works. Title A name given to the resource Little Loretto, Kentucky, United States of America Language A language of the resource eng fre ger Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank">http://rightsstatements.org/vocab/NKC/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/7968ae1053e7078c53a9cdf8f5728bc0.pdf 5d35aa279923f03c7e6f5925d1be6533 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pamphlets Description An account of the resource The Pamphlet Collection contains pamphlets and other printed materials relating to subjects of Catholic interest. There is also ephemeral material such as brochures, event programs, leaflets, and newspaper clippings. The material covers a wide range of topics relating to the history of the Catholic Church in the United States including Catholic individuals, doctrinal and theological matters, events effecting the Catholic Church and Catholic population, Catholic history in the United States, and Catholic opinions on political, social, and cultural affairs. <br />Majority of the Pamphlet Collection has not be digitized. Please visit our <a href="http://chrcphila.pastperfectonline.com/" target="_blank">online catalog</a> for more information. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lives of St. Paul Miki, St. John de Goto, and St. James Kisai: Martyrs of the Society of Jesus Description An account of the resource Pamphlet on the life and death of three missionaries to Japan, Publisher An entity responsible for making the resource available Rennie, Shea, & Lindsay Date A point or period of time associated with an event in the lifecycle of the resource 1862 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context P004.0008 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Subject The topic of the resource De Goto, John,--Saint,--1578-1597. Miki, Paul,--Saint,--1564-1597. Kisai, James,--Saint,--d. 1597. Martyrs--Japan. https://omeka.chrc-phila.org/files/original/9fa981e93c531effc72dc5a92064b9c4.JPG 02788af035921e49e41a28dc6fa8514a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Joseph Koecker Drawings Creator An entity primarily responsible for making the resource Koecker, Joseph D. Description An account of the resource Architectural drawing of interior of St. Augustine Church. Identifier An unambiguous reference to the resource within a given context 2010.050.15 Subject The topic of the resource Architectural drawings--1840-1850. Catholic Church. Archdiocese of Philadelphia (Pa.) Church buildings--Design and construction. Church buildings--Pennsylvania--Philadelphia--Pictorial works. Organs--Design and construction. O Philadelphia (Pa.)--Buildings, structures, etc.--Pictorial works. St. Augustine Church. Title A name given to the resource Longitudinal section of St. Augustine Church Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/b9f45a3996d16ae3e4f81a37b66fd431.jpg 3e325f73ffa71ff8e79fa4057961e71b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 13.5" x 11.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Miller, J. W. Description An account of the resource Photograph of a depiction of St. Stephen's Farm, Loretto, KY, in 1812. Buildings are labeled at bottom of photograph as: "#1 - Bishop Flaget's Residence. #2 - St. Stephen's Church. #3 - Father Badin's Residence. #4 - Seminary." Notes below photograph read: "Presented by Rev. M[?] Pra[?], Sup[?] General. Loretto. Ky. February 22, 1915"; "Designed by the late Rev. Edwin Drury" Identifier An unambiguous reference to the resource within a given context 1993.018.OS008 Subject The topic of the resource Badin, Stephen T. (Stephen Theodore), 1768-1853. Drury, Edwin, 1845-1913. Flaget, Benedict Joseph, 1763-1850. Catholic Church--Kentucky--History--20th century. Church buildings--Kentucky--Loretto--Pictorial works. Historic buildings--Kentucky--Loretto--Pictorial works. Loretto (Ky.)--Buildings, structures, etc.--Pictorial works. Paintings--1910-1920--Reproductions. St. Stephen's Church (Loretto, Ky.) Title A name given to the resource Loretto. St. Stephen's. 1812 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1812 https://omeka.chrc-phila.org/files/original/fc7b287c7f84c02311da0cb23ee34d3a.jpg 240d470a90ef38660c12bc9b24bbc609 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photographic print Physical Dimensions The actual physical size of the original image 44 x 8 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Major Seminary, St. Charles Seminary, Overbrook, Phila., Penna., 1933 Subject The topic of the resource Saint Charles Borromeo Seminary (Overbrook, Philadelphia, Pa.) Seminarians. Panoramic photographs--1930-1940. Catholic theological seminaries. Catholic theological seminaries--United States--History. Catholic Church. Archdiocese of Philadelphia (Pa.) Description An account of the resource Group photograph of the Major Seminary students of St. Charles Borromeo Seminary, Overbrook, Pa. Inscribed in bottom right corner of photograph: "Photo by Luedecke Studio, Inc. Upper Darby, Penna." Creator An entity primarily responsible for making the resource Luedecke Studio, Inc. Date A point or period of time associated with an event in the lifecycle of the resource 1933 Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 1999.022.03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Philadelphia (Pa.) Extent The size or duration of the resource. 1 photographic print Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/">http://rightsstatements.org/vocab/NKC/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng https://omeka.chrc-phila.org/files/original/d697bd0378ddd0553e8e4b4c14aad25c.jpg 6fad31b449d578c31dc3538ec471029a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 15.5" x 20" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Photograph portrait of man identified as David J. or Daniel J. Murphy or Meagher. Photographer's signature in bottom right corner is not legible. Title devised by cataloger. Identifier An unambiguous reference to the resource within a given context 2016.009.05 Subject The topic of the resource Portrait photographs--1910-1920. Portraits--1910-1920. Title A name given to the resource Man identified as David J. or Daniel J. Murphy or Meagher Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/" target="_blank">http://rightsstatements.org/vocab/UND/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/83e4c0f146a5a713094e691d82305738.pdf d1bb7b9b198b521b2ccda76aa523a665 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pamphlets Description An account of the resource The Pamphlet Collection contains pamphlets and other printed materials relating to subjects of Catholic interest. There is also ephemeral material such as brochures, event programs, leaflets, and newspaper clippings. The material covers a wide range of topics relating to the history of the Catholic Church in the United States including Catholic individuals, doctrinal and theological matters, events effecting the Catholic Church and Catholic population, Catholic history in the United States, and Catholic opinions on political, social, and cultural affairs. <br />Majority of the Pamphlet Collection has not be digitized. Please visit our <a href="http://chrcphila.pastperfectonline.com/" target="_blank">online catalog</a> for more information. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manual of the Archconfraternity of the Guard of Honor of the Sacred Heart of Jesus Subject The topic of the resource Archconfraternity of the Guard of Honor of the Sacred Heart of Jesus. Catholic Church--Prayer-books and devotions--English. Sacred Heart, Devotion to--Prayers and devotions. Holy hour--Prayers and devotions. Catholic Church--Confraternities. Description An account of the resource History and organization of the Archconfraternity of the Guard of Honor of the Sacred Heart of Jesus. Publisher An entity responsible for making the resource available Monastery of the Visitation Date A point or period of time associated with an event in the lifecycle of the resource 1888 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context P008.750 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/1075f044f1c7b79e8d9b8b95b549aa7c.pdf 39f8a0476a4af760ddd10d8dd1178a3b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pamphlets Description An account of the resource The Pamphlet Collection contains pamphlets and other printed materials relating to subjects of Catholic interest. There is also ephemeral material such as brochures, event programs, leaflets, and newspaper clippings. The material covers a wide range of topics relating to the history of the Catholic Church in the United States including Catholic individuals, doctrinal and theological matters, events effecting the Catholic Church and Catholic population, Catholic history in the United States, and Catholic opinions on political, social, and cultural affairs. <br />Majority of the Pamphlet Collection has not be digitized. Please visit our <a href="http://chrcphila.pastperfectonline.com/" target="_blank">online catalog</a> for more information. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manual of the Confraternity of Our Lady of Perpetual Help and St. Alphonsus Subject The topic of the resource Confraternity of Our Lady of Perpetual Help and St. Alphonsus-- Manuals. Perpetual Help Our Lady of---- Prayer-books and devotions--English. Mary--Blessed Virgin, Saint--Prayer-books and devotions--English. Saint Alphonsus--Prayer-books and devotions--English. Description An account of the resource Manual of the Confraternity of Our Lady of Perpetual Help and St. Alphonsus. Publisher An entity responsible for making the resource available Redemptorist Fathers, Shrine of Our Lady of Perpetual Help, St. Peter's Church Date A point or period of time associated with an event in the lifecycle of the resource 1926 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context P008.505 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/647c255c4cb4cf2bd0bbe5210635bc9b.mp3 49fe6fdb2879e1424a3b0373c6d8c129 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Phonograph Record Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:42:04 Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 149kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marching Through Europe: Cardinal Dougherty High School Band Philadelphia, U.S.A Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Marching Through Europe: Cardinal Dougherty High School Band Philadelphia, U.S.A Creator An entity primarily responsible for making the resource Cardinal Dougherty High School Band. Source A related resource from which the described resource is derived AC 2010.070 Date A point or period of time associated with an event in the lifecycle of the resource 1966 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/" target="_blank" rel="noreferrer noopener">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context 2010.070.03 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.chrc-phila.org/files/original/27711f9187cbff2de1dcbfcf375ebb9a.mp3 ef21a42da3b3a04a8aa6dbba5877739e Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Transcription Any written text transcribed from a sound <div style="width: 750px; height: 300px; overflow: scroll;" 1="" br="">00:00:00,000 --&gt; 00:00:29,000<br />We are here this evening to honor Mary, the mother of God and tabernacle of the Lord.<br />2<br />00:00:29,000 --&gt; 00:00:41,640<br />As Mary was able to discern the signs of her times, and as she herself became a sign for<br />3<br />00:00:41,640 --&gt; 00:00:50,840<br />all who were to be saved, we stand at attention to hear the call.<br />4<br />00:00:50,840 --&gt; 00:00:59,920<br />Mary clearly saw the will of God and threw herself into the action.<br />5<br />00:00:59,920 --&gt; 00:01:09,360<br />This is what we ask for this evening for all who choose to follow Our Lady.<br />6<br />00:01:09,360 --&gt; 00:01:20,040<br />Jesus, the bread of life, comes again in the Eucharist to be for us what he is for his<br />7<br />00:01:20,040 --&gt; 00:01:26,960<br />mother Mary.<br />8<br />00:01:26,960 --&gt; 00:01:36,440<br />Coming together as God's family with confidence, let us ask the Father's forgiveness, for he<br />9<br />00:01:36,440 --&gt; 00:01:41,440<br />is full of gentleness and compassion.<br />10<br />00:02:06,440 --&gt; 00:02:21,440<br />Christ have mercy, Christ have mercy.<br />11<br />00:02:21,440 --&gt; 00:02:33,440<br />Lord have mercy, Lord have mercy.<br />12<br />00:02:51,440 --&gt; 00:03:10,440<br />May almighty God have mercy on us, forgive us our sins and bring us to everlasting life.<br />13<br />00:03:10,440 --&gt; 00:03:11,440<br />Amen.<br />14<br />00:03:11,440 --&gt; 00:03:18,440<br />Glory to God in the highest, and peace to His people on earth.<br />15<br />00:03:41,440 --&gt; 00:03:53,440<br />We worship you, we give you thanks, we praise you for your glory.<br />16<br />00:03:55,440 --&gt; 00:04:01,440<br />Lord of kings, Lord of lords,<br />17<br />00:04:31,440 --&gt; 00:04:38,080<br />To a seated at the right hand of the Father,<br />18<br />00:04:38,080 --&gt; 00:04:44,080<br />receive our prayer.<br />19<br />00:04:44,080 --&gt; 00:04:51,080<br />You are one of a kind.<br />20<br />00:04:51,080 --&gt; 00:04:58,080<br />You are one of the Lord.<br />21<br />00:04:58,080 --&gt; 00:05:03,080<br />You are love.<br />22<br />00:05:03,080 --&gt; 00:05:11,080<br />You are the one who holds my fingers wide.<br />23<br />00:05:11,080 --&gt; 00:05:20,080<br />With the Holy Spirit in the glory of God.<br />24<br />00:05:20,080 --&gt; 00:05:21,080<br />Amen.<br />25<br />00:05:26,080 --&gt; 00:05:27,080<br />Amen.<br />26<br />00:05:27,080 --&gt; 00:05:28,080<br />Amen.<br />27<br />00:05:32,080 --&gt; 00:05:33,080<br />Amen.<br />28<br />00:05:34,080 --&gt; 00:05:35,080<br />Amen.<br />29<br />00:05:38,080 --&gt; 00:05:39,080<br />Amen.<br />30<br />00:05:40,080 --&gt; 00:06:03,720<br />Let us pray. Lord, as we honour the glorious memory of the Virgin Mary, we ask that by<br />31<br />00:06:03,720 --&gt; 00:06:10,720<br />the help of her prayers, we too may come to share the fullness of your grace. Grant this<br />32<br />00:06:12,880 --&gt; 00:06:19,880<br />through our Lord Jesus Christ, your Son, who lives and reigns with you and the Holy Spirit,<br />33<br />00:06:20,760 --&gt; 00:06:27,760<br />one God, forever and ever.<br />34<br />00:06:33,720 --&gt; 00:06:57,560<br />In her liturgy, the Church applies the 24th chapter of the Book of Sirach to the Virgin<br />35<br />00:06:57,560 --&gt; 00:07:05,560<br />because of her constant and intimate association with Christ, the incarnate wisdom.<br />36<br />00:07:05,560 --&gt; 00:07:11,560<br />Listen attentively as God speaks to you now through the words of the prophet.<br />37<br />00:07:27,560 --&gt; 00:07:36,000<br />A reading from the book of Sirach.<br />38<br />00:07:36,000 --&gt; 00:07:41,760<br />Wisdom sings her own praises.<br />39<br />00:07:41,760 --&gt; 00:07:49,520<br />Before her own people she proclaims her glory.<br />40<br />00:07:49,520 --&gt; 00:08:02,540<br />From the mouth of the Most High I came forth, and mist-like covered the earth.<br />41<br />00:08:02,540 --&gt; 00:08:14,340<br />In the highest heavens did I dwell, my throne on a pillar of cloud.<br />42<br />00:08:14,340 --&gt; 00:08:28,800<br />Then the Creator of all gave me his command, and he who formed me chose the spot for my<br />43<br />00:08:28,800 --&gt; 00:08:42,980<br />tent, saying, In Jacob make your dwelling, in Israel your inheritance.<br />44<br />00:08:42,980 --&gt; 00:08:56,980<br />For all ages in the beginning he created me, and through all ages I shall not cease to<br />45<br />00:08:56,980 --&gt; 00:08:59,100<br />be.<br />46<br />00:08:59,100 --&gt; 00:09:10,020<br />In the holy tent I ministered before him, and in Zion I fixed my abode.<br />47<br />00:09:10,020 --&gt; 00:09:25,000<br />Thus in the chosen city he has given me rest. In Jerusalem is my domain. I have<br />48<br />00:09:25,000 --&gt; 00:09:36,300<br />struck root among the glorious people in the portion of the Lord, his heritage.<br />49<br />00:09:36,300 --&gt; 00:09:47,500<br />You will remember me as sweeter than honey, better to have than the honeycomb.<br />50<br />00:09:47,500 --&gt; 00:10:00,460<br />He who eats of me will hunger still. He who drinks of me will thirst for more.<br />51<br />00:10:00,460 --&gt; 00:10:11,780<br />He who obeys me will not be put to shame. He who serves me will never fail.<br />52<br />00:10:11,780 --&gt; 00:10:17,500<br />This is the word of the Lord.<br />53<br />00:10:30,460 --&gt; 00:10:59,460<br />The Almighty has done great things for me, and holy is He.<br />54<br />00:10:59,460 --&gt; 00:11:06,460<br />The Almighty has done great things for me and for me is his name.<br />55<br />00:11:06,460 --&gt; 00:11:13,460<br />May we say, my ye being, proclaims the greatness of the Lord, my ye being, proclaims the greatness<br />56<br />00:11:29,460 --&gt; 00:11:42,100<br />My spirit finds joy in God my Savior,<br />57<br />00:11:42,100 --&gt; 00:11:56,340<br />The Almighty and unbreakable King, and always is.<br />58<br />00:11:56,340 --&gt; 00:12:02,180<br />For he has looked upon his servant in her lowliness.<br />59<br />00:12:02,180 --&gt; 00:12:08,580<br />All ages to come shall call me blessed.<br />60<br />00:12:08,580 --&gt; 00:12:14,820<br />God, who is mighty, has done great things for me.<br />61<br />00:12:14,820 --&gt; 00:12:22,540<br />Holy is his name.<br />62<br />00:12:22,540 --&gt; 00:12:36,300<br />The Almighty has done great things for me, and holy is His name.<br />63<br />00:12:36,300 --&gt; 00:12:45,340<br />His mercy is from age to age on those who fear Him.<br />64<br />00:12:45,340 --&gt; 00:12:49,420<br />He has shown might with his arm.<br />65<br />00:12:49,420 --&gt; 00:12:57,100<br />He has confused the proud in their inmost thoughts.<br />66<br />00:12:57,100 --&gt; 00:13:10,780<br />The Almighty has done great things for me, and holy is his name.<br />67<br />00:13:10,780 --&gt; 00:13:17,420<br />He has deposed the mighty from their thorns<br />68<br />00:13:17,420 --&gt; 00:13:26,020<br />and raised the lowly to high places.<br />69<br />00:13:26,020 --&gt; 00:13:35,140<br />The hungry he has given every good thing,<br />70<br />00:13:35,140 --&gt; 00:13:46,340<br />While the rich he has sent empty away,<br />71<br />00:13:46,340 --&gt; 00:13:53,940<br />The Almighty has done great things for me,<br />72<br />00:13:53,940 --&gt; 00:14:01,940<br />And holy is his name.<br />73<br />00:14:35,140 --&gt; 00:14:45,140<br />According to the eternal plan, it was preordained that the Son of God would become man, being born of a woman.<br />74<br />00:14:45,140 --&gt; 00:14:55,140<br />This woman was Mary, who at the time of her conception became in truth the tabernacle of the Lord.<br />75<br />00:14:55,140 --&gt; 00:15:03,140<br />In the second reading, St. Paul describes the marvelous effects which this has upon us.<br />76<br />00:15:05,140 --&gt; 00:15:34,140<br />A reading from the letter of St. Paul to the Galatians.<br />77<br />00:15:34,140 --&gt; 00:15:49,940<br />When the designated time had come, God sent forth his Son, born of a woman, born under<br />78<br />00:15:49,940 --&gt; 00:16:01,620<br />the law, to deliver from the law those who were subjected to it.<br />79<br />00:16:01,620 --&gt; 00:16:12,660<br />so that we might receive our status as adopted sons.<br />80<br />00:16:12,660 --&gt; 00:16:29,020<br />The proof that you are sons is the fact that God has sent forth into our hearts the spirit<br />81<br />00:16:29,020 --&gt; 00:16:47,100<br />of his son, which cries out, Abba, Father, you are no longer a slave, but a son.<br />82<br />00:16:47,100 --&gt; 00:16:59,780<br />And the fact that you are a son makes you an heir by God's design.<br />83<br />00:16:59,780 --&gt; 00:17:04,380<br />This is the word of the Lord.<br />84<br />00:17:04,380 --&gt; 00:17:06,380<br />Thank you, Lord.<br />85<br />00:17:17,100 --&gt; 00:17:42,300<br />Alleluia, Alleluia, Alleluia.<br />86<br />00:17:42,300 --&gt; 00:17:54,300<br />Alleluia, Alleluia, Alleluia.<br />87<br />00:17:54,300 --&gt; 00:18:01,300<br />Hail Mary, full of grace.<br />88<br />00:18:01,300 --&gt; 00:18:09,300<br />Hail Mary, the Lord is with you.<br />89<br />00:18:09,300 --&gt; 00:18:22,780<br />Hail Mary, blessed are you among women.<br />90<br />00:18:22,780 --&gt; 00:18:30,240<br />Alleluia, alleluia, alleluia.<br />91<br />00:18:39,300 --&gt; 00:18:57,580<br />The Lord be with you.<br />92<br />00:18:57,580 --&gt; 00:19:01,860<br />A reading from the Holy Gospel according to Luke.<br />93<br />00:19:20,420 --&gt; 00:19:25,700<br />Mary set out, proceeding in haste into the temple,<br />94<br />00:19:25,700 --&gt; 00:19:29,800<br />into the hill country to a town of Judah,<br />95<br />00:19:29,800 --&gt; 00:19:36,200<br />where she entered Zacharias' house and greeted Elizabeth.<br />96<br />00:19:36,200 --&gt; 00:19:43,120<br />When Elizabeth heard Mary's greeting, the baby stirred in her womb.<br />97<br />00:19:43,120 --&gt; 00:19:50,960<br />Elizabeth was filled with the Holy Spirit and cried out in a loud voice,<br />98<br />00:19:50,960 --&gt; 00:19:58,440<br />Blessed are you among women, and blessed is the fruit of your womb.<br />99<br />00:19:58,440 --&gt; 00:20:05,800<br />But who am I that the mother of my God should come to me?<br />100<br />00:20:05,800 --&gt; 00:20:10,120<br />The moment your greeting sounded in my ears,<br />101<br />00:20:10,120 --&gt; 00:20:15,360<br />the baby stirred in my womb for joy.<br />102<br />00:20:15,360 --&gt; 00:20:20,360<br />Blessed is she who trusted that the Lord's words to her<br />103<br />00:20:20,920 --&gt; 00:20:22,560<br />would be fulfilled.<br />104<br />00:20:23,640 --&gt; 00:20:26,080<br />Then Mary said,<br />105<br />00:20:26,080 --&gt; 00:20:30,000<br />my being proclaims the greatness of the Lord,<br />106<br />00:20:30,000 --&gt; 00:20:34,840<br />my spirit finds joy in God my Savior.<br />107<br />00:20:36,080 --&gt; 00:20:38,880<br />This is the gospel of the Lord.<br />108<br />00:20:38,880 --&gt; 00:20:41,220<br />Thank you Lord Jesus Christ.<br />109<br />00:21:15,360 --&gt; 00:21:44,060<br />Your Eminence,<br />110<br />00:21:44,060 --&gt; 00:21:49,060<br />the legate of His Holiness Pope Paul VI,<br />111<br />00:21:49,060 --&gt; 00:21:54,060<br />the Remnants Cardinal Crow, host,<br />112<br />00:21:54,060 --&gt; 00:22:04,060<br />and all lovers of Mary and the Holy Eucharist.<br />113<br />00:22:04,060 --&gt; 00:22:11,060<br />For the moment, you have my better side.<br />114<br />00:22:11,060 --&gt; 00:22:14,060<br />You have my better side.<br />115<br />00:22:14,060 --&gt; 00:22:26,060<br />Laughter and applause.<br />116<br />00:22:26,060 --&gt; 00:22:49,700<br />57 years ago, when I was ordained a priest, I took two resolutions.<br />117<br />00:22:49,700 --&gt; 00:22:55,940<br />One that I would read Mass every Saturday in honor of Our Blessed Lady for her protection<br />118<br />00:22:55,940 --&gt; 00:23:00,620<br />during my priesthood.<br />119<br />00:23:00,620 --&gt; 00:23:10,660<br />The second resolution was that every day of my life I would make a holy hour in the presence<br />120<br />00:23:10,660 --&gt; 00:23:17,020<br />of our Lord and the Blessed Sacrament.<br />121<br />00:23:17,020 --&gt; 00:23:28,700<br />These two are now conjoined as I address you on the subject of Mary, the Tabernacle of<br />122<br />00:23:28,700 --&gt; 00:23:32,260<br />the Lord.<br />123<br />00:23:32,260 --&gt; 00:23:45,420<br />I shall speak of Mary and the Host, Mary and the Sword,<br />124<br />00:23:45,420 --&gt; 00:23:47,500<br />Mary and the Holy Hour.<br />125<br />00:23:52,760 --&gt; 00:23:58,380<br />Not one of us had the power to make our own mother.<br />126<br />00:23:58,380 --&gt; 00:24:07,380<br />If we did, we would have made her the most beautiful woman in the world.<br />127<br />00:24:07,380 --&gt; 00:24:23,020<br />Our Lord preexisted his own mother. Therefore, he could make her the perfect mother. He thought<br />128<br />00:24:23,020 --&gt; 00:24:27,340<br />of her from all eternity.<br />129<br />00:24:27,340 --&gt; 00:24:39,460<br />As a matter of fact, the first immaculate conception was in the mind of God.<br />130<br />00:24:39,460 --&gt; 00:24:50,420<br />When the first paradise was lost, God said that he would make another paradise.<br />131<br />00:24:50,420 --&gt; 00:25:04,000<br />This paradise, flesh-girt, to be gardened by the Adam new, would be our Blessed Mother.<br />132<br />00:25:04,000 --&gt; 00:25:13,940<br />God had told Moses, make a tabernacle that I may dwell with my people.<br />133<br />00:25:13,940 --&gt; 00:25:26,460<br />were of stone and gold until an angel came to the Blessed Mother and asked her if she<br />134<br />00:25:26,460 --&gt; 00:25:32,700<br />would become the mother of our Lord.<br />135<br />00:25:32,700 --&gt; 00:25:37,300<br />She said, I'm a virgin.<br />136<br />00:25:37,300 --&gt; 00:25:41,340<br />I do not know man.<br />137<br />00:25:41,340 --&gt; 00:25:47,780<br />And God said, in the older tabernacles,<br />138<br />00:25:47,780 --&gt; 00:25:51,080<br />there was the Shekinah,<br />139<br />00:25:51,080 --&gt; 00:25:58,380<br />the cloud of my presence that overshadowed the temple.<br />140<br />00:25:58,380 --&gt; 00:26:06,360<br />Now my Holy Spirit will overshadow you.<br />141<br />00:26:06,360 --&gt; 00:26:19,360<br />And he that will be born of you will be called the son of the Most High God.<br />142<br />00:26:19,360 --&gt; 00:26:26,360<br />Notice Mary did not give birth to a fetus.<br />143<br />00:26:36,360 --&gt; 00:26:51,000<br />And the Word was made flesh and tabernacled within her.<br />144<br />00:26:51,000 --&gt; 00:27:03,000<br />In a certain sense, it was Mary's first Holy Communion.<br />145<br />00:27:03,000 --&gt; 00:27:15,400<br />For she had within herself the body, blood, soul, and divinity of Christ himself.<br />146<br />00:27:15,400 --&gt; 00:27:23,000<br />Now communion is not only oneness with Christ.<br />147<br />00:27:23,000 --&gt; 00:27:30,280<br />It is oneness with everyone in the church and oneness with humanity.<br />148<br />00:27:30,280 --&gt; 00:27:39,680<br />That is the reason why this Eucharistic Congress spoke of the hunger of the spirit and the<br />149<br />00:27:39,680 --&gt; 00:27:42,640<br />hunger of body.<br />150<br />00:27:42,640 --&gt; 00:27:52,860<br />So when the Blessed Mother possessed within herself Christ, the first thing she did was<br />151<br />00:27:52,860 --&gt; 00:27:58,620<br />to do a social act.<br />152<br />00:27:58,620 --&gt; 00:28:05,460<br />She went to visit her old cousin Elizabeth,<br />153<br />00:28:05,460 --&gt; 00:28:11,700<br />who was already six months with child.<br />154<br />00:28:11,700 --&gt; 00:28:18,340<br />When she came to Elizabeth, Elizabeth said,<br />155<br />00:28:18,340 --&gt; 00:28:28,120<br />the child leaped with joy in my womb.<br />156<br />00:28:28,120 --&gt; 00:28:41,240<br />Chartres Christ in Mary met the cloistered John the Baptist in Elizabeth.<br />157<br />00:28:41,240 --&gt; 00:28:53,160<br />And John the Baptist adored the body, blood, soul, and divinity in Mary.<br />158<br />00:28:53,160 --&gt; 00:29:06,160<br />That was the moment when the Blessed Mother became what Pius X called her,<br />159<br />00:29:06,160 --&gt; 00:29:19,080<br />on the 13th of December, 1905, the Mother of the Blessed Sacrament.<br />160<br />00:29:19,080 --&gt; 00:29:23,600<br />radiated the presence of Christ to John.<br />161<br />00:29:26,760 --&gt; 00:29:34,280<br />So Elizabeth now, after adoring the Christ within her,<br />162<br />00:29:34,280 --&gt; 00:29:35,480<br />venerates Mary.<br />163<br />00:29:38,240 --&gt; 00:29:45,800<br />Who am I that the mother of my Lord should come to me?<br />164<br />00:29:45,800 --&gt; 00:30:00,880<br />Elizabeth was here acknowledging that somehow or other, Mary is related to the body, blood,<br />165<br />00:30:00,880 --&gt; 00:30:08,140<br />soul and divinity of Christ himself.<br />166<br />00:30:08,140 --&gt; 00:30:16,220<br />Mary was not a priest.<br />167<br />00:30:16,220 --&gt; 00:30:30,740<br />If her divine son wanted women to be priests, he would have made his own mother a priest.<br />168<br />00:30:30,740 --&gt; 00:30:45,060<br />The woman is the symbol of the church.<br />169<br />00:30:45,060 --&gt; 00:30:54,300<br />And though Mary was not a priest, she was able to say the words of consecration as we<br />170<br />00:30:54,300 --&gt; 00:30:59,860<br />priests can never say those words.<br />171<br />00:30:59,860 --&gt; 00:31:09,060<br />Because her body was giving life to the humanity of Christ.<br />172<br />00:31:09,060 --&gt; 00:31:21,020<br />So she could say, as she bore Christ within her, this is my body.<br />173<br />00:31:21,020 --&gt; 00:31:29,740<br />This is my blood.<br />174<br />00:31:29,740 --&gt; 00:31:34,740<br />Mother of the blessed sacraments, pray for us.<br />175<br />00:31:40,340 --&gt; 00:31:41,340<br />Soar.<br />176<br />00:31:48,420 --&gt; 00:31:52,820<br />When the divine child was 40 days old,<br />177<br />00:31:52,820 --&gt; 00:31:56,700<br />she presented him to the temple.<br />178<br />00:31:56,700 --&gt; 00:32:05,740<br />All gifts come from God and therefore should be given back again to God.<br />179<br />00:32:05,740 --&gt; 00:32:14,660<br />She was doing with our blessed Lord what will be happening here in this Mass.<br />180<br />00:32:14,660 --&gt; 00:32:24,260<br />During the offertory procession, representatives of the church will bring sacrificial gifts<br />181<br />00:32:24,260 --&gt; 00:32:29,460<br />to be offered to the heavenly Father.<br />182<br />00:32:29,460 --&gt; 00:32:38,140<br />Mary brought Christ to be offered to the heavenly Father,<br />183<br />00:32:38,140 --&gt; 00:32:44,860<br />Simeon, the old man, being a symbol of the heavenly Father.<br />184<br />00:32:44,860 --&gt; 00:32:58,040<br />Simeon said to her, as he became prophetic,<br />185<br />00:32:58,040 --&gt; 00:33:05,480<br />your son is going to have a cross,<br />186<br />00:33:05,480 --&gt; 00:33:08,480<br />a sign to be contradicted.<br />187<br />00:33:08,480 --&gt; 00:33:19,060<br />You, you too will be pierced by a sword.<br />188<br />00:33:19,060 --&gt; 00:33:22,960<br />Can any of you mothers imagine bringing your child to the<br />189<br />00:33:22,960 --&gt; 00:33:30,440<br />baptismal font and having the priest at the font say to you,<br />190<br />00:33:30,440 --&gt; 00:33:36,880<br />your son will die on the gallows and you will have your<br />191<br />00:33:36,880 --&gt; 00:33:42,220<br />and his heart broken.<br />192<br />00:33:42,220 --&gt; 00:33:47,560<br />But that is what Simeon told our Blessed Mother.<br />193<br />00:33:47,560 --&gt; 00:33:53,060<br />Now, let us see what this sword meant.<br />194<br />00:33:53,060 --&gt; 00:34:01,200<br />Your heart will be pierced too with a sword.<br />195<br />00:34:01,200 --&gt; 00:34:06,680<br />When our first parents lost the Garden of Paradise,<br />196<br />00:34:06,680 --&gt; 00:34:14,020<br />God stationed an angel with a flaming sword<br />197<br />00:34:14,020 --&gt; 00:34:21,160<br />to guard the tree of life.<br />198<br />00:34:21,160 --&gt; 00:34:32,840<br />By that, God meant paradise lost is not paradise destroyed.<br />199<br />00:34:32,840 --&gt; 00:34:38,240<br />that you'll never get back into this paradise<br />200<br />00:34:38,240 --&gt; 00:34:42,380<br />except by the sword,<br />201<br />00:34:42,380 --&gt; 00:34:45,480<br />sacrifice,<br />202<br />00:34:45,480 --&gt; 00:34:49,620<br />shedding of blood.<br />203<br />00:34:49,620 --&gt; 00:34:54,160<br />And the inspiration of it will be a flame,<br />204<br />00:34:54,160 --&gt; 00:34:58,360<br />love itself.<br />205<br />00:34:58,360 --&gt; 00:35:03,360<br />So there seemed to be written across the Old Testament,<br />206<br />00:35:03,360 --&gt; 00:35:06,300<br />as we read in the epistle to the Hebrews,<br />207<br />00:35:06,300 --&gt; 00:35:13,440<br />without the shedding of blood, there is no remission of sin.<br />208<br />00:35:13,440 --&gt; 00:35:18,840<br />It is not easy to get back into paradise.<br />209<br />00:35:18,840 --&gt; 00:35:22,280<br />The Jewish priests for centuries,<br />210<br />00:35:22,280 --&gt; 00:35:25,620<br />the Feast of the Atonement,<br />211<br />00:35:25,620 --&gt; 00:35:31,360<br />would use this sword to slay a lamb.<br />212<br />00:35:31,360 --&gt; 00:35:37,760<br />On the day of atonement, they would take the blood of the lamb<br />213<br />00:35:37,760 --&gt; 00:35:42,500<br />and they would go before this great hyacinth and purple<br />214<br />00:35:42,500 --&gt; 00:35:51,380<br />and crimson curtain, the veil, sprinkle it with blood.<br />215<br />00:35:51,380 --&gt; 00:36:03,080<br />That gave them the right to enter the Holy of Holies, the symbol of paradise.<br />216<br />00:36:03,080 --&gt; 00:36:13,160<br />But on Good Friday, when that priest took the blood of a lamb and began to sprinkle<br />217<br />00:36:13,160 --&gt; 00:36:28,240<br />that veil? It was rent. From top to bottom. Man could rent it from bottom to top. And<br />218<br />00:36:28,240 --&gt; 00:36:36,360<br />amidst the shrieks and the cries of people, the Holy of Holies, which had never been seen,<br />219<br />00:36:36,360 --&gt; 00:36:48,060<br />now opened, but that was nothing compared to what was happening on Calvary. A soldier<br />220<br />00:36:48,060 --&gt; 00:37:02,020<br />took a sword, ran it into the heart of Christ. Blood and water came forth, blood the symbol<br />221<br />00:37:02,020 --&gt; 00:37:10,980<br />of our redemption and water the symbol of our regeneration.<br />222<br />00:37:10,980 --&gt; 00:37:21,180<br />And the part or the veil of his flesh, as the epistle of Hebrews puts it, was pierced.<br />223<br />00:37:21,180 --&gt; 00:37:25,100<br />The new holy of holies was revealed.<br />224<br />00:37:25,100 --&gt; 00:37:28,300<br />Paradise was opened.<br />225<br />00:37:28,300 --&gt; 00:37:40,140<br />was now thrown wide its gates, cherubim, sheathe your swords. The sacred heart has<br />226<br />00:37:40,140 --&gt; 00:37:53,220<br />revealed heaven. But when that sword pierced the heart of Christ physically,<br />227<br />00:37:53,220 --&gt; 00:37:58,220<br />it pierced the heart of the mother mystically.<br />228<br />00:38:00,560 --&gt; 00:38:05,160<br />I remember once being in a clinic and seeing a doctor<br />229<br />00:38:07,740 --&gt; 00:38:10,300<br />touch an infant that was held by the mother.<br />230<br />00:38:12,040 --&gt; 00:38:14,700<br />And the infant would cry with pain.<br />231<br />00:38:16,200 --&gt; 00:38:18,180<br />And every time the infant cried,<br />232<br />00:38:18,180 --&gt; 00:38:25,180<br />The mother shook with pain, out of sympathy.<br />233<br />00:38:25,180 --&gt; 00:38:32,180<br />Here were two hearts impaled on a single sword,<br />234<br />00:38:32,180 --&gt; 00:38:38,180<br />the heart of Christ and the heart of Mary.<br />235<br />00:38:38,180 --&gt; 00:38:45,180<br />These two hearts, which were then united in sorrow,<br />236<br />00:38:45,180 --&gt; 00:38:50,180<br />And I believe that this is the basis for the assumption.<br />237<br />00:38:53,180 --&gt; 00:38:56,380<br />Christ's passion as the Son of God,<br />238<br />00:38:56,380 --&gt; 00:38:58,500<br />merited redemption.<br />239<br />00:38:58,500 --&gt; 00:39:00,220<br />Mary as a creature,<br />240<br />00:39:01,140 --&gt; 00:39:05,400<br />shared that passion as much as she could,<br />241<br />00:39:05,400 --&gt; 00:39:07,740<br />and therefore as a creature,<br />242<br />00:39:07,740 --&gt; 00:39:10,180<br />she should be assumed into heaven.<br />243<br />00:39:12,880 --&gt; 00:39:14,520<br />But these pierced hearts,<br />244<br />00:39:15,180 --&gt; 00:39:21,180<br />In our times, I've become related to the Eucharist.<br />245<br />00:39:24,180 --&gt; 00:39:29,180<br />One of the last things that we give to anyone is a heart.<br />246<br />00:39:30,180 --&gt; 00:39:36,180<br />We give them our time, we give them our talents, we give them gifts.<br />247<br />00:39:38,180 --&gt; 00:39:40,180<br />But the last thing is the heart.<br />248<br />00:39:40,180 --&gt; 00:39:53,180<br />And as the world grows old, we've had a revelation of the heart of Christ and the heart of Mary.<br />249<br />00:39:53,180 --&gt; 00:39:59,180<br />And both of them were related to the Eucharist.<br />250<br />00:39:59,180 --&gt; 00:40:09,180<br />On the 10th of June, 1675, our blessed Lord,<br />251<br />00:40:09,180 --&gt; 00:40:15,860<br />holding his heart with a cross on top of it,<br />252<br />00:40:15,860 --&gt; 00:40:19,920<br />said to Saint Margaret Mary,<br />253<br />00:40:19,920 --&gt; 00:40:27,440<br />Behold this heart which has loved men so much,<br />254<br />00:40:27,440 --&gt; 00:40:35,940<br />and all that I have received is blasphemy, ingratitude,<br />255<br />00:40:35,940 --&gt; 00:40:44,420<br />coldness and contempt in the sacrament of my love.<br />256<br />00:40:44,420 --&gt; 00:40:52,960<br />In the revelation of Fatima, the Immaculate Heart<br />257<br />00:40:52,960 --&gt; 00:40:59,960<br />revealed to the children a chalice and a host.<br />258<br />00:40:59,960 --&gt; 00:41:05,960<br />And the Immaculate Heart, pierced with his sword,<br />259<br />00:41:05,960 --&gt; 00:41:08,960<br />said to the children,<br />260<br />00:41:08,960 --&gt; 00:41:15,960<br />Pray to the Body, Blood, Soul and Divinity<br />261<br />00:41:15,960 --&gt; 00:41:20,960<br />in the sacrament of the Holy Eucharist<br />262<br />00:41:20,960 --&gt; 00:41:32,960<br />to make up for all of the outrages and sins that are committed by man in the world today.<br />263<br />00:41:32,960 --&gt; 00:41:40,960<br />Joining in love and sympathy with those two hearts,<br />264<br />00:41:40,960 --&gt; 00:41:57,960<br />One of the great beauties of this Eucharistic Congress will be, I hope, to stop the de-Eucharistization<br />265<br />00:41:57,960 --&gt; 00:42:10,400<br />that is going on in the world today.<br />266<br />00:42:10,400 --&gt; 00:42:22,840<br />How often, for example, I have gone into small churches and I've had to look around to find<br />267<br />00:42:22,840 --&gt; 00:42:33,760<br />the good Lord in the blessed sacrament.<br />268<br />00:42:33,760 --&gt; 00:42:41,820<br />been shoved off in a corner.<br />269<br />00:42:41,820 --&gt; 00:43:00,300<br />And some priest stands there like a tin god.<br />270<br />00:43:00,300 --&gt; 00:43:05,300<br />It almost feels like Mary Magdalene going into many churches today.<br />271<br />00:43:05,300 --&gt; 00:43:12,300<br />They've taken away my Lord, and I know not where they laid him.<br />272<br />00:43:12,300 --&gt; 00:43:29,300<br />Then, too, the number of our people that will go to communion in the state of mortal sin,<br />273<br />00:43:29,300 --&gt; 00:43:35,860<br />in the language of St. Paul, eating, drinking, and judgment unto themselves.<br />274<br />00:43:38,020 --&gt; 00:43:44,180<br />They would not go to address Paul the way they go to Mass.<br />275<br />00:43:47,940 --&gt; 00:43:52,180<br />This is the end of side one. To hear side two, turn the cassette over now.</div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marian Liturgy - Side A Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Archbishop Fulton Sheen Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-06 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_18 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.chrc-phila.org/files/original/ee4f27f0b3ba8420db7d0855cade7c58.mp3 3bd435f28e15bfbb9f949f19e1db4b11 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Transcription Any written text transcribed from a sound <div style="width: 750px; height: 300px; overflow: scroll;" 1="" br="">00:00:00,000 --&gt; 00:00:17,000<br />What has happened to courtesy, respect, when they go before the infinite Savior as if they were going to a beach?<br />2<br />00:00:17,000 --&gt; 00:00:35,000<br />And then immediately after receiving Holy Communion, leaving the Lord without appropriate<br />3<br />00:00:35,000 --&gt; 00:00:42,040<br />thanksgiving, something they would not do if they had dessert in a neighbor's house,<br />4<br />00:00:42,040 --&gt; 00:00:50,680<br />immediately after they had eaten.<br />5<br />00:00:50,680 --&gt; 00:01:00,000<br />You know, I believe that we're living in a world of broken hearts.<br />6<br />00:01:00,000 --&gt; 00:01:05,000<br />Our hearts are broken.<br />7<br />00:01:05,000 --&gt; 00:01:11,880<br />The heart of Christ is broken.<br />8<br />00:01:11,880 --&gt; 00:01:16,480<br />The Immaculate Heart of Mary is pierced.<br />9<br />00:01:16,480 --&gt; 00:01:20,480<br />Our heart is broken.<br />10<br />00:01:20,480 --&gt; 00:01:26,980<br />Small pieces missing out of the side of every human heart.<br />11<br />00:01:26,980 --&gt; 00:01:31,880<br />God kept that in heaven.<br />12<br />00:01:31,880 --&gt; 00:01:38,980<br />So we never in this world can love anyone with a whole heart.<br />13<br />00:01:38,980 --&gt; 00:01:47,740<br />The sacred heart is broken because, pierced by our sins.<br />14<br />00:01:47,740 --&gt; 00:01:55,640<br />The immaculate heart, because of her love of her divine son.<br />15<br />00:01:55,640 --&gt; 00:02:00,680<br />How are we going to solve these broken hearts?<br />16<br />00:02:00,680 --&gt; 00:02:08,340<br />I think what we have to do is to take our broken hearts to the<br />17<br />00:02:08,340 --&gt; 00:02:20,900<br />Blessed Mother, and ask her to take our hearts in her own into the heart of Christ.<br />18<br />00:02:20,900 --&gt; 00:02:29,940<br />Because Saint Paul says that we are working toward a day when Christ will be complete,<br />19<br />00:02:29,940 --&gt; 00:02:37,520<br />when he will be the totus Christus, then let Mary deliver over our hearts to Christ and<br />20<br />00:02:37,520 --&gt; 00:02:54,160<br />And we will have the totus Christus, the whole Christ, the only love in the world.<br />21<br />00:02:54,160 --&gt; 00:03:04,840<br />And finally, the hour.<br />22<br />00:03:04,840 --&gt; 00:03:12,280<br />In sacred scripture, God has his day.<br />23<br />00:03:12,280 --&gt; 00:03:19,440<br />The devil has his hour.<br />24<br />00:03:19,440 --&gt; 00:03:29,560<br />In the Gospel of St. John, the word hour is used seven times.<br />25<br />00:03:29,560 --&gt; 00:03:42,360<br />But in every single instance, it refers to evil, the sinfulness of men, the deceit of<br />26<br />00:03:42,360 --&gt; 00:03:53,480<br />the devil, so that at the end of the tragic hour of our blessed Lord, he can say to Judas,<br />27<br />00:03:53,480 --&gt; 00:04:08,320<br />This is your hour, and all you can do is just turn out the lights of the world.<br />28<br />00:04:08,320 --&gt; 00:04:14,360<br />So the word hour refers always to evil.<br />29<br />00:04:14,360 --&gt; 00:04:23,160<br />The first time our Lord used the word hour was at the marriage feast of Cana.<br />30<br />00:04:23,160 --&gt; 00:04:28,600<br />And the Blessed Mother asked him to work a miracle.<br />31<br />00:04:28,600 --&gt; 00:04:34,840<br />Now the reason the wine gave out is because our Lord brought all of his disciples.<br />32<br />00:04:34,840 --&gt; 00:04:43,760<br />It was the first case of gate crashing in the history of Christianity.<br />33<br />00:04:43,760 --&gt; 00:04:50,560<br />And our blessed Lord said to his mother,<br />34<br />00:04:50,560 --&gt; 00:04:55,260<br />my hour has not yet come.<br />35<br />00:04:55,260 --&gt; 00:05:00,100<br />My hour.<br />36<br />00:05:00,100 --&gt; 00:05:05,440<br />Was she to have an hour?<br />37<br />00:05:05,440 --&gt; 00:05:08,280<br />What he's saying to her is,<br />38<br />00:05:08,280 --&gt; 00:05:13,480<br />my dear mother, are you asking me to proclaim my divinity?<br />39<br />00:05:13,480 --&gt; 00:05:21,480<br />before men as the Messiah and the Son of God, do you realize that the moment I do<br />40<br />00:05:21,480 --&gt; 00:05:31,440<br />that, your relationship to me changes? You will then no longer be my mother.<br />41<br />00:05:31,440 --&gt; 00:05:39,000<br />You'll be the mother of everyone that I will redeem. So I call you the beautiful<br />42<br />00:05:39,000 --&gt; 00:05:47,760<br />name of woman, the universal mother of the world.<br />43<br />00:05:47,760 --&gt; 00:05:58,300<br />The next time, the word, or another time, when our Lord used the word our, was at the<br />44<br />00:05:58,300 --&gt; 00:06:01,520<br />Last Supper.<br />45<br />00:06:01,520 --&gt; 00:06:08,280<br />And here he refers to his mother.<br />46<br />00:06:08,280 --&gt; 00:06:10,120<br />He had already said, my hour.<br />47<br />00:06:13,000 --&gt; 00:06:20,280<br />Now he says, when the woman, in our English translation,<br />48<br />00:06:20,280 --&gt; 00:06:21,800<br />it is a woman.<br />49<br />00:06:21,800 --&gt; 00:06:23,520<br />No.<br />50<br />00:06:23,520 --&gt; 00:06:26,080<br />In the original Greek, it's the woman.<br />51<br />00:06:29,240 --&gt; 00:06:33,280<br />When the woman is in childbirth, she<br />52<br />00:06:33,280 --&gt; 00:06:41,760<br />suffers, because her hour has come.<br />53<br />00:06:41,760 --&gt; 00:06:49,400<br />But she rejoices when a child is born into the world.<br />54<br />00:06:52,040 --&gt; 00:06:54,440<br />In other words, and this is something<br />55<br />00:06:54,440 --&gt; 00:06:58,960<br />I had never thought about until I began preparing<br />56<br />00:06:58,960 --&gt; 00:07:00,640<br />this meditation for this Congress.<br />57<br />00:07:03,280 --&gt; 00:07:07,280<br />She has a holy hour.<br />58<br />00:07:07,280 --&gt; 00:07:13,280<br />Now, the Lord was then speaking about it.<br />59<br />00:07:13,280 --&gt; 00:07:19,280<br />Our Lord spoke about that hour on the cross,<br />60<br />00:07:19,280 --&gt; 00:07:23,280<br />when the woman brings forth a child.<br />61<br />00:07:23,280 --&gt; 00:07:30,280<br />Our blessed Lord looks down from the cross to his mother,<br />62<br />00:07:30,280 --&gt; 00:07:43,880<br />woman, there's your son, John. And to John, there's your mother. Mary at the foot of<br />63<br />00:07:43,880 --&gt; 00:07:52,960<br />the cross was the symbol of the church. Our Lord on the cross was the new Adam.<br />64<br />00:07:52,960 --&gt; 00:07:57,960<br />She was the New Eve, the night of the Last Supper.<br />65<br />00:07:57,960 --&gt; 00:08:03,600<br />Our blessed Lord spoke about the woman bringing forth children.<br />66<br />00:08:03,600 --&gt; 00:08:09,680<br />When her hour comes, now the hour had come.<br />67<br />00:08:09,680 --&gt; 00:08:15,780<br />And John stood for all of us that were ever born into the church.<br />68<br />00:08:15,780 --&gt; 00:08:22,320<br />So the Holy Hour, in as much as it is related to our Lord,<br />69<br />00:08:22,320 --&gt; 00:08:30,320<br />refers to reconciliation, redemption, forgiveness.<br />70<br />00:08:30,320 --&gt; 00:08:35,320<br />The hour in relationship to the Blessed Mother<br />71<br />00:08:35,320 --&gt; 00:08:37,320<br />refers to the Church.<br />72<br />00:08:37,320 --&gt; 00:08:41,320<br />Akushma, birth.<br />73<br />00:08:41,320 --&gt; 00:08:45,320<br />Labor, a child.<br />74<br />00:08:45,320 --&gt; 00:08:50,320<br />Pain, joy.<br />75<br />00:08:50,320 --&gt; 00:08:59,320<br />In other words, evangelization, conversion, the growth of the Church.<br />76<br />00:08:59,320 --&gt; 00:09:11,320<br />The time has come, because we live in a demonic age, to take seriously this holy hour.<br />77<br />00:09:11,320 --&gt; 00:09:18,320<br />It's the only thing our blessed Lord ever asked us to do.<br />78<br />00:09:18,320 --&gt; 00:09:23,320<br />ever asked directly as disciples,<br />79<br />00:09:23,320 --&gt; 00:09:29,320<br />can you not stay awake one hour with me?<br />80<br />00:09:29,320 --&gt; 00:09:36,320<br />Who should make it?<br />81<br />00:09:36,320 --&gt; 00:09:44,320<br />Bishops.<br />82<br />00:09:44,320 --&gt; 00:09:55,320<br />in an apathetic world so that during that holy hour the blessed Lord will speak to them<br />83<br />00:09:55,320 --&gt; 00:09:59,320<br />as he spoke to Paul at Corinth.<br />84<br />00:09:59,320 --&gt; 00:10:02,320<br />Be courageous.<br />85<br />00:10:02,320 --&gt; 00:10:05,320<br />Be not silent.<br />86<br />00:10:05,320 --&gt; 00:10:08,320<br />Speak out.<br />87<br />00:10:08,320 --&gt; 00:10:10,320<br />I'm with you.<br />88<br />00:10:10,320 --&gt; 00:10:17,320<br />I have many in this city who are my friends.<br />89<br />00:10:17,320 --&gt; 00:10:22,320<br />Priests,<br />90<br />00:10:22,320 --&gt; 00:10:28,320<br />make the holy hour<br />91<br />00:10:28,320 --&gt; 00:10:35,320<br />that it may be a sacramental sign of our victimhood.<br />92<br />00:10:35,320 --&gt; 00:10:38,320<br />Would you have power on the pulpit?<br />93<br />00:10:38,320 --&gt; 00:10:43,320<br />Would you be able to console the sick?<br />94<br />00:10:43,320 --&gt; 00:10:46,320<br />Would you make converts?<br />95<br />00:10:46,320 --&gt; 00:10:49,320<br />And spend the hour with our Lord,<br />96<br />00:10:49,320 --&gt; 00:10:51,320<br />and when you mount the pulpit,<br />97<br />00:10:51,320 --&gt; 00:10:54,320<br />you'll shoot for a spark,<br />98<br />00:10:54,320 --&gt; 00:10:56,320<br />and the people will love you.<br />99<br />00:10:56,320 --&gt; 00:11:05,320<br />Applause<br />100<br />00:11:05,320 --&gt; 00:11:18,520<br />Sisters, you wonderful women who bear a visible sign of your union with Christ,<br />101<br />00:11:18,520 --&gt; 00:11:25,720<br />make the holy hour and understand how much the children in schools are<br />102<br />00:11:25,720 --&gt; 00:11:30,240<br />yearning for you to come back.<br />103<br />00:11:35,320 --&gt; 00:11:55,400<br />Married couples make the holy hour to make up for an abortion every 30 seconds and prove<br />104<br />00:11:55,400 --&gt; 00:11:59,400<br />that the Lord is the Lord of life and not of death.<br />105<br />00:11:59,400 --&gt; 00:12:13,400<br />All of you who are engaged in social work,<br />106<br />00:12:13,400 --&gt; 00:12:20,200<br />treating humanity in any form, make the holy hour.<br />107<br />00:12:20,200 --&gt; 00:12:34,400<br />Believe me, when you begin to see the invisible Christ behind that visible sign of bread,<br />108<br />00:12:34,400 --&gt; 00:12:44,560<br />you will soon begin to see in the poor and the naked the invisible Christ whom they represent.<br />109<br />00:12:44,560 --&gt; 00:12:50,680<br />That's the vision that makes Mother Teresa one of the leaders of the world in the love<br />110<br />00:12:50,680 --&gt; 00:12:51,680<br />of the poor.<br />111<br />00:12:51,680 --&gt; 00:13:14,440<br />And you young people, young men and young women, do not believe that the joy of life<br />112<br />00:13:14,440 --&gt; 00:13:26,480<br />life consists in a titillation of the flesh, but see that love is sacrificial, and when<br />113<br />00:13:26,480 --&gt; 00:13:35,600<br />you make a holy hour, then you'll begin to understand that the real rock is Peter, and<br />114<br />00:13:35,600 --&gt; 00:13:39,240<br />and the gates of hell shall not prevail.<br />115<br />00:13:39,240 --&gt; 00:14:02,920<br />Everyone, make the holy hour, and you will discover as you leave the divine presence<br />116<br />00:14:02,920 --&gt; 00:14:13,600<br />that as you move among people in the world they will say of you as the maid<br />117<br />00:14:13,600 --&gt; 00:14:29,480<br />said of Peter, you have been with Christ. And then at the end of a lifetime spent<br />118<br />00:14:29,480 --&gt; 00:14:36,560<br />in adoration of the Lord and in love of the Blessed Mother of the Blessed<br />119<br />00:14:36,560 --&gt; 00:14:48,640<br />Sacrament, when you come before the Lord, do you know what he'll say to you? He<br />120<br />00:14:48,640 --&gt; 00:14:56,960<br />will say, I heard my mother speak of you.<br />121<br />00:15:59,480 --&gt; 00:16:18,400<br />Through Mary, the Lord has made his salvation known.<br />122<br />00:16:18,400 --&gt; 00:16:27,760<br />With her, beg him to reveal his justice to the nations and to remember his kindness toward<br />123<br />00:16:27,760 --&gt; 00:16:34,760<br />the house of Israel.<br />124<br />00:16:40,140 --&gt; 00:16:41,960<br />Rejoice,<br />125<br />00:16:41,960 --&gt; 00:16:45,160<br />O highly favoured daughter,<br />126<br />00:16:45,160 --&gt; 00:16:48,680<br />the Lord is with you.<br />127<br />00:16:48,680 --&gt; 00:16:51,880<br />Be with your church, Lord.<br />128<br />00:16:51,880 --&gt; 00:16:53,920<br />Fill her members<br />129<br />00:16:53,920 --&gt; 00:16:55,240<br />with the grace<br />130<br />00:16:55,240 --&gt; 00:16:57,720<br />and faith of Mary,<br />131<br />00:16:57,720 --&gt; 00:17:14,160<br />our mother. We pray to you Lord. Blessed are you among women. Reveal your justice in the<br />132<br />00:17:14,160 --&gt; 00:17:26,300<br />sight of the nations and grant them rebirth through Mary as your adopted children. We<br />133<br />00:17:26,300 --&gt; 00:17:32,460<br />We pray to you, Lord.<br />134<br />00:17:32,460 --&gt; 00:17:36,100<br />Do not fear, Mary.<br />135<br />00:17:36,100 --&gt; 00:17:42,260<br />You have found favour with God.<br />136<br />00:17:42,260 --&gt; 00:17:53,780<br />Send the Holy Spirit upon us to be the first to hope in Christ and respond faithfully to<br />137<br />00:17:53,780 --&gt; 00:18:11,040<br />his call. We pray to you Lord. The Holy Spirit will come upon you. Overshadow with your power<br />138<br />00:18:11,040 --&gt; 00:18:23,060<br />our brothers and sisters who suffer in body or spirit. Strengthen those who bear the injustices<br />139<br />00:18:23,060 --&gt; 00:18:26,380<br />of this world.<br />140<br />00:18:26,380 --&gt; 00:18:32,460<br />We pray to you, Lord.<br />141<br />00:18:32,460 --&gt; 00:18:43,340<br />The holy offspring to be born will be called Son of God.<br />142<br />00:18:43,340 --&gt; 00:18:52,180<br />Enlighten every heart and conscience to treasure life from its inception.<br />143<br />00:18:52,180 --&gt; 00:19:02,540<br />our sins against the dignity and life of any member of the human family.<br />144<br />00:19:02,540 --&gt; 00:19:07,980<br />We pray to you, Lord.<br />145<br />00:19:07,980 --&gt; 00:19:13,500<br />I am the maidservant of the Lord.<br />146<br />00:19:13,500 --&gt; 00:19:19,500<br />Let it be done to me as you say.<br />147<br />00:19:19,500 --&gt; 00:19:30,360<br />Make us faithful children of Mary, generous in accepting your gifts and in sharing them<br />148<br />00:19:30,360 --&gt; 00:19:33,800<br />with every neighbour.<br />149<br />00:19:33,800 --&gt; 00:19:45,320<br />We pray to you, Lord.<br />150<br />00:19:45,320 --&gt; 00:19:54,680<br />We praise you, our God and Father, who have predestined us, through Christ Jesus, to be<br />151<br />00:19:54,680 --&gt; 00:19:57,860<br />your adopted children.<br />152<br />00:19:57,860 --&gt; 00:20:06,380<br />With Mary, the mother of the new creation, let the nations of the earth put their hope<br />153<br />00:20:06,380 --&gt; 00:20:13,660<br />in him and to praise your glory now and forever and ever.<br />154<br />00:20:13,660 --&gt; 00:20:14,160<br />Amen.<br />155<br />00:20:18,640 --&gt; 00:20:25,500<br />Through him, with him, in him, in the unity of the Holy Spirit,<br />156<br />00:20:25,500 --&gt; 00:20:29,660<br />all glory and honor is yours, almighty Father,<br />157<br />00:20:29,660 --&gt; 00:20:31,140<br />forever and ever.<br />158<br />00:20:31,140 --&gt; 00:20:31,640<br />Amen.<br />159<br />00:21:06,380 --&gt; 00:21:30,380<br />Let us pray with confidence to the Father in the words our Savior gave us.<br />160<br />00:21:30,380 --&gt; 00:21:41,380<br />Our Father, who art in heaven, hallowed be thy name, thy kingdom come, thy will be done, on earth as it is in heaven.<br />161<br />00:21:41,380 --&gt; 00:21:51,380<br />Give us this day our daily bread, and forgive us our trespasses, as we forgive those who trespass against us.<br />162<br />00:21:51,380 --&gt; 00:21:56,380<br />And lead us not into temptation, but deliver us from evil.<br />163<br />00:21:56,380 --&gt; 00:22:02,380<br />Deliver us, Lord, from every evil and grant us peace in our day.<br />164<br />00:22:02,380 --&gt; 00:22:09,380<br />In your mercy, keep us free from sin and protect us from all anxiety<br />165<br />00:22:09,380 --&gt; 00:22:17,380<br />as we wait in joyful hope for the coming of our Saviour, Jesus Christ.<br />166<br />00:22:17,380 --&gt; 00:22:22,380<br />For the kingdom, the power and the glory are yours, now and forever.<br />167<br />00:22:22,380 --&gt; 00:22:27,380<br />Lord Jesus Christ, you said to your Apostles,<br />168<br />00:22:27,380 --&gt; 00:22:29,380<br />I leave you peace.<br />169<br />00:22:29,380 --&gt; 00:22:32,380<br />My peace I give you.<br />170<br />00:22:32,380 --&gt; 00:22:38,380<br />Look not on our sins, but on the faith of your church,<br />171<br />00:22:38,380 --&gt; 00:22:42,380<br />and grant us the peace and unity of your kingdom,<br />172<br />00:22:42,380 --&gt; 00:22:46,380<br />where you live forever and ever.<br />173<br />00:22:46,380 --&gt; 00:22:48,380<br />Amen.<br />174<br />00:22:48,380 --&gt; 00:22:52,880<br />The peace of the Lord be with you always.<br />175<br />00:22:52,880 --&gt; 00:22:54,880<br />And also with you.<br />176<br />00:22:54,880 --&gt; 00:22:59,380<br />And on this blessed and most historic occasion,<br />177<br />00:22:59,380 --&gt; 00:23:04,380<br />in the full spirit of joy of Christ and the love of Mary,<br />178<br />00:23:04,380 --&gt; 00:23:09,880<br />may we exchange with each other a sign of friendship and peace.<br />179<br />00:23:48,380 --&gt; 00:24:02,380<br />Have mercy on us, Lamb of God, you take away the sins of the world.<br />180<br />00:24:02,380 --&gt; 00:24:16,380<br />Have mercy on us, Lamb of God, you take away the sins of the world.<br />181<br />00:24:16,380 --&gt; 00:24:23,380<br />Thou must be our guide.<br />182<br />00:24:25,380 --&gt; 00:24:31,380<br />When the clouds in the wind<br />183<br />00:24:31,380 --&gt; 00:24:35,380<br />Have seen the moon<br />184<br />00:24:35,380 --&gt; 00:24:40,380<br />And blessed the moon<br />185<br />00:24:40,380 --&gt; 00:24:45,380<br />And the cloud restrained its way<br />186<br />00:24:45,380 --&gt; 00:24:54,360<br />But we live from the Word, and let us live as one.<br />187<br />00:24:54,360 --&gt; 00:25:00,340<br />Let us walk with faith in one another,<br />188<br />00:25:00,340 --&gt; 00:25:08,320<br />but we live from the Word, and let us live as one.<br />189<br />00:25:15,380 --&gt; 00:25:33,380<br />God, you take away the sins of the world.<br />190<br />00:25:33,380 --&gt; 00:25:47,740<br />Lamb of God, you take away the sins of the world. Have mercy on us<br />191<br />00:25:47,740 --&gt; 00:26:02,740<br />Lamb of God, you take away the sins of the world.<br />192<br />00:26:02,740 --&gt; 00:26:09,740<br />Have mercy on us<br />193<br />00:26:34,740 --&gt; 00:26:39,740<br />Land of God, you take away<br />194<br />00:26:39,740 --&gt; 00:26:44,740<br />the sins of the world.<br />195<br />00:26:44,740 --&gt; 00:26:48,740<br />I've lost me own heart.<br />196<br />00:26:48,740 --&gt; 00:26:53,740<br />Land of God, you take away<br />197<br />00:26:53,740 --&gt; 00:26:58,740<br />the sins of the world. Grant us peace<br />198<br />00:26:58,740 --&gt; 00:27:05,740<br />This is the Lamb of God, who takes away the sins of the world. Grant us peace<br />199<br />00:27:28,740 --&gt; 00:27:35,740<br />&nbsp;happy are those who are called to his supper.<br />200<br />00:27:35,740 --&gt; 00:27:43,740<br />Lord, I am not worthy to receive you, but only say the word and my soul shall be healed.<br />201<br />00:28:58,740 --&gt; 00:29:03,740<br />♪<br />202<br />00:29:03,740 --&gt; 00:29:08,740<br />♪<br />203<br />00:29:08,740 --&gt; 00:29:13,740<br />♪<br />204<br />00:29:13,740 --&gt; 00:29:18,740<br />♪<br />205<br />00:29:18,740 --&gt; 00:29:23,740<br />♪<br />206<br />00:29:23,740 --&gt; 00:29:38,740<br />You satisfy the hungry heart, you heal the wounded knee.<br />207<br />00:29:38,740 --&gt; 00:29:50,740<br />Come give to us, O Savior, the bread of life to eat.<br />208<br />00:29:50,740 --&gt; 00:30:04,740<br />Oh, say can you see, by the dawn's early light,<br />209<br />00:30:04,740 --&gt; 00:30:17,740<br />What so proudly we hailed at the twilight's last gleaming?<br />210<br />00:30:17,740 --&gt; 00:30:22,740<br />Satisfy my lonely heart<br />211<br />00:30:22,740 --&gt; 00:30:27,740<br />With the image of my beauty<br />212<br />00:30:27,740 --&gt; 00:30:33,740<br />I'll give you my soul if you want<br />213<br />00:30:33,740 --&gt; 00:30:39,740<br />The breath of my beauty<br />214<br />00:30:39,740 --&gt; 00:30:49,780<br />♪<br />215<br />00:30:49,780 --&gt; 00:30:59,760<br />♪<br />216<br />00:30:59,760 --&gt; 00:31:04,760<br />♪<br />217<br />00:31:04,760 --&gt; 00:31:09,760<br />♪<br />218<br />00:31:09,760 --&gt; 00:31:14,760<br />♪<br />219<br />00:31:14,760 --&gt; 00:31:19,760<br />♪<br />220<br />00:31:19,760 --&gt; 00:31:24,760<br />♪<br />221<br />00:31:52,700 --&gt; 00:31:59,700<br />Jesus Christ, Son of God,<br />222<br />00:31:59,700 --&gt; 00:32:04,700<br />to Thee we raise our song of praise,<br />223<br />00:32:04,700 --&gt; 00:32:08,700<br />for Thou hast made the Father,<br />224<br />00:32:08,700 --&gt; 00:32:11,700<br />and the Son, and the Holy Ghost,<br />225<br />00:32:11,700 --&gt; 00:32:17,700<br />for ever and ever.<br />226<br />00:32:47,700 --&gt; 00:33:16,620<br />Lord, we eat the bread of heaven.<br />227<br />00:33:16,620 --&gt; 00:33:24,460<br />May we who honour the memory of the Virgin Mary come one day to your banquet of eternal<br />228<br />00:33:24,460 --&gt; 00:33:31,100<br />life. Grant this through Christ our Lord.<br />229<br />00:33:45,500 --&gt; 00:33:54,380<br />Born of the Blessed Virgin Mary, the Son of God who redeemed mankind, may he in<br />230<br />00:33:54,380 --&gt; 00:33:59,180<br />and enrich you with His blessings.<br />231<br />00:33:59,180 --&gt; 00:34:03,780<br />You received the author of life through Mary.<br />232<br />00:34:03,780 --&gt; 00:34:09,340<br />May you always rejoice in her loving care.<br />233<br />00:34:09,340 --&gt; 00:34:13,220<br />You have come to rejoice at Mary's feast.<br />234<br />00:34:13,220 --&gt; 00:34:16,580<br />May you be filled with the joys of the Spirit<br />235<br />00:34:16,580 --&gt; 00:34:22,180<br />and the gifts of your eternal home.<br />236<br />00:34:22,180 --&gt; 00:34:29,180<br />May almighty God bless you, the Father, the Son, and the Holy Spirit.<br />237<br />00:34:33,340 --&gt; 00:34:40,340<br />Go in peace, to love, and serve the Lord.<br />238<br />00:35:22,180 --&gt; 00:35:32,180<br />♪♪<br />239<br />00:35:32,180 --&gt; 00:35:42,200<br />♪♪<br />240<br />00:35:42,200 --&gt; 00:36:29,000<br />[unintelligible]</div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marian Liturgy - Side B Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Archbishop Fulton Sheen Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-06 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_18 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.chrc-phila.org/files/original/8c8e3d3e242ed4b75d7d57a89ffb6826.jpg eebb54a3af638cf918cf19451058ec00 https://omeka.chrc-phila.org/files/original/cf932ab1a2bf8f71fb75f53d0345bd6d.jpg 143f91c4e32a30314c9bee425e2f0201 https://omeka.chrc-phila.org/files/original/ddaff4f93ee9d9227cbf0133b36bdde4.jpg a67b6bfcdc16e918f7653bedfcede945 https://omeka.chrc-phila.org/files/original/970af4d4f04d59f8e00bf4bfed1e217b.jpg d21b47a98dc965b6a932d6d7685e99ed https://omeka.chrc-phila.org/files/original/9bf63523d6d4455e8db53ef59831d46b.jpg 878aa94bd8021b6e38186cade3b325fc https://omeka.chrc-phila.org/files/original/b69b9b666eb12905ad63465785cd623f.jpg cfc7d2938712c9de9fd1fbb70bb0482d https://omeka.chrc-phila.org/files/original/6443e5a35fb6c8735d27d0e4f43d1ecc.jpg 1d97d91c50efc36da004866ad34ce33d https://omeka.chrc-phila.org/files/original/6555925679d7e10444d910a31d62be09.jpg 2c68b238712849ad96bfc258f1b1852c https://omeka.chrc-phila.org/files/original/5b324d6550965b179bb6b0d48501fe6d.jpg 4310e5bec537a95f94a50e71ded1196e https://omeka.chrc-phila.org/files/original/be86a75cd10c00ca0d985547991afdbb.jpg bd71763553d63ef12c00af3b731cdc93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Large scrapbook containing numerous images of the Virgin Mary. Includes prints, holy cards, images from magazines and other images. Book made by J. B. Lippincott Co., Philadelphia. Scrapbook is marked as having belonged to Francis X. Reuss. Identifier An unambiguous reference to the resource within a given context 2010.096.01 Subject The topic of the resource Mary, Blessed Virgin, Saint. Reuss, Francis X., 1847-1913. Clippings. Devotional images. Mary, Blessed Virgin, Saint--Art. Mary, Blessed Virgin, Saint--Devotion to. Mary, Blessed Virgin, Saint--Motherhood--Art. Photographs. Postcards. Scrapbooks. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Title A name given to the resource Marian Scrapbook part 1 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available J. B. Lippincott Co. Date A point or period of time associated with an event in the lifecycle of the resource 1899-02-25 Format The file format, physical medium, or dimensions of the resource image/jpeg Relation A related resource Marian Scrapbook https://omeka.chrc-phila.org/files/original/bcf4d4026e9785b0bfba204428bd117e.jpg d260766b1d84d0705bc19a098d920a02 https://omeka.chrc-phila.org/files/original/41d6464f4ddc397e109a45e129fd5c46.jpg fce767b90fd7e7a896ae81b6b66bc13d https://omeka.chrc-phila.org/files/original/35b259b3ba2c6b83c4a609c7b84379ee.jpg 9899bfbd835e44236b51b54ee7c6c9b7 https://omeka.chrc-phila.org/files/original/6ce0b2b90ca6baf0fd30c3aebe7e76f0.jpg d5a1fe74b323cdfd0a4b69d3da4c6024 https://omeka.chrc-phila.org/files/original/094fab20ca7ed474d47286fd5804e063.jpg e2a4bce6adcd2f89f2f4acb918cb7e65 https://omeka.chrc-phila.org/files/original/d65223ed658c3a8d439785a41d88f55f.jpg 32940b3cdf590b4a63c9f37aa05e8f07 https://omeka.chrc-phila.org/files/original/0bb6ede431d64037566bbbe73a90e73e.jpg d2279a287bbcafec656d71f80d7c205e https://omeka.chrc-phila.org/files/original/f788c76789b6db395702fa830bc358ba.jpg 2089c7d445404abdf80ab53be0ab78b4 https://omeka.chrc-phila.org/files/original/a3f6435ae92168b7ad84d2977ff05bd9.jpg beb718f95a8ffa3d17a388f8581e2644 https://omeka.chrc-phila.org/files/original/c9222161060ea8cf55e3e2b611745381.jpg e87c33195a86a0605e7180ee4e1eb222 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Mary, Blessed Virgin, Saint. Reuss, Francis X., 1847-1913. Clippings. Devotional images. Mary, Blessed Virgin, Saint—Art. Mary, Blessed Virgin, Saint--Devotion to. Mary, Blessed Virgin, Saint--Motherhood--Art. Photographs. Postcards. Scrapbooks. Description An account of the resource Large scrapbook containing numerous images of the Virgin Mary. Includes prints, holy cards, images from magazines and other images. Book made by J. B. Lippincott Co., Philadelphia. Scrapbook is marked as having belonged to Francis X. Reuss. Source A related resource from which the described resource is derived Graphics Identifier An unambiguous reference to the resource within a given context 2010.096.01 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Title A name given to the resource Marian Scrapbook part 10 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available J. B. Lippincott Co. Date A point or period of time associated with an event in the lifecycle of the resource 1899-02-25 Format The file format, physical medium, or dimensions of the resource image/jpeg Relation A related resource Marian Scrapbook https://omeka.chrc-phila.org/files/original/e73cca43452c7e1d986affbd9f060843.jpg f16962e3449bc40d8713671f7f05f044 https://omeka.chrc-phila.org/files/original/845f0e1238a72d606d111c40ad97387f.jpg 2f2f8c8b5278ef935c0ebdd389e8bb90 https://omeka.chrc-phila.org/files/original/8d8e51019fab2cda0ef0f1ba620c41b7.jpg c50cf32d8b1f0e3eb7184310b02e185c https://omeka.chrc-phila.org/files/original/2231ba6d436d4cde36034b13f4eedda1.jpg 7cfb8db7657ae82501056d5f9c0ed052 https://omeka.chrc-phila.org/files/original/ea1a93f65d93c11cd0f0d9d73e74cd0e.jpg 67bc3846f3ce2c51d2ed6201dd1b38b9 https://omeka.chrc-phila.org/files/original/54a2a3953fd9cfefdfd2721897d1db37.jpg d7f8e99021fb2e0b9735d4d466d669ca https://omeka.chrc-phila.org/files/original/f1b600baf3b01da594db785e241dacf6.jpg d146e5f2810697b4bc489bb87c02fe1f https://omeka.chrc-phila.org/files/original/08afd8fcf5ac30d8405d43b6b8f5c95d.jpg 75d697baea9ab9d15b9a8c1cf7feed0d https://omeka.chrc-phila.org/files/original/570d7926d8cb4331e13bb7770f0f9b28.jpg 5de74b2e913f0ef2ffa1b93b64aa55b0 https://omeka.chrc-phila.org/files/original/fa6969cb13e32c09f712632bacd1cd1b.jpg 92c3e91994988e13e88fed5ac9d0c444 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Mary, Blessed Virgin, Saint. Reuss, Francis X., 1847-1913. Clippings. Devotional images. Mary, Blessed Virgin, Saint—Art. Mary, Blessed Virgin, Saint--Devotion to. Mary, Blessed Virgin, Saint--Motherhood--Art. Photographs. Postcards. Scrapbooks. Description An account of the resource Large scrapbook containing numerous images of the Virgin Mary. Includes prints, holy cards, images from magazines and other images. Book made by J. B. Lippincott Co., Philadelphia. Scrapbook is marked as having belonged to Francis X. Reuss. Source A related resource from which the described resource is derived Graphics Identifier An unambiguous reference to the resource within a given context 2010.096.01 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Title A name given to the resource Marian Scrapbook part 11 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available J. B. Lippincott Co. Date A point or period of time associated with an event in the lifecycle of the resource 1899-02-25 Relation A related resource Marian Scrapbook https://omeka.chrc-phila.org/files/original/78e82e291e6e92e4b54efa12d4302bd7.jpg 6da859cc95eb45962e400c3cd1a20a90 https://omeka.chrc-phila.org/files/original/76ff43380fa8798ff9932561ddcbd52d.jpg a8c644202495ef09e6854b1aae6828f3 https://omeka.chrc-phila.org/files/original/e2569db4dac9fdcff1fe90bd453ac0f2.jpg a809678846ad07966f1c82fe58da556f https://omeka.chrc-phila.org/files/original/3349f4536f9d08d85a3bde1c2952833f.jpg 5f6af3f7b761818f2f0f058b1fb9f4fc https://omeka.chrc-phila.org/files/original/2176160ac671240d8d1a29eba46b99a7.jpg db952b98bbf971c01aa471a0e5a8fa4d https://omeka.chrc-phila.org/files/original/d7c016a455f576bb03c790df46a40c54.jpg 58a6b0b1d860c8c1fa7bdd14fd82bc59 https://omeka.chrc-phila.org/files/original/47eb1b96ec8a6462b1bf1fc1d52aeccd.jpg 4f30dfefca9082354f9bfd026c7e017f https://omeka.chrc-phila.org/files/original/2f31d15159991c8391a8df7963ff426e.jpg 884e39ffd18484c0012c3b5cefcfba00 https://omeka.chrc-phila.org/files/original/a86f558338c27ee7b86ec793af866382.jpg 52766cfc63691955380cccd40a278e33 https://omeka.chrc-phila.org/files/original/58f6e1b23f781f3e192cd1921e49eb5c.jpg 2cb5e8d2dec846e2d836e37119e061e0 https://omeka.chrc-phila.org/files/original/8ccf9644c9f7dd767cb6d896b7ac087f.jpg 2a1731641fae1f01c4a4951aa9858bf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Mary, Blessed Virgin, Saint. Reuss, Francis X., 1847-1913. Clippings. Devotional images. Mary, Blessed Virgin, Saint—Art. Mary, Blessed Virgin, Saint--Devotion to. Mary, Blessed Virgin, Saint--Motherhood--Art. Photographs. Postcards. Scrapbooks. Description An account of the resource Large scrapbook containing numerous images of the Virgin Mary. Includes prints, holy cards, images from magazines and other images. Book made by J. B. Lippincott Co., Philadelphia. Scrapbook is marked as having belonged to Francis X. Reuss. Source A related resource from which the described resource is derived Graphics Identifier An unambiguous reference to the resource within a given context 2010.096.01 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Title A name given to the resource Marian Scrapbook part 12 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available J. B. Lippincott Co. Date A point or period of time associated with an event in the lifecycle of the resource 1899-02-25 Format The file format, physical medium, or dimensions of the resource image/jpeg Relation A related resource Marian Scrapbook https://omeka.chrc-phila.org/files/original/60ad075a339dd59c4b88a165b2f0fb79.jpg 38ad6dd6a853e2803f4e71ba38258ef1 https://omeka.chrc-phila.org/files/original/2fc1adeb4e6b911f6149f45c13f3ed09.jpg ef21cc9dfd9584b25269ea4baa349c44 https://omeka.chrc-phila.org/files/original/fbbd9a075f0a36fb4d04cc664274df3b.jpg 0aa131ce3f160b7731e685d855f2387f https://omeka.chrc-phila.org/files/original/e3939adf0f891cdff2bd028e6435c00d.jpg a3584128dda714d65161a1f99f1e1064 https://omeka.chrc-phila.org/files/original/a2586ea05a7c5076bc1743086eeaaa0b.jpg 79f375aa151fafc65050bb662c6c14a9 https://omeka.chrc-phila.org/files/original/f861d400540b65e012f1022113ff089e.jpg 3d2f93db44384dd24fd1419fb69d4090 https://omeka.chrc-phila.org/files/original/47099a3e4dd777c6c2c458072a22e889.jpg 84461bc6077f298127c6baaa1928c92b https://omeka.chrc-phila.org/files/original/c276f0356c56d2747bf4e7c836a85431.jpg 81aeaff42cd6dee4def3b9aad69b9b8d https://omeka.chrc-phila.org/files/original/0a29f8d1e4f14bec8d75bbb6ff5082cd.jpg 9f82a31b5aa9335908071d83512b9678 https://omeka.chrc-phila.org/files/original/52339f5331520cbafceadf284a2db0ac.jpg 49cb65a10b5ca1981a19a9064f48b786 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Mary, Blessed Virgin, Saint. Reuss, Francis X., 1847-1913. Clippings. Devotional images. Mary, Blessed Virgin, Saint—Art. Mary, Blessed Virgin, Saint--Devotion to. Mary, Blessed Virgin, Saint--Motherhood--Art. Photographs. Postcards. Scrapbooks. Description An account of the resource Large scrapbook containing numerous images of the Virgin Mary. Includes prints, holy cards, images from magazines and other images. Book made by J. B. Lippincott Co., Philadelphia. Scrapbook is marked as having belonged to Francis X. Reuss. Source A related resource from which the described resource is derived Graphics Identifier An unambiguous reference to the resource within a given context 2010.096.01 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Title A name given to the resource Marian Scrapbook part 2 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available J. B. Lippincott Co. Date A point or period of time associated with an event in the lifecycle of the resource 1899-02-25 Format The file format, physical medium, or dimensions of the resource image/jpeg Relation A related resource Marian Scrapbook https://omeka.chrc-phila.org/files/original/8dca3ced4a27493567cb78623cbbf5b4.jpg 38d88f8473187ab696a0a43819220bb8 https://omeka.chrc-phila.org/files/original/fa066789c78ba750ce07c047fc735524.jpg 70f3bf4a5ebaef7c933ebb5fa18c2ee8 https://omeka.chrc-phila.org/files/original/e030db0af678fd0e4521909bc4cba276.jpg c30bb6d7ec7204e42e1f0847a79b3cd5 https://omeka.chrc-phila.org/files/original/5f9f98018dfb65af021892ef019bfa79.jpg d707b66cf714196053000ff6889ad395 https://omeka.chrc-phila.org/files/original/72dafb90299430f26816ec4f532dd007.jpg 29bc4c58a5c00f5e18880cefd2756673 https://omeka.chrc-phila.org/files/original/20dd745b67e0e1dc01841d0e6bac6cd2.jpg 9be537db29ad8a69bfb829eec4f22020 https://omeka.chrc-phila.org/files/original/7f870334eab13d820e6b4256a1ab6dc8.jpg 4275070554821bba546a3a907be6e4f4 https://omeka.chrc-phila.org/files/original/03e09d09bc6284d5a4cb8a0257274c17.jpg 030f7a9af2f2cbaa18891703a7482481 https://omeka.chrc-phila.org/files/original/26fa1d714a02541e80a94995d1b01bdc.jpg 373e76cf3737e34c7649bfa15a3dea1b https://omeka.chrc-phila.org/files/original/f3d5e4bf56ecd51c9215609122269bcc.jpg 6ea354491509018945e3e5f3a2558e57 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Mary, Blessed Virgin, Saint. Reuss, Francis X., 1847-1913. Clippings. Devotional images. Mary, Blessed Virgin, Saint—Art. Mary, Blessed Virgin, Saint--Devotion to. Mary, Blessed Virgin, Saint--Motherhood--Art. Photographs. Postcards. Scrapbooks. Description An account of the resource Large scrapbook containing numerous images of the Virgin Mary. Includes prints, holy cards, images from magazines and other images. Book made by J. B. Lippincott Co., Philadelphia. Scrapbook is marked as having belonged to Francis X. Reuss. Source A related resource from which the described resource is derived Graphics Identifier An unambiguous reference to the resource within a given context 2010.096.01 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Title A name given to the resource Marian Scrapbook part 3 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available J. B. Lippincott Co. Date A point or period of time associated with an event in the lifecycle of the resource 1899-02-25 Format The file format, physical medium, or dimensions of the resource image/jpeg Relation A related resource Marian Scrapbook https://omeka.chrc-phila.org/files/original/0cee39e90ccccf267d7b43af41b6eb09.jpg 311ca6570e1d3e19e904a8fc4ef16bf0 https://omeka.chrc-phila.org/files/original/6808c8f99ef263d3ca1a4007c241be13.jpg 9aa7bea822db8e409d7810299e0f3f40 https://omeka.chrc-phila.org/files/original/b2dedc64686364717c6927366e14f3ca.jpg f4f2f77033a31630d75b5da398bec5ba https://omeka.chrc-phila.org/files/original/6890d8b46f77cc1cb9111577e6f06e61.jpg 0141e72b9b5760d8aca8d2117d1083f2 https://omeka.chrc-phila.org/files/original/2365d68bc3f800f907b4eff168a12ab9.jpg d52beb5ad891696f1d9644029e960897 https://omeka.chrc-phila.org/files/original/220ec93a4c7e25c7b41e4ff407f151c8.jpg 7cde3655847cd7efbd5adb96794651bc https://omeka.chrc-phila.org/files/original/2e434fae6390fa4794ae76ddc882f1e1.jpg b04a78ea2a1a00a71d71abc760dbcf0b https://omeka.chrc-phila.org/files/original/3bb2aae6c6c476c211e404a0ee300123.jpg cbb6e78b06e6a58c091dde03f7a50e8e https://omeka.chrc-phila.org/files/original/12ee843c3bd644c294b986fd30d5b761.jpg 18b02d5cac14bf0dd8bdce43d4653267 https://omeka.chrc-phila.org/files/original/0d87500c136b83a60101d8b50bf1f552.jpg 47c7d365c2e88dea28c892c20f8bd1a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Mary, Blessed Virgin, Saint. Reuss, Francis X., 1847-1913. Clippings. Devotional images. Mary, Blessed Virgin, Saint—Art. Mary, Blessed Virgin, Saint--Devotion to. Mary, Blessed Virgin, Saint--Motherhood--Art. Photographs. Postcards. Scrapbooks. Description An account of the resource Large scrapbook containing numerous images of the Virgin Mary. Includes prints, holy cards, images from magazines and other images. Book made by J. B. Lippincott Co., Philadelphia. Scrapbook is marked as having belonged to Francis X. Reuss. Source A related resource from which the described resource is derived Graphics Identifier An unambiguous reference to the resource within a given context 2010.096.01 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Title A name given to the resource Marian Scrapbook part 4 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1855-02-26 Format The file format, physical medium, or dimensions of the resource image/jpeg Publisher An entity responsible for making the resource available J. B. Lippincott Co. Relation A related resource Marian Scrapbook https://omeka.chrc-phila.org/files/original/c56f60540fa7bb146c436ca7e8ecda1d.jpg 9f3c391d3231ba59557a018acda272e4 https://omeka.chrc-phila.org/files/original/e69c35bee5c9723deff81a255e0d049c.jpg 1567704fb10bd68ad402a13a1e664f8a https://omeka.chrc-phila.org/files/original/b0acbef2ceb5568caba22a6042c7b57e.jpg 49700550912c131633519e99af424ce9 https://omeka.chrc-phila.org/files/original/27ee39b6775bc530b99a2fc66879aac7.jpg 414c2170438773b84b73d3b70a1801f3 https://omeka.chrc-phila.org/files/original/bc3e212b7a241ec44f837ce3c637eff0.jpg a61c277e842fae5896467d3e929d53ac https://omeka.chrc-phila.org/files/original/70dd49813de91d5011ba5a8da938d3b6.jpg 6c8d2b0f24aa043eef95bf8d83345adb https://omeka.chrc-phila.org/files/original/dd0cbd931d030e70a928708a73691ef5.jpg 462e36ac0e76b77469578bcc0238a405 https://omeka.chrc-phila.org/files/original/bf0d530677f4fed0e8e211b536291593.jpg e688b7c6d5a55f4a11eff8fb0b782617 https://omeka.chrc-phila.org/files/original/49c29bc8808467af88ebee95e9db5870.jpg 0d002e4ee6b7075a5881362ef4aa9d46 https://omeka.chrc-phila.org/files/original/5fa60036e00a5d0f0e6f5c48501a4391.jpg b6c9f42c31c2280d616212696de4ab57 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Mary, Blessed Virgin, Saint. Reuss, Francis X., 1847-1913. Clippings. Devotional images. Mary, Blessed Virgin, Saint—Art. Mary, Blessed Virgin, Saint--Devotion to. Mary, Blessed Virgin, Saint--Motherhood--Art. Photographs. Postcards. Scrapbooks. Description An account of the resource Large scrapbook containing numerous images of the Virgin Mary. Includes prints, holy cards, images from magazines and other images. Book made by J. B. Lippincott Co., Philadelphia. Scrapbook is marked as having belonged to Francis X. Reuss. Source A related resource from which the described resource is derived Graphics Identifier An unambiguous reference to the resource within a given context 2010.096.01 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Title A name given to the resource Marian Scrapbook part 5 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available J. B. Lippincott Co. Date A point or period of time associated with an event in the lifecycle of the resource 1855-02-25 Format The file format, physical medium, or dimensions of the resource image/jpeg Relation A related resource Marian Scrapbook https://omeka.chrc-phila.org/files/original/2d9e304bfbda992c7d2cb6ff193d33da.jpg 062e1071a1537251bf2b1ad01a26657f https://omeka.chrc-phila.org/files/original/1ca76abf0000e1828a5ff31af10bea22.jpg ad58bd258139e8f8489a619f4e23e7fc https://omeka.chrc-phila.org/files/original/86f284683ecf6e5fe03ccdf84281114b.jpg ffd3209eb2b227afc9dd68cc4b42aba7 https://omeka.chrc-phila.org/files/original/564ebde5532df9863ee9c80c4fca2f9e.jpg a8eaa75067870d7bb9eb60488f8b931e https://omeka.chrc-phila.org/files/original/d83590faacf78a127a8f0d69dd035478.jpg 9108c380a7e88ca869ccca7fd755f83b https://omeka.chrc-phila.org/files/original/218cdfbd90fac1fe98fbfb496b4aa2f9.jpg 5d1638846dde7a5664afbe56bb843c04 https://omeka.chrc-phila.org/files/original/663a1a4d9bf1d6eeb11aeb26a6b7d865.jpg 4f02c59d28fd68a5457845445ab81884 https://omeka.chrc-phila.org/files/original/eb30dbb064e9b7b0db299bb87daf9270.jpg aa5a2bf9e10923a84017175170eb26b6 https://omeka.chrc-phila.org/files/original/f4b5339411f5fdc3284939c9504757fa.jpg 29c552b375763ecf432f2245d6f3a944 https://omeka.chrc-phila.org/files/original/bcfb62c0038fb8b54f780bcee22d8cc5.jpg 5e75942d965c909b1f83be505c074657 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Mary, Blessed Virgin, Saint. Reuss, Francis X., 1847-1913. Clippings. Devotional images. Mary, Blessed Virgin, Saint—Art. Mary, Blessed Virgin, Saint--Devotion to. Mary, Blessed Virgin, Saint--Motherhood--Art. Photographs. Postcards. Scrapbooks. Description An account of the resource Large scrapbook containing numerous images of the Virgin Mary. Includes prints, holy cards, images from magazines and other images. Book made by J. B. Lippincott Co., Philadelphia. Scrapbook is marked as having belonged to Francis X. Reuss. Source A related resource from which the described resource is derived Graphics Identifier An unambiguous reference to the resource within a given context 2010.096.01 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Title A name given to the resource Marian Scrapbook part 6 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available J. B. Lippincott Co. Date A point or period of time associated with an event in the lifecycle of the resource 1899-02-25 Format The file format, physical medium, or dimensions of the resource image/jpeg Relation A related resource Marian Scrapbook https://omeka.chrc-phila.org/files/original/9f32f1f17bac06d9f237b9c62020d5bc.jpg 21c137a5077947d3234fa7dd5b8a75de https://omeka.chrc-phila.org/files/original/4db828c4a3e7a502d4677c3ce608f17f.jpg f222b98485339af847cf849bd9882e5a https://omeka.chrc-phila.org/files/original/43ad71fa11e3b55e7c7cc41f43177ddf.jpg 98e9cbd22b33eae6d6f6ec91b5bcc1f4 https://omeka.chrc-phila.org/files/original/9f35f5be7b0428a12a581968bc196493.jpg f0f917a11f0dfd4b976a4cc6eb2ecdc5 https://omeka.chrc-phila.org/files/original/8b6a4c7ae6847bf2d00db6e95993b76c.jpg 0a726ca9fc9c716acc1454e4ad8e52a5 https://omeka.chrc-phila.org/files/original/a63df6c45a2eadd530a862142bcc1022.jpg ba60623befa63aa11e04b0173cec4775 https://omeka.chrc-phila.org/files/original/0f80d9333ef95e2cf491ef9d3e6c29fa.jpg 54d785d02f25eadba093993ef70e4232 https://omeka.chrc-phila.org/files/original/1f022407e3ba99da0ef92325cdeaab70.jpg a24f37a9f2042391289580f1a423569a https://omeka.chrc-phila.org/files/original/53855b07caa628149ea7fe41da0bf102.jpg 9edf0e9a692f746f4a76dc7f67be44ed https://omeka.chrc-phila.org/files/original/9362857c049f46bc5a7584ba244fb160.jpg e113cbcb0db965e04ac85f51ece92932 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Mary, Blessed Virgin, Saint. Reuss, Francis X., 1847-1913. Clippings. Devotional images. Mary, Blessed Virgin, Saint—Art. Mary, Blessed Virgin, Saint--Devotion to. Mary, Blessed Virgin, Saint--Motherhood--Art. Photographs. Postcards. Scrapbooks. Description An account of the resource Large scrapbook containing numerous images of the Virgin Mary. Includes prints, holy cards, images from magazines and other images. Book made by J. B. Lippincott Co., Philadelphia. Scrapbook is marked as having belonged to Francis X. Reuss. Source A related resource from which the described resource is derived Graphics Identifier An unambiguous reference to the resource within a given context 2010.096.01 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Title A name given to the resource Marian Scrapbook part 7 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available J. B. Lippincott Co. Date A point or period of time associated with an event in the lifecycle of the resource 1899-02-25 Format The file format, physical medium, or dimensions of the resource image/jpeg Relation A related resource Marian Scrapbook https://omeka.chrc-phila.org/files/original/262b9b9c2d1391d728c6eaebfed3534e.jpg d7a71ea2a86559e6b441b92d7aafe94c https://omeka.chrc-phila.org/files/original/22ec26c85b8bda3aafb51c9e9aea96cf.jpg 59628e132a147e38d0a6ca7524504eef https://omeka.chrc-phila.org/files/original/82ef62aaa02566658e6152041e9727ff.jpg ec7858772be1361a5427d143f6ff9d25 https://omeka.chrc-phila.org/files/original/416bfee4f52b1d8dea02478e1c91daed.jpg cf608ad5f6d27bf0962fe08a4becb8ed https://omeka.chrc-phila.org/files/original/54a66caf648ab61d0c01e8b7be6eb21f.jpg a7090fd208fc07280ed7541c24507e31 https://omeka.chrc-phila.org/files/original/4249e220ec5f01bb720e5a57714fc079.jpg 3b1dd8032d9d3872e321ea6ff0777114 https://omeka.chrc-phila.org/files/original/37a4b8a9bf5f87d0b3b67d6bef2a6e15.jpg b645b420ecb0a91906badd8939aef5f9 https://omeka.chrc-phila.org/files/original/ba0b2d618303f2de39c1fa736b9035d2.jpg af868688bfee44eaa820dc1d3cafe90c https://omeka.chrc-phila.org/files/original/410a0388084dfe4acb090261fd93e049.jpg c40b36d73ca94b5a20471db48e26808c https://omeka.chrc-phila.org/files/original/8eb863b56fed057f4416837486798f3d.jpg ce390cd87d3443ab1a667c3b0cb5e6e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Mary, Blessed Virgin, Saint. Reuss, Francis X., 1847-1913. Clippings. Devotional images. Mary, Blessed Virgin, Saint—Art. Mary, Blessed Virgin, Saint--Devotion to. Mary, Blessed Virgin, Saint--Motherhood--Art. Photographs. Postcards. Scrapbooks. Description An account of the resource Large scrapbook containing numerous images of the Virgin Mary. Includes prints, holy cards, images from magazines and other images. Book made by J. B. Lippincott Co., Philadelphia. Scrapbook is marked as having belonged to Francis X. Reuss. Source A related resource from which the described resource is derived Graphics Identifier An unambiguous reference to the resource within a given context 2010.096.01 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Title A name given to the resource Marian Scrapbook part 8 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available J. B. Lippincott Co. Date A point or period of time associated with an event in the lifecycle of the resource 1899-020-25 Format The file format, physical medium, or dimensions of the resource image/jpeg Relation A related resource Marian Scrapbook https://omeka.chrc-phila.org/files/original/67ffefd5d689c9bf95ec44a665a1f5bb.jpg 4caeec056efdb8d1ceb4cc39ca03f6fa https://omeka.chrc-phila.org/files/original/9cbf0e36fe6fe316e6a60ee81bf26f24.jpg 04218720c5899fe315660acd1de62e46 https://omeka.chrc-phila.org/files/original/b235576076ddab70a2f846839337f39a.jpg 13d8e15a28f4d5e528f018a1ccfbf728 https://omeka.chrc-phila.org/files/original/98433986072359b7f880cdf8de523b5f.jpg d2e52f917646466d621cc4e6702fba79 https://omeka.chrc-phila.org/files/original/f3c4b703c8cbb88cd64b50efaf348a29.jpg 36b074def13822fce78196b35daf700c https://omeka.chrc-phila.org/files/original/6ee6ef87d8ca1bdf374655bb25471e1a.jpg 50ec31dfcb45b13eea112d245c63abc8 https://omeka.chrc-phila.org/files/original/3bb619d5b9bb93f4e8e8d9b50d55b3e1.jpg a3bdf8714e43aff466ec47526c46a824 https://omeka.chrc-phila.org/files/original/6ac2611e0c267b6dc484dfd3211b3ea5.jpg 14de0feab50cec6603c9b9caba3a3799 https://omeka.chrc-phila.org/files/original/1658f8137baa4e63dc63eb69dc4c1fba.jpg 2ddab3e6db1a779672b7296d8e91c9d1 https://omeka.chrc-phila.org/files/original/dc65da1e103400c76653f20bd33d009b.jpg 6cbdcda40f4da198ee759d8dd127a9d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Mary, Blessed Virgin, Saint. Reuss, Francis X., 1847-1913. Clippings. Devotional images. Mary, Blessed Virgin, Saint—Art. Mary, Blessed Virgin, Saint--Devotion to. Mary, Blessed Virgin, Saint--Motherhood--Art. Photographs. Postcards. Scrapbooks. Description An account of the resource Large scrapbook containing numerous images of the Virgin Mary. Includes prints, holy cards, images from magazines and other images. Book made by J. B. Lippincott Co., Philadelphia. Scrapbook is marked as having belonged to Francis X. Reuss. Source A related resource from which the described resource is derived Graphics Identifier An unambiguous reference to the resource within a given context 2010.096.01 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Title A name given to the resource Marian Scrapbook part 9 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1899-02-25 Format The file format, physical medium, or dimensions of the resource image/jpeg Publisher An entity responsible for making the resource available J. B. Lippincott Co. Relation A related resource Marian Scrapbook https://omeka.chrc-phila.org/files/original/251691b24278770eb4a20201422d7a45.mp3 a9e87da4f0cd583965a7d6ea279a9330 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Transcription Any written text transcribed from a sound <div style="width: 750px; height: 300px; overflow: scroll;" 1="" br="">00:00:00,000 --&gt; 00:00:20,000<br />Behold this heart which has loved men so much.<br />2<br />00:00:20,000 --&gt; 00:00:33,840<br />Behold this Eucharistic heart which has loved men so much.<br />3<br />00:00:33,840 --&gt; 00:00:40,720<br />Listen to Jesus speaking to us from the Eucharist.<br />4<br />00:00:40,720 --&gt; 00:00:44,320<br />I have loved you with an everlasting love.<br />5<br />00:00:44,320 --&gt; 00:00:57,400<br />And in return for my limitless, infinite love manifested in the Blessed Sacrament,<br />6<br />00:00:57,400 --&gt; 00:01:13,560<br />I receive only ingratitude, coldness, indifference, forgetfulness, sacrilege,<br />7<br />00:01:13,560 --&gt; 00:01:29,120<br />and what hurts me most is that I am treated in this manner by my friends.<br />8<br />00:01:29,120 --&gt; 00:01:41,680<br />Behold the broken, saddened heart of Jesus.<br />9<br />00:01:41,680 --&gt; 00:01:53,460<br />In reparation for our contribution to this sad complaint of our blessed Lord, made at<br />10<br />00:01:53,460 --&gt; 00:02:05,540<br />Pare Mimonial. Please repeat each one of these invocations after me.<br />11<br />00:02:08,180 --&gt; 00:02:17,460<br />Eucharistic heart of Jesus, my King, I adore you. Together. Eucharistic heart of<br />12<br />00:02:17,460 --&gt; 00:02:23,100<br />of Jesus, King, I adore you.<br />13<br />00:02:23,100 --&gt; 00:02:29,220<br />Eucharistic heart of Jesus, my Savior, I thank you.<br />14<br />00:02:35,780 --&gt; 00:02:42,300<br />Eucharistic heart of Jesus, my friend and my brother,<br />15<br />00:02:42,300 --&gt; 00:02:42,980<br />I love you.<br />16<br />00:02:47,460 --&gt; 00:02:54,460<br />Eucharistic heart of Jesus, I love you.<br />17<br />00:02:54,460 --&gt; 00:03:01,460<br />Eucharistic heart of Jesus, I love you.<br />18<br />00:03:01,460 --&gt; 00:03:09,460<br />Eucharistic heart of Jesus, I love you.<br />19<br />00:03:09,460 --&gt; 00:03:25,260<br />When a friend, a relative is insulted, an apology is called for.<br />20<br />00:03:25,260 --&gt; 00:03:37,540<br />Jesus, our King, our friend, our brother, our Savior, is being grievously insulted today.<br />21<br />00:03:37,540 --&gt; 00:03:40,740<br />His rights are being ignored.<br />22<br />00:03:40,740 --&gt; 00:03:45,140<br />He is literally being dethroned.<br />23<br />00:03:45,140 --&gt; 00:03:48,380<br />He is the Lord of life.<br />24<br />00:03:48,380 --&gt; 00:03:54,940<br />And there is an attack against his rights as Lord of life.<br />25<br />00:03:54,940 --&gt; 00:04:04,700<br />Let us apologize to him now for these insults against his Divine Majesty.<br />26<br />00:04:04,700 --&gt; 00:04:15,920<br />each one of these invocations, please reply, Lord, we apologize. For all the<br />27<br />00:04:15,920 --&gt; 00:04:23,180<br />neglect shown to you in the sacrament of your love, Lord, please accept our<br />28<br />00:04:23,180 --&gt; 00:04:32,320<br />apologize. Reply, Lord, we apologize. For the indifference and forgetfulness<br />29<br />00:04:32,320 --&gt; 00:04:40,320<br />shown to you in the sacrament of your love. Lord, please accept our apology.<br />30<br />00:04:40,320 --&gt; 00:04:48,100<br />Lord, we apologize for all the irreverence, the sacrileges, the<br />31<br />00:04:48,100 --&gt; 00:04:55,400<br />blasphemies committed against you in the Holy Eucharist. Lord, please accept our<br />32<br />00:04:55,400 --&gt; 00:05:11,200<br />our apology. For the attacks against your mystical body, Lord, please accept our apology.<br />33<br />00:05:11,200 --&gt; 00:05:23,160<br />For those who are practicing and promoting contraception, Lord, please accept our apology.<br />34<br />00:05:23,160 --&gt; 00:05:31,200<br />For those who are encouraging abortion, for those who are responsible for the legalizing<br />35<br />00:05:31,200 --&gt; 00:05:41,700<br />of abortion in our country and throughout the world, Lord, please accept our apology.<br />36<br />00:05:41,700 --&gt; 00:05:50,460<br />For those who are breaking up the sanctity of marriage by divorce, Lord, please accept<br />37<br />00:05:50,460 --&gt; 00:06:05,660<br />our apology. For all the sins committed against family life, Lord, please accept our apology.<br />38<br />00:06:05,660 --&gt; 00:06:14,860<br />And now we are going to renew the covenant of love each one of us has made on the day<br />39<br />00:06:14,860 --&gt; 00:06:22,060<br />of our baptism. We make this covenant, this consecration to the Eucharistic<br />40<br />00:06:22,060 --&gt; 00:06:27,940<br />heart of Jesus in the name of our families and all the families of the<br />41<br />00:06:27,940 --&gt; 00:06:34,660<br />United States and of all those represented here tonight. If you have<br />42<br />00:06:34,660 --&gt; 00:06:43,820<br />with you the Sheet family enthronement covenant, I ask you to take it now and<br />43<br />00:06:43,820 --&gt; 00:06:48,820<br />and say with me the act of consecration number six.<br />44<br />00:06:52,160 --&gt; 00:06:56,080<br />If you do not have it, I will say it in your name.<br />45<br />00:06:57,280 --&gt; 00:07:00,540<br />In the name of the Father and of the Son<br />46<br />00:07:00,540 --&gt; 00:07:03,080<br />and of the Holy Spirit, amen.<br />47<br />00:07:04,380 --&gt; 00:07:08,100<br />Almighty and eternal Father,<br />48<br />00:07:08,100 --&gt; 00:07:12,740<br />we the families represented here tonight<br />49<br />00:07:12,740 --&gt; 00:07:17,740<br />and in the name of all families of our country,<br />50<br />00:07:18,740 --&gt; 00:07:23,380<br />consecrate ourselves and our homes<br />51<br />00:07:23,380 --&gt; 00:07:28,060<br />to the sacred heart of your only begotten son,<br />52<br />00:07:28,060 --&gt; 00:07:31,140<br />Jesus Christ, our Lord,<br />53<br />00:07:31,140 --&gt; 00:07:35,940<br />who loves us with a tender and everlasting love.<br />54<br />00:07:37,160 --&gt; 00:07:39,780<br />May we return this love<br />55<br />00:07:39,780 --&gt; 00:07:43,940<br />as he comes into the midst of our family<br />56<br />00:07:43,940 --&gt; 00:07:52,320<br />to live and share our life in a special way from this day on.<br />57<br />00:07:52,320 --&gt; 00:07:56,780<br />We freely choose to make this covenant of love with you,<br />58<br />00:07:56,780 --&gt; 00:08:02,100<br />Father, and dedicate to the heart of Jesus<br />59<br />00:08:02,100 --&gt; 00:08:09,380<br />all that we have without any reservation on our part.<br />60<br />00:08:09,380 --&gt; 00:08:14,380<br />promising to amend our lives by turning from sin<br />61<br />00:08:15,900 --&gt; 00:08:19,340<br />and all that might lead us into sin.<br />62<br />00:08:20,580 --&gt; 00:08:25,580<br />Jesus, we accept you as a living member of our family.<br />63<br />00:08:27,900 --&gt; 00:08:32,900<br />Sanctify our joys and comfort us in our sorrows.<br />64<br />00:08:32,900 --&gt; 00:08:44,900<br />May your Holy Spirit continually make us aware of your special presence among us and in one another.<br />65<br />00:08:44,900 --&gt; 00:08:57,900<br />Stay with us, Lord, and through this consecration, help us to have a deep and loving respect for one another.<br />66<br />00:08:57,900 --&gt; 00:09:02,900<br />Help us to imitate your gentle and humble heart,<br />67<br />00:09:02,900 --&gt; 00:09:06,900<br />that we may give ourselves to each other<br />68<br />00:09:06,900 --&gt; 00:09:12,900<br />by the faithful performance of our family obligations.<br />69<br />00:09:12,900 --&gt; 00:09:18,900<br />With the motherly aid of the Immaculate Heart of Mary,<br />70<br />00:09:18,900 --&gt; 00:09:23,900<br />may this enthronement of your living, loving heart,<br />71<br />00:09:23,900 --&gt; 00:09:33,580<br />heart, your divine and glorified heart, O Jesus, lead us to a renewed confidence<br />72<br />00:09:33,580 --&gt; 00:09:42,820<br />in your merciful love for each of us individually and at the same time for<br />73<br />00:09:42,820 --&gt; 00:09:52,620<br />all the human family, especially the poor and the oppressed. Use us, Lord, to make<br />74<br />00:09:52,620 --&gt; 00:09:57,620<br />Make your love known beyond our home.<br />75<br />00:09:57,620 --&gt; 00:10:01,220<br />Dispel all our doubts.<br />76<br />00:10:01,220 --&gt; 00:10:04,320<br />Strengthen our faith.<br />77<br />00:10:04,320 --&gt; 00:10:08,020<br />Fill us with holy hope.<br />78<br />00:10:08,020 --&gt; 00:10:14,620<br />Guide us to the solutions necessary to bring about justice<br />79<br />00:10:14,620 --&gt; 00:10:17,820<br />and peace for all.<br />80<br />00:10:17,820 --&gt; 00:10:22,420<br />Wipe away our fears and anxieties.<br />81<br />00:10:22,420 --&gt; 00:10:29,300<br />Teach us to use properly all material goods at our disposal.<br />82<br />00:10:29,300 --&gt; 00:10:35,900<br />Show us the way to overcome class hatred and civil strife.<br />83<br />00:10:35,900 --&gt; 00:10:44,860<br />Penetrate us with your love, for it is in doing your holy will that we desire to find<br />84<br />00:10:44,860 --&gt; 00:10:48,340<br />our way to your Father.<br />85<br />00:10:48,340 --&gt; 00:10:50,180<br />Amen.<br />86<br />00:10:50,180 --&gt; 00:10:57,540<br />Please repeat each one of these invocations after me as we look at Jesus in the Blessed<br />87<br />00:10:57,540 --&gt; 00:11:06,500<br />Sacrament and recall that his Eucharistic heart is beating steadily out of love for<br />88<br />00:11:06,500 --&gt; 00:11:14,240<br />each one of us and we pray that his kingdom of love come.<br />89<br />00:11:14,240 --&gt; 00:11:16,940<br />Sacred heart of Jesus, we love you.<br />90<br />00:11:20,180 --&gt; 00:11:27,180<br />Sacred Heart of Jesus, thy kingdom come.<br />91<br />00:11:27,180 --&gt; 00:11:35,180<br />Immaculate Heart of Mary, pray for us.<br />92<br />00:11:35,180 --&gt; 00:11:43,180<br />Saint Joseph, Friend of the Sacred Hearts, pray for us.<br />93<br />00:11:43,180 --&gt; 00:11:47,820<br />Saint Margaret Mary pray for us.<br />94<br />00:11:47,820 --&gt; 00:11:58,860<br />Glory to the sacred hearts of Jesus and Mary, now and forever, amen.<br />95<br />00:11:58,860 --&gt; 00:12:08,380<br />Glory to the sacred hearts of Jesus and Mary, now and forever, amen.<br />96<br />00:12:08,380 --&gt; 00:12:14,140<br />In the name of the Father, and of the Son, and of the Holy Spirit, Amen.<br />97<br />00:12:38,380 --&gt; 00:12:45,380<br />And now, His Eminence Antonio Cardinal Ribeiro,<br />98<br />00:12:45,380 --&gt; 00:12:49,380<br />Patriarch of Lisbon and Primate of Portugal,<br />99<br />00:12:49,380 --&gt; 00:12:53,380<br />will lead the first decade of the World Rosary<br />100<br />00:12:53,380 --&gt; 00:12:56,380<br />for the reign of the Eucharistic Heart of Jesus<br />101<br />00:12:56,380 --&gt; 00:12:58,380<br />among the nations of Europe<br />102<br />00:12:58,380 --&gt; 00:13:02,380<br />through the intercession of the Immaculate Heart of His Mother.<br />103<br />00:13:02,380 --&gt; 00:13:05,380<br />His Eminence will lead the Rosary in the beautiful language<br />104<br />00:13:05,380 --&gt; 00:13:10,380<br />spoken by Our Lady in her apparition of Fatima, Portuguese.<br />105<br />00:13:10,380 --&gt; 00:13:13,380<br />The congregation will respond in English.<br />106<br />00:13:35,380 --&gt; 00:13:42,380<br />the first design for the Eucharistic Heart of Jesus.<br />107<br />00:13:42,380 --&gt; 00:13:45,380<br />He will pray for the nations of Europe<br />108<br />00:13:45,380 --&gt; 00:13:50,380<br />in the beautiful language that was spoken by Our Lady<br />109<br />00:13:50,380 --&gt; 00:13:54,380<br />in the apparitions of Fatima.<br />110<br />00:13:54,380 --&gt; 00:13:57,380<br />We will answer in English.<br />111<br />00:14:05,380 --&gt; 00:14:29,340<br />My brothers and sisters, we are gathered here with Jesus, who prays and suffers for the<br />112<br />00:14:29,340 --&gt; 00:14:33,660<br />salvation of men.<br />113<br />00:14:33,660 --&gt; 00:14:41,060<br />The Olive Garden, where Christ watched over us in suffering and prayer,<br />114<br />00:14:43,060 --&gt; 00:14:46,060<br />has now been transferred to this stadium,<br />115<br />00:14:47,060 --&gt; 00:14:51,060<br />which is surrounding the Eucharist.<br />116<br />00:14:54,060 --&gt; 00:14:59,060<br />Here, we are not just three people accompanying the Master.<br />117<br />00:14:59,060 --&gt; 00:15:07,060<br />We are many. We are a crowd from various parts of the Earth.<br />118<br />00:15:07,060 --&gt; 00:15:15,060<br />So to speak, we bring with us and represent the whole world.<br />119<br />00:15:15,060 --&gt; 00:15:23,060<br />In us and for us, the humanity of the five continents is present.<br />120<br />00:15:23,060 --&gt; 00:15:31,060<br />Now and here, the whole earth is the Garden of Olives and the vigil of Passion.<br />121<br />00:15:31,060 --&gt; 00:15:41,060<br />In our body and in our soul, the great needs of today's men are reflected and expressed.<br />122<br />00:15:41,060 --&gt; 00:15:48,060<br />The hunger for God and the Spirit, the hunger for truth and justice,<br />123<br />00:15:48,060 --&gt; 00:15:53,060<br />the hunger for freedom and for fraternal understanding,<br />124<br />00:15:53,060 --&gt; 00:15:57,060<br />in short, the hunger for Jesus Christ,<br />125<br />00:15:57,060 --&gt; 00:16:01,060<br />who came down from heaven to satisfy all.<br />126<br />00:16:03,060 --&gt; 00:16:07,060<br />Let us watch to ensure, among men,<br />127<br />00:16:07,060 --&gt; 00:16:11,060<br />the freedom of the Spirit and the primacy of God.<br />128<br />00:16:13,060 --&gt; 00:16:15,060<br />In the fervor of our faith,<br />129<br />00:16:15,060 --&gt; 00:16:20,060<br />Let us also pray for ourselves and for all of humanity.<br />130<br />00:16:21,060 --&gt; 00:16:29,060<br />Let us pray for those who do not believe, do not worship, do not expect and do not love.<br />131<br />00:16:30,060 --&gt; 00:16:38,060<br />United with Jesus, let us offer ourselves in sacrifice of reparation for the sins of the world.<br />132<br />00:16:38,060 --&gt; 00:16:50,060<br />The Lord's invitation to vigilance and prayer was repeated by the Virgin Mary to the shepherds of Fatima.<br />133<br />00:16:50,060 --&gt; 00:17:04,060<br />With Mary, our mother, we remained in worship and supplication before Jesus, who is the bread of life, the host of salvation.<br />134<br />00:17:04,060 --&gt; 00:17:11,060<br />Our Father, who art in heaven, hallowed be thy name.<br />135<br />00:17:11,060 --&gt; 00:17:17,060<br />Thy kingdom come, thy will be done, on earth as it is in heaven.<br />136<br />00:17:17,060 --&gt; 00:17:17,900<br />So,<br />137<br />00:17:30,460 --&gt; 00:17:35,460<br />to the unexpected absence of Cardinal Martinez,<br />138<br />00:17:36,300 --&gt; 00:17:40,940<br />Cardinal Orsi, Archbishop of Naples,<br />139<br />00:17:40,940 --&gt; 00:17:45,900<br />will give the meditation on the second mystery<br />140<br />00:17:45,900 --&gt; 00:17:48,020<br />of the Rosary.<br />141<br />00:17:48,020 --&gt; 00:17:52,220<br />The translation has not been prepared,<br />142<br />00:17:52,220 --&gt; 00:17:59,620<br />so Father Modestus of Loreto, Italy, will translate.<br />143<br />00:17:59,620 --&gt; 00:18:04,860<br />We invite those who are behind the altar<br />144<br />00:18:04,860 --&gt; 00:18:10,440<br />to move to seats towards the front of the altar,<br />145<br />00:18:10,440 --&gt; 00:18:15,060<br />because translations of the meditations<br />146<br />00:18:15,060 --&gt; 00:18:19,540<br />are appearing on the scoreboard.<br />147<br />00:18:19,540 --&gt; 00:18:23,420<br />His Eminence, Curado Cardinal Ursi.<br />148<br />00:18:23,420 --&gt; 00:18:48,420<br />In the second mystery, we contemplate the fragilization of Jesus.<br />149<br />00:18:48,420 --&gt; 00:19:06,420<br />Jesus particularly spies the sin of sensuality.<br />150<br />00:19:06,420 --&gt; 00:19:19,060<br />In a time like ours, of consumism, that is, of materialism of life,<br />151<br />00:19:19,160 --&gt; 00:19:28,960<br />the spiritual values are concocted or falsified.<br />152<br />00:19:28,960 --&gt; 00:19:37,960<br />That is why the family suffers a lot.<br />153<br />00:19:37,960 --&gt; 00:19:47,960<br />In the fever of pleasure, the youth is badly educated.<br />154<br />00:19:58,960 --&gt; 00:20:05,960<br />and the life in the family is not as it was before.<br />155<br />00:20:28,960 --&gt; 00:20:33,960<br />and also in international relations.<br />156<br />00:20:33,960 --&gt; 00:20:39,960<br />The economy is the one that has the most prevalence<br />157<br />00:20:39,960 --&gt; 00:20:45,960<br />among all other human activities.<br />158<br />00:20:45,960 --&gt; 00:20:53,960<br />And it happens that the poor become more and more poor,<br />159<br />00:20:53,960 --&gt; 00:20:59,960<br />the rich become richer and richer,<br />160<br />00:20:59,960 --&gt; 00:21:11,960<br />and so there is still disharmony and struggle between the classes and the peoples.<br />161<br />00:21:12,960 --&gt; 00:21:22,960<br />Not only in the family, but also in social life and in the economics,<br />162<br />00:21:22,960 --&gt; 00:21:29,960<br />so that nowadays the poor are always poorer<br />163<br />00:21:29,960 --&gt; 00:21:37,960<br />and families are not as they were treated before.<br />164<br />00:21:38,960 --&gt; 00:21:46,960<br />The Lord gives us to expiate in this our time<br />165<br />00:21:46,960 --&gt; 00:21:50,960<br />this fever of pleasure<br />166<br />00:21:50,960 --&gt; 00:22:00,800<br />in order that we can look at the authentic values of life.<br />167<br />00:22:00,800 --&gt; 00:22:15,960<br />May the Virgin Mary give us the grace of overcoming all the corruption that is spreading in our world.<br />168<br />00:22:15,960 --&gt; 00:22:23,960<br />May God grant us the grace to overcome this corruption.<br />169<br />00:22:24,960 --&gt; 00:22:34,960<br />May Mary grant us the grace to overcome this present bad situation.<br />170<br />00:22:34,960 --&gt; 00:23:02,760<br />And now his eminence, Maurice Cardinal Otunga, Archbishop of Nairobi, will lead the third<br />171<br />00:23:02,760 --&gt; 00:23:08,220<br />decade of the world rosary for the reign of the Eucharistic heart of Jesus among<br />172<br />00:23:08,220 --&gt; 00:23:12,600<br />the nations of Africa through the intercession of the Immaculate Heart of<br />173<br />00:23:12,600 --&gt; 00:23:18,760<br />His Mother. His eminence will lead the rosary in English.<br />174<br />00:23:32,760 --&gt; 00:24:00,920<br />My brothers and sisters, on this venerable night, we are here in this<br />175<br />00:24:00,920 --&gt; 00:24:19,480<br />This venerable stadium which we erected in the honor of our veterans.<br />176<br />00:24:19,480 --&gt; 00:24:43,200<br />are our soldiers who gave their lives so that we may live in peace. We may be able to enjoy<br />177<br />00:24:43,200 --&gt; 00:25:03,360<br />goods of the world. We know when a person becomes a soldier he accepts the life and<br />178<br />00:25:03,360 --&gt; 00:25:10,280<br />the conditions of a soldier.<br />179<br />00:25:10,280 --&gt; 00:25:29,960<br />In the first mystery of today, our Lord accepted his chalice, which his father has given him<br />180<br />00:25:29,960 --&gt; 00:25:57,720<br />to drink on our behalf so that we may be able to share in the goodness and life of God himself.<br />181<br />00:25:57,720 --&gt; 00:26:12,720<br />In the mystery we are going to imitate, our Lord accepts in a very particular way certain<br />182<br />00:26:12,720 --&gt; 00:26:37,040<br />sufferings. His kingship is ridiculed. He is laughed at. His truth is ridiculed. And<br />183<br />00:26:37,040 --&gt; 00:26:53,880<br />because this is especially represented by the thinking organ of our body, namely the<br />184<br />00:26:53,880 --&gt; 00:27:14,560<br />head. Our Lord wants to gain for us the power, the courage to be honest. Honest<br />185<br />00:27:14,560 --&gt; 00:27:19,160<br />Honest with ourselves.<br />186<br />00:27:19,160 --&gt; 00:27:23,760<br />Honest with our neighbour.<br />187<br />00:27:23,760 --&gt; 00:27:29,000<br />Honest with God.<br />188<br />00:27:29,000 --&gt; 00:27:39,280<br />Sincere in knowing the truth and embracing it.<br />189<br />00:27:39,280 --&gt; 00:27:55,160<br />May we on this night, when we are thinking of the love of God for us human beings all<br />190<br />00:27:55,160 --&gt; 00:28:12,160<br />all over the world ask particularly this grace, the grace to be honest with ourselves, with<br />191<br />00:28:12,160 --&gt; 00:28:17,120<br />our neighbor with God.<br />192<br />00:28:17,120 --&gt; 00:28:28,000<br />The honest to face the truth whatever it may cost us.<br />193<br />00:28:28,000 --&gt; 00:28:38,680<br />To live the truth even when other people may ridicule us.<br />194<br />00:28:38,680 --&gt; 00:28:54,120<br />May the Mother of God, who was not ashamed to follow her Son on the way to crucifixion,<br />195<br />00:28:54,120 --&gt; 00:29:04,920<br />help us to be humble and honest.<br />196<br />00:29:04,920 --&gt; 00:29:13,920<br />The third mystery, Christ is crowned with thorns.<br />197<br />00:29:13,920 --&gt; 00:29:19,960<br />Our Father, who art in heaven, hallowed be thy name.<br />198<br />00:29:19,960 --&gt; 00:29:23,960<br />Thy kingdom come, thy will be done, on earth as it is in heaven.<br />199<br />00:29:23,960 --&gt; 00:29:30,260<br />President of the Conference of Chinese Bishops,<br />200<br />00:29:30,260 --&gt; 00:29:35,060<br />despite infirmity and fatigue,<br />201<br />00:29:35,060 --&gt; 00:29:41,900<br />Cardinal Upin is here to lead us in this mystery<br />202<br />00:29:41,900 --&gt; 00:29:46,440<br />to help to dry our ladies' tears.<br />203<br />00:29:46,440 --&gt; 00:30:02,440<br />The fourth mysterious miracle will be prayed by Cardinal Yupin, President of the Bishops of China.<br />204<br />00:30:02,440 --&gt; 00:30:03,440<br />Thank you.<br />205<br />00:30:11,720 --&gt; 00:30:19,440<br />My dear brethren, I have sent the translation of my talk.<br />206<br />00:30:20,680 --&gt; 00:30:26,240<br />Now, let me say a few words in Chinese to my fellow Chinese<br />207<br />00:30:26,440 --&gt; 00:30:29,440<br />present here for this rosary.<br />208<br />00:30:32,440 --&gt; 00:30:48,440<br />The mystery which I am going to talk about is the fourth mystery, the carrying of cross.<br />209<br />00:30:48,520 --&gt; 00:30:52,520<br />今天在座的各位教友<br />210<br />00:30:52,520 --&gt; 00:30:56,520<br />我是給他們已經把我的這個講演呢用英文寫來了<br />211<br />00:30:57,120 --&gt; 00:30:59,620<br />那麼我現在願意給大家講幾句話<br />212<br />00:31:00,620 --&gt; 00:31:05,120<br />因為這個第四這個我現在是這個痛苦四段<br />213<br />00:31:06,020 --&gt; 00:31:10,020<br />痛苦四段最主要的就是說耶穌背十字架登山<br />214<br />00:31:11,420 --&gt; 00:31:13,720<br />這個背十字架的事情<br />215<br />00:31:14,220 --&gt; 00:31:15,520<br />大家都知道啊<br />216<br />00:31:15,820 --&gt; 00:31:19,020<br />是我每個教友都因為很光榮的事情<br />217<br />00:31:19,920 --&gt; 00:31:22,320<br />可是耶穌為人類的罪呢<br />218<br />00:31:22,520 --&gt; 00:31:27,520<br />古往今來世界全體人類的罪惡<br />219<br />00:31:27,520 --&gt; 00:31:30,520<br />它這個十字架實在太重了<br />220<br />00:31:30,520 --&gt; 00:31:34,520<br />所以在背十字架的時候有三次跌倒<br />221<br />00:31:34,520 --&gt; 00:31:40,520<br />那麼有的地方人士感覺到很可憐<br />222<br />00:31:40,520 --&gt; 00:31:42,520<br />無主耶穌對他們說<br />223<br />00:31:42,520 --&gt; 00:31:43,520<br />你們不要可憐我<br />224<br />00:31:43,520 --&gt; 00:31:46,520<br />你們自己想你們的罪惡好了<br />225<br />00:31:46,520 --&gt; 00:31:48,520<br />我為什麼受苦啊<br />226<br />00:31:48,520 --&gt; 00:31:49,520<br />為什麼受難啊<br />227<br />00:31:49,520 --&gt; 00:31:51,520<br />都是為你們<br />228<br />00:31:51,520 --&gt; 00:31:56,520<br />所以這個在拜苦路的人不能不想的<br />229<br />00:31:56,520 --&gt; 00:32:01,520<br />耶穌他來純粹是為愛我們為救我們<br />230<br />00:32:01,520 --&gt; 00:32:04,520<br />第二我還願意給大家提一提<br />231<br />00:32:04,520 --&gt; 00:32:09,520<br />在這個耶穌在這個行程中<br />232<br />00:32:09,520 --&gt; 00:32:17,520<br />曾經有一個人看他那麼樣背著重的石頭架來幫他的忙<br />233<br />00:32:17,520 --&gt; 00:32:19,520<br />這叫勤力內応<br />234<br />00:32:19,520 --&gt; 00:32:21,520<br />他盡快來幫忙啊<br />235<br />00:32:21,520 --&gt; 00:32:24,520<br />有人講他也並不太甘心<br />236<br />00:32:24,520 --&gt; 00:32:26,520<br />他拉起來<br />237<br />00:32:26,520 --&gt; 00:32:28,520<br />羅馬的兵把他抓住了<br />238<br />00:32:28,520 --&gt; 00:32:30,520<br />讓他幫著耶穌背十字架<br />239<br />00:32:30,520 --&gt; 00:32:33,520<br />後來聽說他幫著耶穌背十字架<br />240<br />00:32:33,520 --&gt; 00:32:36,520<br />他完全是規劃了<br />241<br />00:32:36,520 --&gt; 00:32:38,520<br />很感動<br />242<br />00:32:38,520 --&gt; 00:32:41,520<br />後來甚至於大家都管他叫聖人<br />243<br />00:32:41,520 --&gt; 00:32:43,520<br />那麼我們背十字架<br />244<br />00:32:43,520 --&gt; 00:32:45,520<br />有的時候也敢叫這樣<br />245<br />00:32:45,520 --&gt; 00:32:47,520<br />有點不甘心<br />246<br />00:32:47,520 --&gt; 00:32:52,020<br />這個是70年代沒規劃以前的一種現象<br />247<br />00:32:53,080 --&gt; 00:32:56,240<br />等以後我們這個越背十字架<br />248<br />00:32:56,240 --&gt; 00:32:59,040<br />越敢叫耶穌基督的十字架是干預的<br />249<br />00:33:00,040 --&gt; 00:33:01,760<br />可以鼓勵我們<br />250<br />00:33:01,760 --&gt; 00:33:03,600<br />使我們振奮<br />251<br />00:33:03,600 --&gt; 00:33:05,000<br />因為這個關係啊<br />252<br />00:33:05,020 --&gt; 00:33:07,760<br />我們叫這背十字架是光榮啊<br />253<br />00:33:07,760 --&gt; 00:33:08,720<br />是愉快的事情<br />254<br />00:33:10,040 --&gt; 00:33:13,800<br />現階段的全世界的混亂<br />255<br />00:33:13,800 --&gt; 00:33:17,800<br />我們祖國的共產黨在大陸旁的種種的<br />256<br />00:33:17,800 --&gt; 00:33:20,400<br />給我們同袍的水深火熱<br />257<br />00:33:20,400 --&gt; 00:33:22,000<br />這種痛苦<br />258<br />00:33:22,000 --&gt; 00:33:23,800<br />那麼我們大家<br />259<br />00:33:23,800 --&gt; 00:33:26,800<br />這個時代實在是背耶穌的十字架<br />260<br />00:33:26,800 --&gt; 00:33:29,600<br />每個人都有許多的心事<br />261<br />00:33:29,600 --&gt; 00:33:30,800<br />無論家庭<br />262<br />00:33:30,800 --&gt; 00:33:32,200<br />無論是朋友<br />263<br />00:33:32,200 --&gt; 00:33:33,800<br />那麼在這個時候<br />264<br />00:33:33,800 --&gt; 00:33:38,400<br />我們就叫這十字架雖然是很重<br />265<br />00:33:38,400 --&gt; 00:33:40,400<br />跟著耶穌在一起<br />266<br />00:33:40,400 --&gt; 00:33:42,400<br />我們叫這還沒有什麼<br />267<br />00:33:42,400 --&gt; 00:33:45,400<br />所以我們還很難定地<br />268<br />00:33:45,400 --&gt; 00:33:49,400<br />那麼很有希望地往前去生活<br />269<br />00:33:49,400 --&gt; 00:33:54,400<br />所以今天在這個念這個第四段的時候<br />270<br />00:33:54,400 --&gt; 00:33:57,400<br />我們這個大家想起來呀<br />271<br />00:33:57,400 --&gt; 00:34:00,400<br />我們大家這個十字架好好背<br />272<br />00:34:00,400 --&gt; 00:34:03,400<br />那麼耶穌基督已經幫著我們<br />273<br />00:34:03,400 --&gt; 00:34:05,400<br />使我們在苦中得樂<br />274<br />00:34:05,400 --&gt; 00:34:08,400<br />使我們最後得到勝利<br />275<br />00:34:08,400 --&gt; 00:34:10,400<br />我們現在就念<br />276<br />00:34:10,400 --&gt; 00:34:12,400<br />在天我等復者<br />277<br />00:34:12,400 --&gt; 00:34:14,400<br />我等願耳鳴見聖<br />278<br />00:34:14,400 --&gt; 00:34:16,400<br />而果臨閣<br />279<br />00:34:16,400 --&gt; 00:34:18,400<br />而止成形於地<br />280<br />00:34:18,400 --&gt; 00:34:20,400<br />入於天言<br />281<br />00:34:20,400 --&gt; 00:34:22,400<br />我等望耳<br />282<br />00:34:22,400 --&gt; 00:34:24,400<br />今日與我<br />283<br />00:34:24,400 --&gt; 00:34:26,400<br />我是用糧<br />284<br />00:34:26,400 --&gt; 00:34:28,400<br />而免我債<br />285<br />00:34:28,400 --&gt; 00:34:30,400<br />如我一眠<br />286<br />00:34:30,400 --&gt; 00:34:32,400<br />復我債者<br />287<br />00:34:32,400 --&gt; 00:34:34,400<br />又不我許<br />288<br />00:34:34,400 --&gt; 00:34:36,400<br />現於又乾<br />289<br />00:34:36,400 --&gt; 00:34:45,400<br />滿背聖寵著,主欲而歇言,女中而未讚美,而太子耶穌並未讚美。<br />290<br />00:34:45,400 --&gt; 00:34:49,400<br />天主聖母瑪利亞,為我當罪人。<br />291<br />00:34:49,400 --&gt; 00:35:04,200<br />And now, his eminence John Cardinal Carberry.<br />292<br />00:35:04,200 --&gt; 00:35:08,200<br />who will now lead the fifth decade of the World Rosary<br />293<br />00:35:08,200 --&gt; 00:35:12,200<br />and Petition for Peace in the United States, Canada,<br />294<br />00:35:12,200 --&gt; 00:35:16,200<br />and Australia to the heart of our Eucharistic King<br />295<br />00:35:16,200 --&gt; 00:35:20,200<br />through the intercession of the Immaculate Heart of His Mother.<br />296<br />00:35:20,200 --&gt; 00:35:49,200<br />In this<br />297<br />00:35:49,200 --&gt; 00:35:57,360<br />sacred mystery, may we implore the assistance of our loving Mother Mary as<br />298<br />00:35:57,360 --&gt; 00:36:06,360<br />we reflect upon the final hours of the suffering on the cross of our dear Lord.<br />299<br />00:36:06,360 --&gt; 00:36:15,640<br />From 12 o'clock noon until 3 o'clock in the afternoon, He hangs suspended<br />300<br />00:36:15,640 --&gt; 00:36:26,640<br />between heaven and earth. As the minutes pass, his work of his life reaches its completion,<br />301<br />00:36:26,640 --&gt; 00:36:38,200<br />until at three o'clock, in the thick darkness which covered the earth, he bows his head and<br />302<br />00:36:38,200 --&gt; 00:36:50,200<br />and gives up his spirit. May we try to realize the intensity of his death struggle.<br />303<br />00:36:50,200 --&gt; 00:37:01,440<br />It's indescribable pain and suffering. No one else could have undergone it for us.<br />304<br />00:37:01,440 --&gt; 00:37:12,360<br />Often, as we think of it, our thoughts may be superficial.<br />305<br />00:37:12,360 --&gt; 00:37:23,440<br />We must pray for the gift of understanding, to know what he has achieved for us by his<br />306<br />00:37:23,440 --&gt; 00:37:37,720<br />death, namely, he has achieved the saving of millions of souls through the gift of redemption,<br />307<br />00:37:37,720 --&gt; 00:37:47,720<br />his call to a new life of grace, thereby sharing in his divine life.<br />308<br />00:37:47,720 --&gt; 00:37:52,720<br />Those who are curious, pulsating with a love for Jesus,<br />309<br />00:37:52,720 --&gt; 00:37:58,720<br />and understanding the Holy Spirit more deeply,<br />310<br />00:37:58,720 --&gt; 00:38:06,720<br />may feel the overwhelming love which Christ has for them,<br />311<br />00:38:06,720 --&gt; 00:38:12,720<br />and has given themselves wholeheartedly to Him,<br />312<br />00:38:12,720 --&gt; 00:38:17,720<br />with a new spirit and a new life in God.<br />313<br />00:38:17,720 --&gt; 00:38:21,720<br />In a spirit of faith, therefore,<br />314<br />00:38:21,720 --&gt; 00:38:27,720<br />let us take our place on the hill of Calvary<br />315<br />00:38:27,720 --&gt; 00:38:31,720<br />near His loving Mother Mary,<br />316<br />00:38:31,720 --&gt; 00:38:35,720<br />the Mother of Sorrows.<br />317<br />00:38:35,720 --&gt; 00:38:38,720<br />Let us look upon Her<br />318<br />00:38:38,720 --&gt; 00:38:51,040<br />and we will learn more of that very real, mysterious, profound, burning love of Christ<br />319<br />00:38:51,040 --&gt; 00:38:55,120<br />for each of us.<br />320<br />00:38:55,120 --&gt; 00:39:05,800<br />Greater love than this no man has, that he gives his life for his friend.<br />321<br />00:39:05,800 --&gt; 00:39:17,800<br />The test of love, the supreme test, is the willingness for one to die for someone else.<br />322<br />00:39:17,800 --&gt; 00:39:30,960<br />Mary, most loving Mother, unfold to me the sufferings of Christ in this mystery of the<br />323<br />00:39:30,960 --&gt; 00:39:33,440<br />crucifixion.<br />324<br />00:39:33,440 --&gt; 00:39:38,720<br />Help me to respond to His love.<br />325<br />00:39:38,720 --&gt; 00:39:52,800<br />Help me to give myself totally that I may return His love by a life of prayer, a life<br />326<br />00:39:52,800 --&gt; 00:40:04,480<br />of resignation to His holy will, a life of dedication to His teachings as founded in<br />327<br />00:40:04,480 --&gt; 00:40:14,880<br />the sacred scriptures and the testimony of sacred tradition presented to us by Holy Mother<br />328<br />00:40:14,880 --&gt; 00:40:17,000<br />Church.<br />329<br />00:40:17,000 --&gt; 00:40:28,680<br />May I learn to take up my cross and carry it in a spirit in which he carried his.<br />330<br />00:40:28,680 --&gt; 00:40:42,840<br />May I make myself a victim and unite myself with him suffering and dying on the cross<br />331<br />00:40:42,840 --&gt; 00:40:49,240<br />with the realisation that He will strengthen me.<br />332<br />00:40:49,240 --&gt; 00:40:58,680<br />He will give me the grace to carry the cross and from my suffering He will bring forth<br />333<br />00:40:58,680 --&gt; 00:41:07,720<br />good, grace, happiness, peace and joy.<br />334<br />00:41:07,720 --&gt; 00:41:15,320<br />My crucified Savior, behold me gazing upon you.<br />335<br />00:41:15,320 --&gt; 00:41:17,180<br />I love you.<br />336<br />00:41:17,180 --&gt; 00:41:20,760<br />I give myself to you.<br />337<br />00:41:20,760 --&gt; 00:41:28,120<br />I thank you for your gift of love and salvation.<br />338<br />00:41:28,120 --&gt; 00:41:40,280<br />We adore you and we praise you because by your Holy Cross you have redeemed the world.<br />339<br />00:41:40,280 --&gt; 00:41:56,080<br />Our Father who art in heaven, hallowed be thy name.<br />340<br />00:41:56,080 --&gt; 00:42:06,480<br />Patrick Payton needs no introduction. More than 25 years ago he began to<br />341<br />00:42:06,480 --&gt; 00:42:13,600<br />capture the attention of America with a radio program on the Rosary with the<br />342<br />00:42:13,600 --&gt; 00:42:20,960<br />aid of such stars as Bing Crosby and Loretta Young. Since then he has<br />343<br />00:42:20,960 --&gt; 00:42:28,720<br />circulated the world, lecturing in person to hundreds of thousands on the power of the<br />344<br />00:42:28,720 --&gt; 00:42:37,400<br />Rosary and reaching millions of others through his programs recorded on tape and film.<br />345<br />00:42:37,400 --&gt; 00:42:45,240<br />He comes from the same part of Ireland that my mother came from, and as his mother did<br />346<br />00:42:45,240 --&gt; 00:42:51,560<br />So my mother, our mother, taught us to say the rosary each day,<br />347<br />00:42:51,560 --&gt; 00:42:56,080<br />singly and also in the family rosary.<br />348<br />00:42:56,080 --&gt; 00:43:01,120<br />So we are indebted to people like my mother and Father<br />349<br />00:43:01,120 --&gt; 00:43:07,200<br />Patrick Payton for the daily rosary and the family rosary.<br />350<br />00:43:07,200 --&gt; 00:43:08,200<br />Father Payton.<br />351<br />00:43:15,240 --&gt; 00:43:33,960<br />I would like to begin with one Hail Mary in the name of the Father and of the Son and<br />352<br />00:43:33,960 --&gt; 00:43:41,400<br />of the Holy Spirit. Hail Mary full of grace, the Lord is with thee. Blessed art thou among<br />353<br />00:43:41,400 --&gt; 00:43:46,760<br />women and blessed is the fruit of thy womb Jesus.<br />354<br />00:43:49,640 --&gt; 00:44:00,160<br />Glory be to the Father and to the Son and to the Holy Spirit. In the name of<br />355<br />00:44:00,160 --&gt; 00:44:04,240<br />the Father and of the Son and of the Holy Spirit, amen.<br />356<br />00:44:04,240 --&gt; 00:44:11,000<br />Dear fellow priests, religious and the great friends of the Blessed Sacrament,<br />357<br />00:44:11,000 --&gt; 00:44:14,200<br />who are here.<br />358<br />00:44:20,160 --&gt; 00:44:31,080<br />May our Lord sanctify and make his own what I'll try to say in his behalf to<br />359<br />00:44:31,080 --&gt; 00:44:38,480<br />give you thanks and love and appreciation for the measure of your love<br />360<br />00:44:38,480 --&gt; 00:44:49,220<br />by being here at this time of the morning before our Lord, our Redeemer in<br />361<br />00:44:49,220 --&gt; 00:44:53,080<br />the sacrament.</div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marian Vigil - Part 1 - Side A Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Rev. Larkin Rev. Peyton Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-06 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_19 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.chrc-phila.org/files/original/4ab040c5328c1a8492d45c7c53ee1a52.mp3 1e142d3ea3ee62aa5c4c976f6e333cc7 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Transcription Any written text transcribed from a sound <div style="width: 750px; height: 300px; overflow: scroll;">1<br />00:00:00,000 --&gt; 00:00:13,920<br />I will tell you an experience that I had about four years ago. I was in the area<br />&nbsp;<br />2<br />00:00:13,920 --&gt; 00:00:26,240<br />where Jesus Christ was imprisoned the night before he died and they showed me<br />&nbsp;<br />3<br />00:00:26,240 --&gt; 00:00:38,660<br />the prison as custom had it at that time and they call this particular one that<br />&nbsp;<br />4<br />00:00:38,660 --&gt; 00:00:47,420<br />they showed me the bottle and it was the shape of a bottle with the neck by which<br />&nbsp;<br />5<br />00:00:47,420 --&gt; 00:00:54,980<br />the prisoner was let down through that neck by a rope or whatever else he<br />&nbsp;<br />6<br />00:00:54,980 --&gt; 00:01:01,880<br />couldn't escape and let down to the bottom. In the bottom of that prison they<br />&nbsp;<br />7<br />00:01:01,880 --&gt; 00:01:10,300<br />showed me two areas. One for the worst criminal where he had to stand all the<br />&nbsp;<br />8<br />00:01:10,300 --&gt; 00:01:19,180<br />time. The other is some sort of a stone area where he could lie down and rest.<br />&nbsp;<br />9<br />00:01:19,180 --&gt; 00:01:28,180<br />They said it was where the worst criminal was imprisoned that Christ was there.<br />&nbsp;<br />10<br />00:01:28,180 --&gt; 00:01:37,180<br />So let us turn back the clock to another night, our morning, as real as now,<br />&nbsp;<br />11<br />00:01:37,180 --&gt; 00:01:47,940<br />where a human being was alive and felt suffering and sorrow and rejection and<br />&nbsp;<br />12<br />00:01:47,940 --&gt; 00:01:57,060<br />hatred and injustice and he's in that prison and he was our friend he was our<br />&nbsp;<br />13<br />00:01:57,060 --&gt; 00:02:06,860<br />brother he was more he was God incarnate to take our place to make atonement for<br />&nbsp;<br />14<br />00:02:06,860 --&gt; 00:02:17,740<br />our weaknesses, for our limitations. And so that was a real mourning at five<br />&nbsp;<br />15<br />00:02:17,740 --&gt; 00:02:27,460<br />minutes to two, and later on at three, and later on at four, and later on at five.<br />&nbsp;<br />16<br />00:02:27,460 --&gt; 00:02:35,260<br />And if what they said was true, he was standing at the bottom of the<br />&nbsp;<br />17<br />00:02:35,260 --&gt; 00:02:44,740<br />bottle as they call the prison. That will help you get his thanks for you being at<br />&nbsp;<br />18<br />00:02:44,740 --&gt; 00:02:52,260<br />this time of this morning, twenty hundred years later, believing in him, accepting<br />&nbsp;<br />19<br />00:02:52,260 --&gt; 00:02:59,500<br />him, responding to him, and giving your love and measuring it by your sacrifice.<br />&nbsp;<br />20<br />00:02:59,500 --&gt; 00:03:11,500<br />That's what I want to say in his name to you. The second thing is Mary, his mother.<br />&nbsp;<br />21<br />00:03:11,500 --&gt; 00:03:32,240<br />I was kneeling in St. Peter's three weeks ago. When I go into St. Peter's I go to<br />&nbsp;<br />22<br />00:03:32,240 --&gt; 00:03:46,680<br />one place, the Pietà. And there I kneel, and there I grow, and there I receive<br />&nbsp;<br />23<br />00:03:46,680 --&gt; 00:03:55,640<br />riches of spirit, and there I find my inspiration to go on. And this three<br />&nbsp;<br />24<br />00:03:55,640 --&gt; 00:04:08,120<br />weeks ago when I was there, the thought struck me. How wonderful the man was that<br />&nbsp;<br />25<br />00:04:08,120 --&gt; 00:04:18,920<br />made that pieta out of a block of marble, Michelangelo. He had a chisel, he had a<br />&nbsp;<br />26<br />00:04:18,920 --&gt; 00:04:25,400<br />a hammer. Inside him, however, he had everything that would put, as Cardinal<br />&nbsp;<br />27<br />00:04:25,400 --&gt; 00:04:32,360<br />Carbery said one day to me, that would envelop in that one block of marble the<br />&nbsp;<br />28<br />00:04:32,360 --&gt; 00:04:45,320<br />heart, the soul of our faith. And the thoughts said to me, how will you define<br />&nbsp;<br />29<br />00:04:45,320 --&gt; 00:04:56,260<br />Mary. How will you describe her? Michelangelo tried, but he couldn't do<br />&nbsp;<br />30<br />00:04:56,260 --&gt; 00:05:06,640<br />justice. And I thought of the other Michelangelos that with paint and with<br />&nbsp;<br />31<br />00:05:06,640 --&gt; 00:05:12,640<br />brushes, made paintings that were masterpieces.<br />&nbsp;<br />32<br />00:05:12,640 --&gt; 00:05:18,640<br />Murillo and the rest of them, great geniuses,<br />&nbsp;<br />33<br />00:05:18,640 --&gt; 00:05:22,640<br />trying to define her, trying to describe her,<br />&nbsp;<br />34<br />00:05:22,640 --&gt; 00:05:27,640<br />trying to bring her to life.<br />&nbsp;<br />35<br />00:05:27,640 --&gt; 00:05:32,640<br />And in Paris, the Notre Dame Cathedral<br />&nbsp;<br />36<br />00:05:32,640 --&gt; 00:05:37,640<br />that captures the tourists, that captures the historians.<br />&nbsp;<br />37<br />00:05:39,160 --&gt; 00:05:44,160<br />Another genius, that architect, trying to describe her,<br />&nbsp;<br />38<br />00:05:44,720 --&gt; 00:05:47,120<br />trying to define her.<br />&nbsp;<br />39<br />00:05:47,120 --&gt; 00:05:52,120<br />And so the thought ran along art, sculptor,<br />&nbsp;<br />40<br />00:05:52,560 --&gt; 00:05:57,560<br />writing, singing, songs, paintings, and the rest.<br />&nbsp;<br />41<br />00:05:57,560 --&gt; 00:06:08,040<br />Those who did those things were few. They were the giants. What did the likes of<br />&nbsp;<br />42<br />00:06:08,040 --&gt; 00:06:18,360<br />you and me do to define her, to describe her, to respect her, to pay our tribute<br />&nbsp;<br />43<br />00:06:18,360 --&gt; 00:06:34,380<br />her and I will say they used the tool and they were legion they were our<br />&nbsp;<br />44<br />00:06:34,380 --&gt; 00:06:43,380<br />forefathers they were our mothers they were our fathers they were our brothers<br />&nbsp;<br />45<br />00:06:43,380 --&gt; 00:06:51,860<br />they were our sisters and our grandparents and back and back and back<br />&nbsp;<br />46<br />00:06:51,860 --&gt; 00:07:00,060<br />to the Ignatiuses, to the Loyolas, to the St. Therese's, to the little flowers and<br />&nbsp;<br />47<br />00:07:00,060 --&gt; 00:07:10,420<br />to the rest of them but most of all to the woman that pastor once said if I had<br />&nbsp;<br />48<br />00:07:10,420 --&gt; 00:07:18,360<br />the fate of a Breton peasant, I would know everything.<br />&nbsp;<br />49<br />00:07:18,360 --&gt; 00:07:27,760<br />To these, I want to say that they surpassed in their definition, in their description,<br />&nbsp;<br />50<br />00:07:27,760 --&gt; 00:07:31,720<br />they surpassed the Michelangelos of the world.<br />&nbsp;<br />51<br />00:07:31,720 --&gt; 00:07:38,800<br />And they not only resounded their description of that dear precious daughter of men, the<br />&nbsp;<br />52<br />00:07:38,800 --&gt; 00:07:45,940<br />sister of men, the mother of men, the mother of a God that became incarnate.<br />&nbsp;<br />53<br />00:07:45,940 --&gt; 00:07:54,860<br />They described her, they defined her by the rosary. The rosary was their tool by<br />&nbsp;<br />54<br />00:07:54,860 --&gt; 00:08:03,400<br />which they painted and erected their descriptions of her, their respect for<br />&nbsp;<br />55<br />00:08:03,400 --&gt; 00:08:11,640<br />her and their voices telling heaven and earth, Mary you're alive. We will describe<br />&nbsp;<br />56<br />00:08:11,640 --&gt; 00:08:23,200<br />you, we will honor you, we will create you. Your delicacy, your refinement, your<br />&nbsp;<br />57<br />00:08:23,200 --&gt; 00:08:35,060<br />kindness, your compassion, your faith, your love, your affection, your response to us<br />&nbsp;<br />58<br />00:08:35,060 --&gt; 00:08:41,220<br />and to your God. We will describe you with a tool that will surpass the painters and<br />&nbsp;<br />59<br />00:08:41,220 --&gt; 00:08:47,820<br />the brushes and the stonemasons and the chisels and the hammers. We will shout out to the<br />&nbsp;<br />60<br />00:08:47,820 --&gt; 00:08:53,580<br />heavens and the earth and what we'll say will go out into space so that the<br />&nbsp;<br />61<br />00:08:53,580 --&gt; 00:09:00,500<br />scientists of tomorrow will capture the voices of our ancestors that were legion<br />&nbsp;<br />62<br />00:09:00,500 --&gt; 00:09:13,180<br />filling space with that one or two sentences that is the most out there in<br />&nbsp;<br />63<br />00:09:13,180 --&gt; 00:09:21,020<br />space of all sentences that were ever said upon the earth. And what are they?<br />&nbsp;<br />64<br />00:09:21,220 --&gt; 00:09:32,700<br />The God-given sentences that he described are by Hail Mary, Hail Mary,<br />&nbsp;<br />65<br />00:09:32,700 --&gt; 00:09:46,480<br />Mary, Mary, full of grace, graceful, graceful, an honor to your race, the boast of a<br />&nbsp;<br />66<br />00:09:46,480 --&gt; 00:09:58,140<br />tainted race. Your King is with you, your Lord is with you, your God is with you.<br />&nbsp;<br />67<br />00:09:58,140 --&gt; 00:10:07,380<br />Men, women will honor you. Women will accept you as their number one example<br />&nbsp;<br />68<br />00:10:07,380 --&gt; 00:10:16,540<br />and model and image of what a woman is. Great, wonderful, extraordinary, but there's<br />&nbsp;<br />69<br />00:10:16,540 --&gt; 00:10:21,620<br />one woman above them all and the women of the earth that came in the<br />&nbsp;<br />70<br />00:10:21,620 --&gt; 00:10:27,380<br />generations before us like the little flower and the great Saint Teresa and<br />&nbsp;<br />71<br />00:10:27,380 --&gt; 00:10:38,940<br />their mothers weren't jealous of her because she isn't ambitious, she isn't<br />&nbsp;<br />72<br />00:10:38,940 --&gt; 00:10:47,900<br />self-seeking, she isn't snobbish, she isn't the elite, she isn't the<br />&nbsp;<br />73<br />00:10:47,900 --&gt; 00:10:54,140<br />sophisticated, she's the woman that didn't want anything else but the love<br />&nbsp;<br />74<br />00:10:54,140 --&gt; 00:11:03,660<br />of her God when it's the Luke put in her mouth. My spirit rejoices in my holy God.<br />&nbsp;<br />75<br />00:11:03,660 --&gt; 00:11:14,620<br />My soul magnifies my God, my love, my Lord, my all. And dear God my Father, don't<br />&nbsp;<br />76<br />00:11:14,620 --&gt; 00:11:23,220<br />ask me to say no or yes because whatever you'll ask of me I will say yes to.<br />&nbsp;<br />77<br />00:11:23,220 --&gt; 00:11:29,180<br />These were the women of yesterday and their husbands and their children that<br />&nbsp;<br />78<br />00:11:29,180 --&gt; 00:11:38,660<br />re-echoed across our earth with the holy tool, the greatest tool that defined her,<br />&nbsp;<br />79<br />00:11:38,660 --&gt; 00:11:51,900<br />described her, honored her, pleaded with her over and over and over again because<br />&nbsp;<br />80<br />00:11:51,900 --&gt; 00:12:03,180<br />their needs were more than 50. Their joys were more than 50. Their longings were<br />&nbsp;<br />81<br />00:12:03,180 --&gt; 00:12:10,020<br />more than 50. And they didn't get tired. And they didn't get weary. And they<br />&nbsp;<br />82<br />00:12:10,020 --&gt; 00:12:15,300<br />weren't embarrassed when the little snob laughed at them and said to them,<br />&nbsp;<br />83<br />00:12:15,300 --&gt; 00:12:21,260<br />you're an old woman that has nothing else to do but repeating like a parrot.<br />&nbsp;<br />84<br />00:12:21,260 --&gt; 00:12:28,660<br />But the one that said that measured his ignorance and his absence of faith and<br />&nbsp;<br />85<br />00:12:28,660 --&gt; 00:12:38,380<br />his and his poverty because they knew that with Mary there is never enough.<br />&nbsp;<br />86<br />00:12:38,380 --&gt; 00:12:47,600<br />there is never too much because she's chosen by God not by herself and the<br />&nbsp;<br />87<br />00:12:47,600 --&gt; 00:12:57,320<br />great omnipotent God is so infinitely wise that he cannot make a mistake and<br />&nbsp;<br />88<br />00:12:57,320 --&gt; 00:13:13,000<br />And in his wisdom, and in his love, he chose that precious daughter of men that the Rosary<br />&nbsp;<br />89<br />00:13:13,000 --&gt; 00:13:22,280<br />never tires describing and defining and doing all other things that sculptors and architects<br />&nbsp;<br />90<br />00:13:22,280 --&gt; 00:13:28,120<br />and all the rest of the geniuses couldn't compare with.<br />&nbsp;<br />91<br />00:13:28,120 --&gt; 00:13:41,200<br />Holy Mary, Holy Mary, you're holy, you're holy.<br />&nbsp;<br />92<br />00:13:41,200 --&gt; 00:13:44,520<br />Pray for us.<br />&nbsp;<br />93<br />00:13:44,520 --&gt; 00:13:46,840<br />Pray for us, Mary.<br />&nbsp;<br />94<br />00:13:46,840 --&gt; 00:13:49,360<br />You have influence.<br />&nbsp;<br />95<br />00:13:49,360 --&gt; 00:13:57,160<br />holy Son won't take you lightly. I'll never cease saying to you over and over<br />&nbsp;<br />96<br />00:13:57,160 --&gt; 00:14:04,440<br />and over again how much I need you, how much I love you, how much I respect you,<br />&nbsp;<br />97<br />00:14:04,440 --&gt; 00:14:13,720<br />how much I admire you, how much I bow before you, our tainted nature's solitary<br />&nbsp;<br />98<br />00:14:13,720 --&gt; 00:14:21,280<br />boasts, the mother of our Redeemer, the mother of our Savior, the spouse of our<br />&nbsp;<br />99<br />00:14:21,280 --&gt; 00:14:29,320<br />sanctifier, the daughter of our Creator, and all without her asking for it, all<br />&nbsp;<br />100<br />00:14:29,320 --&gt; 00:14:36,920<br />without her ambitioning it, but our dear God throwing it at her feet, choosing her<br />&nbsp;<br />101<br />00:14:36,920 --&gt; 00:14:49,280<br />from everybody and saying to her, to you, dear little young one, 16, 15, 14, you have<br />&nbsp;<br />102<br />00:14:49,280 --&gt; 00:14:56,720<br />such a sensitivity, you have such an awareness of what's real, you have such a conscientious<br />&nbsp;<br />103<br />00:14:56,720 --&gt; 00:15:06,200<br />disposition, you have everything so wonderful that I will entrust to you my most beloved<br />&nbsp;<br />104<br />00:15:06,200 --&gt; 00:15:09,600<br />treasure of heaven and earth, my son.<br />&nbsp;<br />105<br />00:15:09,600 --&gt; 00:15:12,000<br />Care for him.<br />&nbsp;<br />106<br />00:15:12,000 --&gt; 00:15:14,200<br />Watch over him.<br />&nbsp;<br />107<br />00:15:14,200 --&gt; 00:15:17,720<br />Be conscientious about his welfare.<br />&nbsp;<br />108<br />00:15:17,720 --&gt; 00:15:19,400<br />Clothe him.<br />&nbsp;<br />109<br />00:15:19,400 --&gt; 00:15:21,480<br />Cook his meals for him.<br />&nbsp;<br />110<br />00:15:21,480 --&gt; 00:15:23,600<br />Don't let him get lost.<br />&nbsp;<br />111<br />00:15:23,600 --&gt; 00:15:26,000<br />Don't let him get starved.<br />&nbsp;<br />112<br />00:15:26,000 --&gt; 00:15:28,600<br />Help him along his journey.<br />&nbsp;<br />113<br />00:15:28,600 --&gt; 00:15:30,480<br />God the Father.<br />&nbsp;<br />114<br />00:15:30,480 --&gt; 00:15:33,440<br />And that precious little girl couldn't say to God the<br />&nbsp;<br />115<br />00:15:33,440 --&gt; 00:15:46,100<br />father, no. Behold the handmaid of the Lord, behold this handmaid, behold your<br />&nbsp;<br />116<br />00:15:46,100 --&gt; 00:15:53,360<br />servant, behold your little girl, whatever ever ever you ask of me, be it<br />&nbsp;<br />117<br />00:15:53,360 --&gt; 00:16:01,520<br />the agony, the calvary, the rejections, the exile, to be a refugee running for my<br />&nbsp;<br />118<br />00:16:01,520 --&gt; 00:16:08,360<br />life with my little one, be it done to me dear God the Father as you will." That's<br />&nbsp;<br />119<br />00:16:08,360 --&gt; 00:16:14,760<br />the woman, the generations of our ancestors, the simple people, the lovable<br />&nbsp;<br />120<br />00:16:14,760 --&gt; 00:16:24,120<br />people, the humble people that Christ's always predilected. The predilect of<br />&nbsp;<br />121<br />00:16:24,120 --&gt; 00:16:39,400<br />Christ, the simple, the humble, like you, like you. This is Mary. This is how you<br />&nbsp;<br />122<br />00:16:39,400 --&gt; 00:16:45,560<br />and your ancestors like you described her with that rosary. It's all there. This<br />&nbsp;<br />123<br />00:16:45,560 --&gt; 00:16:54,540<br />This is the tool, this is the great tool that surpasses all the tools.<br />&nbsp;<br />124<br />00:16:54,540 --&gt; 00:17:08,600<br />And dearest people, God, like he did to Mary, she didn't ambition it.<br />&nbsp;<br />125<br />00:17:08,600 --&gt; 00:17:12,920<br />Neither did I ambition the role that God gave me.<br />&nbsp;<br />126<br />00:17:12,920 --&gt; 00:17:24,920<br />I was shy, I still am, fearful, afraid, wishing anything but what I have to do.<br />&nbsp;<br />127<br />00:17:24,920 --&gt; 00:17:33,400<br />Almost 35 years ago, a few months short, on a retreat morning, there wasn't any doubt<br />&nbsp;<br />128<br />00:17:33,400 --&gt; 00:17:43,300<br />in my mind when the lightning struck. The family rosary crusade is your job. It's<br />&nbsp;<br />129<br />00:17:43,300 --&gt; 00:17:50,740<br />your lifetime. You don't have to ask counsel to see if you're wrong or right.<br />&nbsp;<br />130<br />00:17:50,740 --&gt; 00:17:58,480<br />I'm answering you. This is your life's work. I'm not a lunatic, dearest people.<br />&nbsp;<br />131<br />00:17:58,480 --&gt; 00:18:01,760<br />I'm not a fanatic, thank God.<br />&nbsp;<br />132<br />00:18:01,760 --&gt; 00:18:08,080<br />But I'm as sure as God is alive that on that Sunday morning of January of 42, while on<br />&nbsp;<br />133<br />00:18:08,080 --&gt; 00:18:16,840<br />retreat, that lightning strike, the family rosary crusade is your job, that it came from<br />&nbsp;<br />134<br />00:18:16,840 --&gt; 00:18:19,180<br />my God.<br />&nbsp;<br />135<br />00:18:19,180 --&gt; 00:18:21,400<br />And that I didn't say no.<br />&nbsp;<br />136<br />00:18:21,400 --&gt; 00:18:31,480<br />But I found myself close to saying no when my superiors gave their permission to go out<br />&nbsp;<br />137<br />00:18:31,480 --&gt; 00:18:41,900<br />and try to restore, not to start, but to restore what our grandfathers in this United States<br />&nbsp;<br />138<br />00:18:41,900 --&gt; 00:18:43,600<br />always did.<br />&nbsp;<br />139<br />00:18:43,600 --&gt; 00:18:48,360<br />They gathered their families at the end of the day.<br />&nbsp;<br />140<br />00:18:48,360 --&gt; 00:18:54,160<br />And they allowed the rosary reach into their souls and their hearts and their voices and<br />&nbsp;<br />141<br />00:18:54,160 --&gt; 00:19:00,600<br />their hands and their knees and their senses to enable them to cry out,<br />&nbsp;<br />142<br />00:19:00,600 --&gt; 00:19:04,560<br />Dear Holy God, you're alive.<br />&nbsp;<br />143<br />00:19:04,560 --&gt; 00:19:07,980<br />My Holy God, you're alive.<br />&nbsp;<br />144<br />00:19:07,980 --&gt; 00:19:09,640<br />And you are a father.<br />&nbsp;<br />145<br />00:19:09,640 --&gt; 00:19:11,640<br />You're not a judge.<br />&nbsp;<br />146<br />00:19:11,640 --&gt; 00:19:13,280<br />You're not cruel.<br />&nbsp;<br />147<br />00:19:13,280 --&gt; 00:19:15,160<br />You're not a tyrant.<br />&nbsp;<br />148<br />00:19:15,160 --&gt; 00:19:23,540<br />But my rosary tells me to say to my wife and my children, God is our father.<br />&nbsp;<br />149<br />00:19:23,540 --&gt; 00:19:25,500<br />And who is a father?<br />&nbsp;<br />150<br />00:19:25,500 --&gt; 00:19:27,200<br />What is a father?<br />&nbsp;<br />151<br />00:19:27,200 --&gt; 00:19:28,840<br />Why is a father?<br />&nbsp;<br />152<br />00:19:28,840 --&gt; 00:19:36,320<br />We know, it'll bore you to say it, but the rosary told our ancestors, that's the God<br />&nbsp;<br />153<br />00:19:36,320 --&gt; 00:19:42,120<br />that's yours.<br />&nbsp;<br />154<br />00:19:42,120 --&gt; 00:19:53,360<br />And from their hearts and homes came the Holy Mary, the Hail Mary, the holy will of God<br />&nbsp;<br />155<br />00:19:53,360 --&gt; 00:19:55,640<br />be done.<br />&nbsp;<br />156<br />00:19:55,640 --&gt; 00:20:01,980<br />God became our brother, the source of our joy as a result.<br />&nbsp;<br />157<br />00:20:01,980 --&gt; 00:20:07,360<br />That brother of ours saved us and told us to go into the background and hide.<br />&nbsp;<br />158<br />00:20:07,360 --&gt; 00:20:14,800<br />And he would go out to the danger and the evil and meet it head on, even though it killed<br />&nbsp;<br />159<br />00:20:14,800 --&gt; 00:20:19,200<br />him to save us.<br />&nbsp;<br />160<br />00:20:19,200 --&gt; 00:20:21,840<br />The redemption.<br />&nbsp;<br />161<br />00:20:21,840 --&gt; 00:20:28,600<br />Our ancestors with the rosary filling their hearts, filling their homes, filling their<br />&nbsp;<br />162<br />00:20:28,600 --&gt; 00:20:35,480<br />minds with such thoughts as these, with such sentences as these.<br />&nbsp;<br />163<br />00:20:35,480 --&gt; 00:20:48,940<br />that that brother of ours told or showed evil and death and sin that their day<br />&nbsp;<br />164<br />00:20:48,940 --&gt; 00:21:00,220<br />was done when he rose from the dead and conquered death and sin and evil. This is<br />&nbsp;<br />165<br />00:21:00,220 --&gt; 00:21:06,620<br />the rosary of yesterday. This is why the Saints came out of the homes that filled<br />&nbsp;<br />166<br />00:21:06,620 --&gt; 00:21:12,420<br />our earth, that became our missionaries, that couldn't contain their treasures,<br />&nbsp;<br />167<br />00:21:12,420 --&gt; 00:21:19,580<br />but had to go out and be martyred and die in foreign faraway fields to share<br />&nbsp;<br />168<br />00:21:19,580 --&gt; 00:21:28,980<br />what that rosary said to them when they were growing up. And so dearest people,<br />&nbsp;<br />169<br />00:21:28,980 --&gt; 00:21:40,840<br />Almost 35 years ago, God threw upon me that challenge, and my superior said,<br />&nbsp;<br />170<br />00:21:40,840 --&gt; 00:21:51,440<br />try it. We'll bless you, we'll back you, we'll support you. And where I was<br />&nbsp;<br />171<br />00:21:51,440 --&gt; 00:21:58,260<br />appointed the bishop of that diocese, he said the same, I envy you your zeal. I<br />&nbsp;<br />172<br />00:21:58,260 --&gt; 00:22:06,060<br />will back you, I will bless you. And then I find myself in the little chapel of<br />&nbsp;<br />173<br />00:22:06,060 --&gt; 00:22:13,740<br />the Holy Cross brothers to whom I was chaplain. They were up in their schools.<br />&nbsp;<br />174<br />00:22:13,740 --&gt; 00:22:22,140<br />There was no one in that chapel but the Blessed Sacrament and myself. I'm at the<br />&nbsp;<br />175<br />00:22:22,140 --&gt; 00:22:28,100<br />end of the chapel in a little chair. I have all the permissions that I need, all<br />&nbsp;<br />176<br />00:22:28,100 --&gt; 00:22:32,140<br />all the authority that would let me go out before the world<br />&nbsp;<br />177<br />00:22:32,140 --&gt; 00:22:34,820<br />and know that I was not a fanatic,<br />&nbsp;<br />178<br />00:22:34,820 --&gt; 00:22:36,800<br />that I was not a lunatic,<br />&nbsp;<br />179<br />00:22:36,800 --&gt; 00:22:39,720<br />that I had the church behind me<br />&nbsp;<br />180<br />00:22:39,720 --&gt; 00:22:43,100<br />in the persons of my bishop and my superior.<br />&nbsp;<br />181<br />00:22:44,700 --&gt; 00:22:47,900<br />But I began to say to myself in that little chapel,<br />&nbsp;<br />182<br />00:22:48,900 --&gt; 00:22:50,420<br />I cannot do it.<br />&nbsp;<br />183<br />00:22:52,300 --&gt; 00:22:55,500<br />And I said this very thing in my mind,<br />&nbsp;<br />184<br />00:22:55,500 --&gt; 00:22:59,480<br />If I find myself in a church in Chicago,<br />&nbsp;<br />185<br />00:22:59,480 --&gt; 00:23:04,480<br />and I'm in the pulpit, and I reach down to the pews,<br />&nbsp;<br />186<br />00:23:04,980 --&gt; 00:23:08,140<br />and amongst the parishioners is a man<br />&nbsp;<br />187<br />00:23:09,040 --&gt; 00:23:12,200<br />that has a palace to live in,<br />&nbsp;<br />188<br />00:23:13,800 --&gt; 00:23:16,800<br />four or five cars in his garages,<br />&nbsp;<br />189<br />00:23:19,320 --&gt; 00:23:21,740<br />a tremendous bank account,<br />&nbsp;<br />190<br />00:23:21,740 --&gt; 00:23:30,020<br />And he sees this poor little priest in the pulpit, killing himself to say to that man,<br />&nbsp;<br />191<br />00:23:30,020 --&gt; 00:23:37,880<br />the security that you're relying on is like a will of the wisp, like a wisp of straw.<br />&nbsp;<br />192<br />00:23:37,880 --&gt; 00:23:40,460<br />It will flash away in the wind.<br />&nbsp;<br />193<br />00:23:40,460 --&gt; 00:23:44,960<br />It will be burned by the fire and you're in poverty.<br />&nbsp;<br />194<br />00:23:44,960 --&gt; 00:23:54,960<br />The only security is when your mind and heart says, God loves my wife and my wife loves<br />&nbsp;<br />195<br />00:23:54,960 --&gt; 00:23:56,880<br />God.<br />&nbsp;<br />196<br />00:23:56,880 --&gt; 00:24:01,880<br />God loves my son and my daughter and they love God.<br />&nbsp;<br />197<br />00:24:01,880 --&gt; 00:24:04,360<br />God loves me and I love God.<br />&nbsp;<br />198<br />00:24:04,360 --&gt; 00:24:08,560<br />That's your security, but you'll never get it cheaply.<br />&nbsp;<br />199<br />00:24:08,560 --&gt; 00:24:11,320<br />You'll never get it by wishful thinking.<br />&nbsp;<br />200<br />00:24:11,320 --&gt; 00:24:15,680<br />Christ said, don't ever throw a pearl to a pig.<br />&nbsp;<br />201<br />00:24:15,680 --&gt; 00:24:18,400<br />You have to appreciate God.<br />&nbsp;<br />202<br />00:24:18,400 --&gt; 00:24:21,160<br />You have to appreciate his grace.<br />&nbsp;<br />203<br />00:24:21,160 --&gt; 00:24:23,160<br />You have to earn it.<br />&nbsp;<br />204<br />00:24:23,160 --&gt; 00:24:30,640<br />And so that man and his wife cannot have that sureness by just going their merry way.<br />&nbsp;<br />205<br />00:24:30,640 --&gt; 00:24:34,640<br />They must measure it so that it's visible.<br />&nbsp;<br />206<br />00:24:34,640 --&gt; 00:24:44,880<br />that the greatest measure is the fidelity to this blessed holy discipline and practice.<br />&nbsp;<br />207<br />00:24:44,880 --&gt; 00:24:52,120<br />Where that Father, like his Father before him, at the end of the day gathered his wife<br />&nbsp;<br />208<br />00:24:52,120 --&gt; 00:24:58,360<br />and children and with the rosary beads in their hands, drawing out of their hearts everything<br />&nbsp;<br />209<br />00:24:58,360 --&gt; 00:25:04,200<br />that's good and beautiful and true, the things we live by, the faith and the<br />&nbsp;<br />210<br />00:25:04,200 --&gt; 00:25:10,240<br />answers we live by, then you can rise even though that you were as bored and<br />&nbsp;<br />211<br />00:25:10,240 --&gt; 00:25:16,780<br />as dry as the Sahara Desert, even though that there was no ecstasy, even though<br />&nbsp;<br />212<br />00:25:16,780 --&gt; 00:25:22,840<br />you rattled off Holy Mary, Mother of God, like a parrot, but you measured your will,<br />&nbsp;<br />213<br />00:25:22,840 --&gt; 00:25:28,840<br />you were orientated in the direction of the great almighty God that saw the<br />&nbsp;<br />214<br />00:25:28,840 --&gt; 00:25:38,080<br />inability of us to talk with ecstatic joy to one you cannot see. And so I said<br />&nbsp;<br />215<br />00:25:38,080 --&gt; 00:25:45,640<br />to myself in that chapel, sitting in that chair, I cannot do this. I cannot do it.<br />&nbsp;<br />216<br />00:25:45,640 --&gt; 00:25:54,140<br />But dearest people, I didn't say that in order to escape, in order to get a<br />&nbsp;<br />217<br />00:25:54,140 --&gt; 00:25:59,140<br />rationalization that would allow me to tell my superiors I was a fool.<br />&nbsp;<br />218<br />00:25:59,140 --&gt; 00:26:03,640<br />No, I was determined that this would happen.<br />&nbsp;<br />219<br />00:26:03,640 --&gt; 00:26:10,140<br />I got off my chair, I walked up that aisle, I got hold of that tabernacle,<br />&nbsp;<br />220<br />00:26:10,140 --&gt; 00:26:18,100<br />And with the violence that our Lord asked in order to capture heaven, I asked for an<br />&nbsp;<br />221<br />00:26:18,100 --&gt; 00:26:20,500<br />impossible thing from him.<br />&nbsp;<br />222<br />00:26:20,500 --&gt; 00:26:22,760<br />I asked this.<br />&nbsp;<br />223<br />00:26:22,760 --&gt; 00:26:30,020<br />I cannot do what's in my heart, the dream that I have of restoring to the American Catholic<br />&nbsp;<br />224<br />00:26:30,020 --&gt; 00:26:33,940<br />family the practice of our ancestors.<br />&nbsp;<br />225<br />00:26:33,940 --&gt; 00:26:36,500<br />I cannot, but you can.<br />&nbsp;<br />226<br />00:26:36,500 --&gt; 00:26:46,320<br />And I'm asking you, I'm obliging you, I'm asking you to give your mother 10 million<br />&nbsp;<br />227<br />00:26:46,320 --&gt; 00:27:01,900<br />American families that cannot be neutral, that somehow or another.<br />&nbsp;<br />228<br />00:27:01,900 --&gt; 00:27:10,460<br />people, thanks, that some way or another they will come to know the seven little<br />&nbsp;<br />229<br />00:27:10,460 --&gt; 00:27:21,340<br />words that spells out the world's number one problem and its solution, the family<br />&nbsp;<br />230<br />00:27:21,340 --&gt; 00:27:26,540<br />that prays together, stays together.<br />&nbsp;<br />231<br />00:27:26,540 --&gt; 00:27:40,700<br />I'm talking to our Lord. It's no wonder that the Blessed Sacrament and this<br />&nbsp;<br />232<br />00:27:40,700 --&gt; 00:27:45,440<br />Eucharistic Congress and its relationship to my apostolate, and it's<br />&nbsp;<br />233<br />00:27:45,440 --&gt; 00:27:50,820<br />not mine, it's God's, is connected with the Blessed Sacrament because of what<br />&nbsp;<br />234<br />00:27:50,820 --&gt; 00:27:59,340<br />happened. I was greedy. I didn't stop with America. I said to our Lord, now I want<br />&nbsp;<br />235<br />00:27:59,340 --&gt; 00:28:06,540<br />more. I want you to deliver to this conviction, to this awareness, to this<br />&nbsp;<br />236<br />00:28:06,540 --&gt; 00:28:12,660<br />knowledge that the family that prays together stays together. Every Catholic<br />&nbsp;<br />237<br />00:28:12,660 --&gt; 00:28:18,940<br />home in the world. How long it took me to do that violence, my hands grasping the<br />&nbsp;<br />238<br />00:28:18,940 --&gt; 00:28:25,860<br />tabernacle and I asked it for his mother. Why did I ask it for her? In my naivety<br />&nbsp;<br />239<br />00:28:25,860 --&gt; 00:28:37,020<br />it might be, but in my old age with God directing me I was asking it so that she<br />&nbsp;<br />240<br />00:28:37,020 --&gt; 00:28:46,420<br />would be able to perform more effectively the second role that she got<br />&nbsp;<br />241<br />00:28:46,420 --&gt; 00:28:54,620<br />from the Blessed Trinity. The Father gave her the first role, make a man of my son.<br />&nbsp;<br />242<br />00:28:54,620 --&gt; 00:29:03,180<br />The Son gave her the second role, make a God of my brother. And I asked that<br />&nbsp;<br />243<br />00:29:03,180 --&gt; 00:29:09,780<br />knowing well that if Christ answered me in that sacrament and took the<br />&nbsp;<br />244<br />00:29:09,780 --&gt; 00:29:15,340<br />responsibility on his shoulders and allowed me to be the donkey that would<br />&nbsp;<br />245<br />00:29:15,340 --&gt; 00:29:20,620<br />never refuse, that would go up the hill to the right, to the left, that would never<br />&nbsp;<br />246<br />00:29:20,620 --&gt; 00:29:26,580<br />bite or kick or say I won't, that he would do the job and that his mother<br />&nbsp;<br />247<br />00:29:26,580 --&gt; 00:29:32,140<br />would perform consequently and more effectively the feeding of the hungry<br />&nbsp;<br />248<br />00:29:32,140 --&gt; 00:29:38,500<br />spiritually and believe me the hungry spiritually is worse off than the hungry<br />&nbsp;<br />249<br />00:29:38,500 --&gt; 00:29:45,140<br />physically, that she would be able to feed the starving spiritual son, the<br />&nbsp;<br />250<br />00:29:45,140 --&gt; 00:29:53,160<br />hungry, the naked, the dying, the need of medicines if they prayed that precious<br />&nbsp;<br />251<br />00:29:53,160 --&gt; 00:30:04,360<br />Holy Rosary. Dearest people, were Christ to have answered me that moment when I<br />&nbsp;<br />252<br />00:30:04,360 --&gt; 00:30:11,320<br />did that violence, he could have said this,<br />&nbsp;<br />253<br />00:30:14,280 --&gt; 00:30:23,600<br />Pat Payton, I like what you're saying but I cannot do what you're asking. I cannot<br />&nbsp;<br />254<br />00:30:23,600 --&gt; 00:30:30,680<br />do what you're asking. I cannot make a family pray the rosary. I'm God, your<br />&nbsp;<br />255<br />00:30:30,680 --&gt; 00:30:36,260<br />beautiful soul knows that. But you are asking me the impossible because I honor<br />&nbsp;<br />256<br />00:30:36,260 --&gt; 00:30:43,540<br />the gift I gave. But I'll tell you what I'll do. I'll do the next best thing and<br />&nbsp;<br />257<br />00:30:43,540 --&gt; 00:30:50,480<br />more than you ever dreamt of. I'll make the world a little village so that from<br />&nbsp;<br />258<br />00:30:50,480 --&gt; 00:30:56,360<br />one end of it to the other, not only the Catholics but the Jewish, the Protestants,<br />&nbsp;<br />259<br />00:30:56,360 --&gt; 00:31:05,080<br />the Hindu, the Mohammedan, the Buddhist, the Parsi, the entire human family will<br />&nbsp;<br />260<br />00:31:05,080 --&gt; 00:31:12,120<br />come to know that the family that prays together stays together. And so my<br />&nbsp;<br />261<br />00:31:12,120 --&gt; 00:31:18,360<br />dearest people, the heavens opened. I know our Lord answered me immediately<br />&nbsp;<br />262<br />00:31:18,360 --&gt; 00:31:27,400<br />that he said yes in his way the only way I was wrong but he was right go out to<br />&nbsp;<br />263<br />00:31:27,400 --&gt; 00:31:34,040<br />all the world and I would place in your hands the instruments the personnel that<br />&nbsp;<br />264<br />00:31:34,040 --&gt; 00:31:39,360<br />will make of this world a little village that nobody can say I never heard this<br />&nbsp;<br />265<br />00:31:39,360 --&gt; 00:31:48,680<br />and who fell into my hands in order to accomplish this. The Hollywood stars and<br />&nbsp;<br />266<br />00:31:48,680 --&gt; 00:31:57,240<br />the bishops of the earth. The Hollywood stars to soften the ground, the aerial<br />&nbsp;<br />267<br />00:31:57,240 --&gt; 00:32:03,160<br />bombardment, the crossing the oceans and the mountains and the continents,<br />&nbsp;<br />268<br />00:32:03,160 --&gt; 00:32:09,800<br />harnessing the air, bringing into the hearts and homes of men this tremendous<br />&nbsp;<br />269<br />00:32:09,800 --&gt; 00:32:18,640<br />seven-word sentence laden with dynamite to tell anybody that has any sense,<br />&nbsp;<br />270<br />00:32:18,640 --&gt; 00:32:25,120<br />I better examine this, I better see this, I better see and examine it in order to<br />&nbsp;<br />271<br />00:32:25,120 --&gt; 00:32:32,200<br />save my family from the million escapes that I'm experiencing, the drugs, the<br />&nbsp;<br />272<br />00:32:32,200 --&gt; 00:32:38,200<br />dropouts, the rejections, the lack of obedience, the rejection of authority,<br />&nbsp;<br />273<br />00:32:38,200 --&gt; 00:32:45,760<br />divorce, abortion, euthanasia, and all of them nothing but symptoms, symptoms of<br />&nbsp;<br />274<br />00:32:45,760 --&gt; 00:32:51,120<br />something that's fatal. They're the tops of the iceberg and the tops of the<br />&nbsp;<br />275<br />00:32:51,120 --&gt; 00:32:56,360<br />iceberg never sank the Titanic, it was the bottom. And the bottom of our iceberg<br />&nbsp;<br />276<br />00:32:56,360 --&gt; 00:33:01,680<br />is not what we're killing ourselves with committees, with every effort to<br />&nbsp;<br />277<br />00:33:01,680 --&gt; 00:33:07,240<br />knock this thing out and it's like Don Quixote. But the family Rosary Crusade and<br />&nbsp;<br />278<br />00:33:07,240 --&gt; 00:33:12,520<br />Jesus Christ in that sacrament answering me that day brought it about that the<br />&nbsp;<br />279<br />00:33:12,520 --&gt; 00:33:18,900<br />bishops of the earth with their pastors all united and the Hollywood stars with<br />&nbsp;<br />280<br />00:33:18,900 --&gt; 00:33:24,840<br />their ability to harness through science the airwaves to bring about the bottom<br />&nbsp;<br />281<br />00:33:24,840 --&gt; 00:33:30,280<br />of the iceberg would be attacked. The crises of fate. There is a God that's<br />&nbsp;<br />282<br />00:33:30,280 --&gt; 00:33:37,120<br />alive, he is alive and he's a trinity and he became incarnate and he died for us<br />&nbsp;<br />283<br />00:33:37,120 --&gt; 00:33:42,640<br />as a man and he rose from the dead. When we forget all that then we must escape<br />&nbsp;<br />284<br />00:33:42,640 --&gt; 00:33:49,360<br />to the alcohol, to adultery, to the drugs, to divorce, to abortions and to all the<br />&nbsp;<br />285<br />00:33:49,360 --&gt; 00:33:56,080<br />rest. But the real, real problem, the bottom of our iceberg is the crises of<br />&nbsp;<br />286<br />00:33:56,080 --&gt; 00:34:02,440<br />our faith, the crisis of faith is delivering the escapes to the families.<br />&nbsp;<br />287<br />00:34:02,440 --&gt; 00:34:10,080<br />And so dearest people, the bishops of the earth was Christ's answer. Bishop Kidd of<br />&nbsp;<br />288<br />00:34:10,080 --&gt; 00:34:15,760<br />London, Ontario the first, at a gathering like this Philadelphia Congress, but it<br />&nbsp;<br />289<br />00:34:15,760 --&gt; 00:34:23,480<br />was an honor of Mary. I went there and Bishop Kidd of London, Ontario through<br />&nbsp;<br />290<br />00:34:23,480 --&gt; 00:34:29,960<br />one of his pastors brought me to that diocese and all those pastors of all<br />&nbsp;<br />291<br />00:34:29,960 --&gt; 00:34:36,960<br />that diocese headed by Bishop Kidd of London, all the teachers united with that<br />&nbsp;<br />292<br />00:34:36,960 --&gt; 00:34:39,460<br />bishop.<br />&nbsp;<br />293<br />00:34:53,480 --&gt; 00:35:10,160<br />gave to the families of London diocese three months of their time, putting everything else<br />&nbsp;<br />294<br />00:35:10,160 --&gt; 00:35:18,200<br />in the background except one thing, let us help, let us comfort, let us enlighten, let<br />&nbsp;<br />295<br />00:35:18,200 --&gt; 00:35:27,560<br />Let us strengthen, let us come to the rescue of the one only community that we cannot survive<br />&nbsp;<br />296<br />00:35:27,560 --&gt; 00:35:30,520<br />without, the little family.<br />&nbsp;<br />297<br />00:35:30,520 --&gt; 00:35:36,520<br />Let us go not just to the elite, let us not go to save the saved, let us begin with the<br />&nbsp;<br />298<br />00:35:36,520 --&gt; 00:35:44,140<br />family that needs it most because if we have the faith we'll make Christ change that family.<br />&nbsp;<br />299<br />00:35:44,140 --&gt; 00:35:49,680<br />And so that great bishop lighted a fire that will never go out.<br />&nbsp;<br />300<br />00:35:49,680 --&gt; 00:35:56,240<br />The bishops of the earth ever since, since 47 until now, are taking the torch one and<br />&nbsp;<br />301<br />00:35:56,240 --&gt; 00:35:59,040<br />passing it on to the other.<br />&nbsp;<br />302<br />00:35:59,040 --&gt; 00:36:04,760<br />Just now, came from the Philippines on the 30th of June in a little province down in<br />&nbsp;<br />303<br />00:36:04,760 --&gt; 00:36:08,460<br />the south, Leyte.<br />&nbsp;<br />304<br />00:36:08,460 --&gt; 00:36:21,620<br />I saw a sight that is a proof that the shepherd can bring his sheep from the desert to the<br />&nbsp;<br />305<br />00:36:21,620 --&gt; 00:36:25,920<br />green grass if he's truly a shepherd.<br />&nbsp;<br />306<br />00:36:25,920 --&gt; 00:36:32,240<br />And I'll say that no matter whether he's a bishop or a pastor.<br />&nbsp;<br />307<br />00:36:32,240 --&gt; 00:36:38,480<br />any shepherd wherever he is if he wants to pay the price in love and leadership<br />&nbsp;<br />308<br />00:36:38,480 --&gt; 00:36:44,960<br />and in the ability to oblige Jesus Christ to answer him and to do his work<br />&nbsp;<br />309<br />00:36:44,960 --&gt; 00:36:52,240<br />for him can move his starving sheep from the desert sands into the green grasses.<br />&nbsp;<br />310<br />00:36:52,240 --&gt; 00:37:05,280<br />And so in that laity province I saw a rally that the Manila Press estimated to<br />&nbsp;<br />311<br />00:37:05,280 --&gt; 00:37:16,440<br />be 500,000 people gathered together with five families, each taking a decade, the<br />&nbsp;<br />312<br />00:37:16,440 --&gt; 00:37:24,180<br />resurrection, to lead that multitude in saying to God you're alive, in saying to<br />&nbsp;<br />313<br />00:37:24,180 --&gt; 00:37:29,380<br />Mary, the mother of our Redeemer, in saying to Mary we rely on your<br />&nbsp;<br />314<br />00:37:29,380 --&gt; 00:37:37,860<br />motherhood. Pray for us. And so the rosary is not outmoded. The rosary is not<br />&nbsp;<br />315<br />00:37:37,860 --&gt; 00:37:42,900<br />for old women that has nothing else to do. Those few little whippersnappers<br />&nbsp;<br />316<br />00:37:42,900 --&gt; 00:37:49,260<br />that laugh at it, that measure their emptiness, will rue the day because what<br />&nbsp;<br />317<br />00:37:49,260 --&gt; 00:37:56,860<br />God wills no man can destroy. God put Mary where she is.<br />&nbsp;<br />318<br />00:38:02,660 --&gt; 00:38:08,820<br />And all the efforts of hell will never depose her.<br />&nbsp;<br />319<br />00:38:08,820 --&gt; 00:38:14,660<br />and the rosary is our stepping stone to her intercession and intervention.<br />&nbsp;<br />320<br />00:38:14,660 --&gt; 00:38:17,740<br />But that's Manila, that's the Philippines.<br />&nbsp;<br />321<br />00:38:17,740 --&gt; 00:38:24,180<br />I went to the Cardinal of Cebu.<br />&nbsp;<br />322<br />00:38:24,180 --&gt; 00:38:25,580<br />He was present.<br />&nbsp;<br />323<br />00:38:25,580 --&gt; 00:38:27,060<br />He saw that.<br />&nbsp;<br />324<br />00:38:27,060 --&gt; 00:38:33,900<br />I said, that victory for me is not a victory unless it delivers a thousand more.<br />&nbsp;<br />325<br />00:38:33,900 --&gt; 00:38:42,400<br />I ask you to give to us the best priest you have.<br />&nbsp;<br />326<br />00:38:42,400 --&gt; 00:38:45,440<br />And I mentioned him by name.<br />&nbsp;<br />327<br />00:38:45,440 --&gt; 00:38:47,760<br />Let him leave his parish.<br />&nbsp;<br />328<br />00:38:47,760 --&gt; 00:38:52,640<br />Let him come totally to serve the Philippine church and people.<br />&nbsp;<br />329<br />00:38:52,640 --&gt; 00:38:59,720<br />I went up to Manila and I said to the new Cardinal, what happened in Leyte can happen<br />&nbsp;<br />330<br />00:38:59,720 --&gt; 00:39:03,080<br />in the whole blessed Philippines.<br />&nbsp;<br />331<br />00:39:03,080 --&gt; 00:39:09,440<br />I want the best priest you have to be released to the crusade of the family.<br />&nbsp;<br />332<br />00:39:09,440 --&gt; 00:39:12,460<br />Let him come with us to Latin America.<br />&nbsp;<br />333<br />00:39:12,460 --&gt; 00:39:18,260<br />He will be trained on how to bring the gospel out to the streets through the 15 films on<br />&nbsp;<br />334<br />00:39:18,260 --&gt; 00:39:20,260<br />the mysteries of the rosary.<br />&nbsp;<br />335<br />00:39:20,260 --&gt; 00:39:28,160<br />He will integrate the diocese's power, priests, nuns, and all to give their all to win and<br />&nbsp;<br />336<br />00:39:28,160 --&gt; 00:39:34,240<br />motivate and educate the families to restore what they cannot survive without<br />&nbsp;<br />337<br />00:39:34,240 --&gt; 00:39:41,360<br />God in their midst through prayer. Cardinal Sin said to me immediately,<br />&nbsp;<br />338<br />00:39:41,360 --&gt; 00:39:49,400<br />I'll give you the best priest I have, Monsignor Lim. Monsignor, I said to him<br />&nbsp;<br />339<br />00:39:49,400 --&gt; 00:39:55,800<br />then, send him to Philadelphia so that he'll get his first taste of what to be<br />&nbsp;<br />340<br />00:39:55,800 --&gt; 00:40:01,980<br />lost in Christ and the sacrament is at this Congress so he's here. Then to go<br />&nbsp;<br />341<br />00:40:01,980 --&gt; 00:40:07,280<br />down to Puerto Rico where that Cardinal and all his bishops for the last year<br />&nbsp;<br />342<br />00:40:07,280 --&gt; 00:40:13,180<br />and a half with a great redemptorist priest and two Dominican nuns and about<br />&nbsp;<br />343<br />00:40:13,180 --&gt; 00:40:17,420<br />40 of our sets of Rosary films in the streets of San Juan and the rest<br />&nbsp;<br />344<br />00:40:17,420 --&gt; 00:40:24,260<br />bringing one out of every three out to go to an innate night<br />&nbsp;<br />345<br />00:40:24,260 --&gt; 00:40:28,580<br />appreciation of our redemption and what the rosary says.<br />&nbsp;<br />346<br />00:40:30,140 --&gt; 00:40:33,820<br />And so it isn't a thing of the past, it's a thing of now because<br />&nbsp;<br />347<br />00:40:34,500 --&gt; 00:40:40,060<br />those two Cardinals are now determined after what they saw at Laity<br />&nbsp;<br />348<br />00:40:40,520 --&gt; 00:40:43,420<br />to give a three to a four-year program<br />&nbsp;<br />349<br />00:40:43,860 --&gt; 00:40:50,180<br />to do the same but at the grassroots to the entire Philippines.<br />&nbsp;<br />350<br />00:40:50,180 --&gt; 00:40:58,980<br />I will come to a conclusion as soon as I can and it's this.<br />&nbsp;<br />351<br />00:41:07,660 --&gt; 00:41:14,940<br />The Blessed Sacrament. When I was a little child in this classroom and had<br />&nbsp;<br />352<br />00:41:14,940 --&gt; 00:41:25,040<br />to answer what it was. I could rattle it off. That was one thing, but it was quite<br />&nbsp;<br />353<br />00:41:25,040 --&gt; 00:41:33,480<br />another when I was in desperation to get a job done and that I knew so well I<br />&nbsp;<br />354<br />00:41:33,480 --&gt; 00:41:41,120<br />couldn't do it. And when I went to the Blessed Sacrament to say, you do it.<br />&nbsp;<br />355<br />00:41:41,120 --&gt; 00:41:49,160<br />35 years have passed except for a few months since that day and our blessed<br />&nbsp;<br />356<br />00:41:49,160 --&gt; 00:42:00,760<br />Lord in the sacrament has never ceased but intensely answering that violence<br />&nbsp;<br />357<br />00:42:00,760 --&gt; 00:42:05,760<br />that took me a minute to perform in order to...<br />&nbsp;<br />358<br />00:42:10,660 --&gt; 00:42:13,520<br />I have to go around the bush to tell you what I want.<br />&nbsp;<br />359<br />00:42:14,520 --&gt; 00:42:17,240<br />I gave you a hint of it earlier.<br />&nbsp;<br />360<br />00:42:17,240 --&gt; 00:42:20,120<br />34 and a half years have shown me<br />&nbsp;<br />361<br />00:42:22,540 --&gt; 00:42:27,540<br />how silly it is to worry about statistics,<br />&nbsp;<br />362<br />00:42:27,700 --&gt; 00:42:30,660<br />to worry about memberships.<br />&nbsp;<br />363<br />00:42:30,760 --&gt; 00:42:37,760<br />to worry about organization.<br />&nbsp;<br />364<br />00:42:44,000 --&gt; 00:42:51,000<br />That our Lord<br />&nbsp;<br />365<br />00:42:51,480 --&gt; 00:42:57,000<br />brought it clear to me, right from the beginning,<br />&nbsp;<br />366<br />00:42:57,000 --&gt; 00:43:00,000<br />but especially within the last few months,<br />&nbsp;<br />367<br />00:43:08,000 --&gt; 00:43:16,000<br />that my job is not to glory in how many families are praying the rosary.<br />&nbsp;<br />368<br />00:43:18,000 --&gt; 00:43:20,000<br />That's God's prerogative.<br />&nbsp;<br />369<br />00:43:20,000 --&gt; 00:43:31,280<br />My job is to bring the horse to the water. I cannot force him to drink it.<br />&nbsp;<br />370<br />00:43:31,280 --&gt; 00:43:38,040<br />But if I say, are the farmer that owns the horse and brings him to the river<br />&nbsp;<br />371<br />00:43:38,040 --&gt; 00:43:46,240<br />and the horse refuses to drink it, if the farmer says, okay, never again will I<br />&nbsp;<br />372<br />00:43:46,240 --&gt; 00:43:53,080<br />I bring you to the river. Go back to your pasture and die of the thirst. I'll never<br />&nbsp;<br />373<br />00:43:53,080 --&gt; 00:44:03,060<br />bring you again. I'm giving you what's my life. Our poor Lord is so good, so<br />&nbsp;<br />374<br />00:44:03,060 --&gt; 00:44:13,240<br />lovable, that he'll never cease bringing the horse to the water so that the horse<br />&nbsp;<br />375<br />00:44:13,240 --&gt; 00:44:19,920<br />will know that there is water and someday he'll drink it and live. And so<br />&nbsp;<br />376<br />00:44:19,920 --&gt; 00:44:26,500<br />with the whole wide world to throw on the billboards of the highways, to go<br />&nbsp;<br />377<br />00:44:26,500 --&gt; 00:44:32,120<br />into the radio and the television, to go to a lovely Saints like you at this time<br />&nbsp;<br />378<br />00:44:32,120 --&gt; 00:44:39,080<br />of the morning, to make apostles of you, is not to do what God cannot do, make<br />&nbsp;<br />379<br />00:44:39,080 --&gt; 00:44:46,120<br />families pray but make them aware. Make them aware.<br /> <p>&nbsp;</p> </div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marian Vigil - Part 1 - Side B Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Rev. Larkin Rev. Peyton Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-06 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_19 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80