9 50 2005 https://omeka.chrc-phila.org/files/original/d8408222be508bc2b633b40357ced1b1.pdf 950545c3227c1ead70b42f088b861b73 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cardinal Dougherty Address, 06/02/1940 Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Cardinal Dougherty Address at his Golden Jubilee Mass. Source A related resource from which the described resource is derived Dougherty, Cardinal Dennis Joseph -MC 78 Date A point or period of time associated with an event in the lifecycle of the resource 1940-06-02 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/" target="_blank">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC78_82.237 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Creator An entity primarily responsible for making the resource Dougherty, Dennis J. (Dennis Joseph), 1865-1951. https://omeka.chrc-phila.org/files/original/24a4492a9ba0d42d10373f4f36011680.mp3 1eba3e702b6e373cca81b5191c99b84b Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Phonograph Record Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:07:42 Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 162kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side 1 Addres by Cardinal Dougherty Part 1; Side 2 Addres by Cardinal Dougherty Part 3 Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Catholic Interracial Council. Race relations. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Side 1 Addres by Cardinal Dougherty Part 1; Side 2 Addres by Cardinal Dougherty Part 3 Creator An entity primarily responsible for making the resource Dougherty, Dennis J. (Dennis Joseph), 1865-1951. Source A related resource from which the described resource is derived Catholic Interracial Council -- MC68 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/" target="_blank">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context 1990.082.MC78.B7.F27 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.chrc-phila.org/files/original/98f046459419747236c97507858e9a76.mp3 eeefe5fde91f97e9552c41e7c02bab6c Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Phonograph Record Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:08:14 Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 189kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Address by Cardinal Dougherty Parts 2 & 4 Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Catholic Interracial Council. Race relations. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Address by Cardinal Dougherty Parts 2 & 4 Creator An entity primarily responsible for making the resource Dougherty, Dennis J. (Dennis Joseph), 1865-1951. Source A related resource from which the described resource is derived Catholic Interracial Council -- MC68 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/" target="_blank">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context 1990.082.MC78.B7.F35 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.chrc-phila.org/files/original/bacb9e37d91708d40b98383e684b534d.mp3 52f80993a20070b430b8918628435e99 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:13:29 Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 89kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speech by Cardinal Dougherty: Sides 6-9 Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Speech by Cardinal Dougherty: Sides 6-9. (Combination of two records: sides 6 & 8 and 7 & 9) Creator An entity primarily responsible for making the resource Dougherty, Dennis J. (Dennis Joseph), 1865-1951. Source A related resource from which the described resource is derived AC 1999.038 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/" target="_blank" rel="noreferrer noopener">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context 1999.038.002 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.chrc-phila.org/files/original/5472463268d3ac6b41777e13dd05ec1d.JPG df0ba9f524d04373d8f350c0aec7472a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Lithographs Creator An entity primarily responsible for making the resource Douglas, S. W. (Sidney William), 1840-?. Description An account of the resource Lithograph of St. James Church in Gibson County, Indiana. Includes vignettes of Rev. J. J. Merckle, church organ, and church altar. Printed below vignette of Rev. J. J. Merckle: "S. W. Douglas, Photo. Evansville, Ind." Identifier An unambiguous reference to the resource within a given context 2011.002.04 Subject The topic of the resource Merckle, J. J. Catholic Church--Indiana--History--19th century. Catholic Church. Diocese of Evansville (Ind.) Gibson County (Ind.)--Buildings, structures, etc.--Pictorial works. Lithographs--1880-1890. St. James's Church (Haubstadt, Ind.) Church buildings--Indiana--Gibson County--Pictorial works. Title A name given to the resource St. James Catholic Church, Gibson Co. Ind. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/f2309a1420a9c6a3a33d6cfdb9d9d0a2.jpg f2b0dba32f902ec144e343a9db54fbff https://omeka.chrc-phila.org/files/original/7b218feebacd39f4a854b3fb90880dc5.jpg ee8c6600c2e80bc94c7696894bd37651 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Downing, J. R. Description An account of the resource Lithograph portrait of Francis Patrick Kenrick. Printed below lithograph: "Published and for sale by J. R. Downing, 139 South 8th St. and T. Colman, 1440 North 2d St., Phila." Identifier An unambiguous reference to the resource within a given context 100.2.1.Kenrick, F. (2) Subject The topic of the resource Kenrick, Francis Patrick, 1796-1863. Bishops--United States--19th century. Catholic Church--United States--Clergy--19th century. Catholic Church. Archdiocese of Baltimore (Md.) Lithographs. Portraits. Title A name given to the resource The Most Rev. Francis Patrick Kenrick, D.D. Archbishop of Baltimore Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/c3f68a30a732787ca5c52dc509ae0b4b.mp3 f014745820d679ff0d11f29cb1aeaccc Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nations Meeting Hunger for Justice Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Dr. Alba Zizzamia Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-03 Rights Information about rights held in and over the resource http://rightsstatements.org/vocab/lnC/1.0/ Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_304_02-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.chrc-phila.org/files/original/dbbd4294a8a9af3b8a3adebdc30de665.mp3 1b3c5e496c68df87e8bd3e974a3e4534 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman and the Eucharist: Women in Contemporary Society Part 1 Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Dr. Marga Klompe Sr. Barbara Thomas Alba Zizzamia Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-06 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/lnC/1.0/">http://rightsstatements.org/vocab/lnC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_708-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.chrc-phila.org/files/original/32151db75b5cfa4f3d5f5827428b7d5a.mp3 7e0b93d87bfe9c546a91bfc83a0bb327 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woman and the Eucharist: Women in Contemporary Society Part 2 Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Dr. Marga Klompe Sr. Barbara Thomas Alba Zizzamia Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-06 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/lnC/1.0/">http://rightsstatements.org/vocab/lnC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_708-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.chrc-phila.org/files/original/12fea4aa11981695be4224e88c9ce5d0.mp3 9fa1950975b7ff0fd96ba3ece261b81b https://omeka.chrc-phila.org/files/original/f26ba6cbfec037a3f03e6ab845fe2756.mp3 b3482b28b22dfc169d9e6ef7bdbe249d Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Transcription Any written text transcribed from a sound <div style="width: 750px; height: 300px; overflow: scroll;" 1="" br=""> 1 00:00:00,000 --> 00:00:07,000 The Reverend Dr. Robert Marshall, President of the Lutheran Church in America.   2 00:00:30,000 --> 00:00:40,040 It was a privilege to be here att edge you in in having g   3 00:00:40,400 --> 00:00:47,600 and all of your amazing gift s.   4 00:00:48,780 --> 00:00:54,580 I pray that you for years to come   5 00:00:54,580 --> 00:01:21,340 The question that has been addressed to us from the balcony is one which we must all   6 00:01:21,340 --> 00:01:29,200 take seriously, for there is a price to pay. And we shall be assessing some of   7 00:01:29,200 --> 00:01:38,160 that this very morning, and whether the price is too high, or whether there is a   8 00:01:38,160 --> 00:01:48,580 way in which the price can make the results all the more precious. But I want   9 00:01:48,580 --> 00:02:03,620 to start by saying that this is a high moment of privilege and promise. It is a   10 00:02:03,620 --> 00:02:14,060 privilege to be introduced by William Cardinal Baum. Both of us were in   11 00:02:14,060 --> 00:02:20,900 different positions when we first met, but it has been a privilege that again   12 00:02:20,900 --> 00:02:28,660 and again we have been together in meetings, in various ecumenical   13 00:02:28,660 --> 00:02:37,340 capacities, where I have learned from him and I have hoped that in a reciprocal   14 00:02:37,340 --> 00:02:45,060 way he may have learned a little bit from me. For it is that learning from   15 00:02:45,060 --> 00:02:54,580 each other which is part of the benefit of ecumenical relations that makes the   16 00:02:54,580 --> 00:03:03,580 price worth it. It is a time of privilege for me to have been invited to this   17 00:03:03,580 --> 00:03:16,060 place by His Eminence John Cardinal Crowell, and to have a part in this Eucharistic Congress.   18 00:03:16,060 --> 00:03:33,280 I pray God's blessing upon Cardinal Crowell and upon the Congress.   19 00:03:33,280 --> 00:03:52,160 It is a privilege to share the program with Archbishop Sheen, a great teacher, preacher,   20 00:03:52,160 --> 00:03:57,920 prelate whom I have admired for many, many years.   21 00:03:57,920 --> 00:04:07,400 It is a privilege to share this platform and program with other bishops and churchmen who   22 00:04:07,400 --> 00:04:16,040 have been part of the Committee on the Participation of Christians from Other Churches in the Eucharistic   23 00:04:16,040 --> 00:04:18,280 Congress.   24 00:04:18,280 --> 00:04:26,500 It is a privilege today to be here not only as a member of the Lutheran Church in America,   25 00:04:26,500 --> 00:04:35,180 But as a representative of the World Council of Churches, both the General Secretary, Philip   26 00:04:35,180 --> 00:04:49,220 Potter, and the moderator of the Central Committee, Archbishop Scott, Anglican Primate of Canada,   27 00:04:49,220 --> 00:04:52,300 had hoped to be here.   28 00:04:52,300 --> 00:04:57,660 But at this very time there are meetings of the World Council of Churches in session in   29 00:04:57,660 --> 00:05:05,900 Geneva which demanded their attention in this period immediately following the assembly   30 00:05:05,900 --> 00:05:11,820 of the World Council of Churches in Nairobi last December.   31 00:05:11,820 --> 00:05:16,980 And so it has fallen to my lot as a member of the Executive Committee to be present and   32 00:05:16,980 --> 00:05:22,280 bring you greetings and assurance of the prayers of those of us who are in the   33 00:05:22,280 --> 00:05:31,760 council for your Eucharistic Congress. That your prayers...   34 00:05:36,860 --> 00:05:44,060 On Friday evening I shall be leaving for Geneva for the meeting of the Executive   35 00:05:44,060 --> 00:05:49,580 Committee of the World Council, and I shall be able to report directly to   36 00:05:49,580 --> 00:05:57,020 those who are very interested there in the proceedings here. But it is a   37 00:05:57,020 --> 00:06:06,140 privilege above all to be in a gathering of Christians to enjoy the beauty of   38 00:06:06,140 --> 00:06:18,580 of music, the gracefulness of dance, the meditation upon our Lord Jesus Christ and His Church   39 00:06:18,580 --> 00:06:26,780 and His sacrament, that is the highest privilege of all.   40 00:06:26,780 --> 00:06:32,900 As the Lutheran bishop of Slovakia said to me in Bratislava just before I was to mount   41 00:06:32,900 --> 00:06:35,860 into the pulpit to preach, he said,   42 00:06:35,860 --> 00:06:41,820 remember, the greatest honor God does us   43 00:06:41,820 --> 00:06:47,300 is to call us to worship him.   44 00:06:47,300 --> 00:06:50,900 It is with that high sense of privilege   45 00:06:50,900 --> 00:06:55,220 at worshiping together, at meditating together,   46 00:06:55,220 --> 00:06:58,660 at discussing together the essential aspects   47 00:06:58,660 --> 00:07:05,400 of our Christian faith that we may also recognize a great promise.   48 00:07:05,400 --> 00:07:14,780 If it were left to us alone as frail human beings, we would flub our Christianity.   49 00:07:14,780 --> 00:07:19,760 But it is the presence of Christ among us fulfilling his promise that whether it be   50 00:07:19,760 --> 00:07:29,180 two or three or many times that number, his presence among us that turns this moment,   51 00:07:29,180 --> 00:07:34,200 like other moments, into a moment of promise.   52 00:07:34,200 --> 00:07:38,080 Our topic today is a big one.   53 00:07:38,080 --> 00:07:44,320 It is many-faceted, or more specifically, fourfold.   54 00:07:44,320 --> 00:07:56,280 The Eucharist, in pluralism and unity, heritage and hope, the first of those words, pluralism,   55 00:07:56,280 --> 00:08:02,800 thrusts us into the world of daily life.   56 00:08:02,800 --> 00:08:09,760 Is that what we should be contemplating when we contemplate the Eucharist?   57 00:08:09,760 --> 00:08:13,000 Ah, yes, indeed.   58 00:08:13,000 --> 00:08:22,840 The Eucharist begins with bread and wine, substances of daily life.   59 00:08:22,840 --> 00:08:33,740 Pluralism is a sociological term and coined rather recently, and so it makes us realize   60 00:08:33,740 --> 00:08:40,860 in a contemporary moment of a complex society,   61 00:08:40,860 --> 00:08:43,220 that our contemplation of the Eucharist   62 00:08:43,220 --> 00:08:49,820 must take into account the situation of humanity today   63 00:08:49,820 --> 00:08:53,780 and our daily lives together.   64 00:08:53,780 --> 00:08:58,580 It is not always a pretty picture,   65 00:08:58,580 --> 00:09:01,980 the theme of your Congress pointing us   66 00:09:01,980 --> 00:09:16,180 to the hungers of mankind remind us how many people are dissatisfied, unsatisfied, hungering   67 00:09:16,180 --> 00:09:23,100 futilely, starving in one way or another.   68 00:09:23,100 --> 00:09:30,260 It reminds us that the world of bread and wine is a place where people fight and struggle   69 00:09:30,260 --> 00:09:38,220 for what they can get to eat. And we ask as we look at that kind of pluralism in   70 00:09:38,220 --> 00:09:46,020 the world whether there can be any unity. Let us be honest that there is built in   71 00:09:46,020 --> 00:09:57,740 even to natural life forces that develop unities among our human brothers and   72 00:09:57,740 --> 00:10:05,780 sisters. There is such a thing as natural affection that can develop friendships as   73 00:10:05,780 --> 00:10:13,540 beautiful, even to the point of heroism, that are as great as anything that ever   74 00:10:13,540 --> 00:10:20,700 developed in the church. I know a story about two Texas towns on opposite sides   75 00:10:20,700 --> 00:10:27,900 of the river, one settled by Norwegians, another settled by Germans, and the   76 00:10:27,900 --> 00:10:34,740 elders forbade their children and young people to cross the river. They did not   77 00:10:34,740 --> 00:10:45,340 want any intermarriage. But today the towns are completely intermarried. No   78 00:10:45,340 --> 00:10:54,260 No rules could prevent the natural affections from bringing those two towns closer and closer   79 00:10:54,260 --> 00:10:55,420 together.   80 00:10:55,420 --> 00:10:59,380 There is such a force in natural life.   81 00:10:59,380 --> 00:11:13,100 The social process moves from conflict to competition, to cooperation, to concord.   82 00:11:13,100 --> 00:11:24,400 are natural forces for unity, or the very struggle for survival forces people together.   83 00:11:24,400 --> 00:11:32,560 And yet, there is always the evidence that what humanity is doing is building a tower   84 00:11:32,560 --> 00:11:39,840 of Babel over and over again, where things are falling apart, verging on the edge of   85 00:11:39,840 --> 00:11:42,720 chaos.   86 00:11:42,720 --> 00:11:50,940 And so what we really see in the natural world are conflicting forces toward unity and disruption   87 00:11:50,940 --> 00:11:53,500 and brokenness.   88 00:11:53,500 --> 00:12:00,900 The incompleteness of earthly life is something all of us feel.   89 00:12:00,900 --> 00:12:10,140 So we would gladly take the leap from the pluralism of daily life to the unity of the   90 00:12:10,140 --> 00:12:24,540 Christian Church, but it can't happen that quickly.   91 00:12:24,540 --> 00:12:30,160 It cannot happen that quickly because there is a real price.   92 00:12:30,160 --> 00:12:40,240 And so before we contemplate unity, we had best make a short stop at heritage.   93 00:12:40,240 --> 00:12:49,700 For there is in the heritage of the Christian Church today also a pluralism.   94 00:12:49,700 --> 00:12:56,080 When we think of the Eucharist, we have to admit that we are still divided, that we still   95 00:12:56,080 --> 00:13:03,200 practice separate and distinct administrations of the Eucharist. Let us   96 00:13:03,200 --> 00:13:15,040 not lament this entirely. God has his way of using human failures, human divisions,   97 00:13:15,040 --> 00:13:25,800 so that there has clustered around each separate heritage great values. You   98 00:13:25,800 --> 00:13:34,620 could name them for your particular communion as I could for mine. The point   99 00:13:34,620 --> 00:13:45,360 is that we must look beyond those values to new possibilities. In one ecumenical   100 00:13:45,360 --> 00:13:54,260 meeting a person from Poland stood up and said, in Poland we say that the unity   101 00:13:54,260 --> 00:14:03,460 of the church will not be realized until the last day. And in Poland it will be a   102 00:14:03,460 --> 00:14:06,620 few days later.   103 00:14:16,140 --> 00:14:22,980 When we are most honest we would have to admit there are times when we feel that   104 00:14:22,980 --> 00:14:32,340 way about our own communions. But we may not stop there. We have to move on, as the   105 00:14:32,340 --> 00:14:40,740 Roman Catholic Church has in planning this Eucharistic Congress. For 95 years a   106 00:14:40,740 --> 00:14:48,020 Eucharistic Congress has been a distinctive Roman Catholic event, but   107 00:14:48,020 --> 00:14:58,220 But more recently, there has been a stretching out of arms of welcome to the Orthodox and   108 00:14:58,220 --> 00:15:01,740 to Protestants.   109 00:15:01,740 --> 00:15:08,380 That kind of development shows that we will not rest content with keeping our heritages   110 00:15:08,380 --> 00:15:11,380 separate.   111 00:15:11,380 --> 00:15:31,780 I recall the first time that I saw a pious Orthodox woman kissing an icon.   112 00:15:31,780 --> 00:15:45,380 It was in Jerusalem, in the darkness of those great churches, with little more than candlelight.   113 00:15:45,380 --> 00:15:54,740 And as I looked, I was at first curious, and then I was disdainful.   114 00:15:54,740 --> 00:16:00,700 My whole upbringing was opposed to what I was seeing.   115 00:16:00,700 --> 00:16:06,020 I had been taught to ridicule that form of piety.   116 00:16:06,020 --> 00:16:10,500 And I recall one of the first archaeological explorers   117 00:16:10,500 --> 00:16:14,060 back in the 1850s going through Palestine   118 00:16:14,060 --> 00:16:17,980 and coming back, Protestant that he was,   119 00:16:17,980 --> 00:16:23,480 and telling the horrors of the religious life of that land,   120 00:16:23,480 --> 00:16:26,860 a religion of monkery.   121 00:16:26,860 --> 00:16:31,380 And I agreed with him.   122 00:16:31,380 --> 00:16:35,820 But as I lived on in Jerusalem over 10 months,   123 00:16:35,820 --> 00:16:38,940 something began to happen with me.   124 00:16:38,940 --> 00:16:44,340 I began to know those Christians with their strange piety   125 00:16:44,340 --> 00:16:46,820 as devout people of faith.   126 00:16:49,660 --> 00:16:53,980 And I began to realize that my way of worshiping   127 00:16:53,980 --> 00:16:58,820 was not the only valid way.   128 00:16:58,820 --> 00:17:02,840 I realized that theirs was a piety that   129 00:17:02,840 --> 00:17:06,800 was more sensuous than mine.   130 00:17:06,800 --> 00:17:10,000 I had been brought up to think that the sense of hearing   131 00:17:10,000 --> 00:17:16,560 was the primary sense for religion   132 00:17:16,560 --> 00:17:22,120 and that going down the list, maybe seeing came second.   133 00:17:22,120 --> 00:17:30,040 and there was little room for tasting in the Eucharist specifically, but touching, no room   134 00:17:30,040 --> 00:17:33,360 at all for that sense.   135 00:17:33,360 --> 00:17:39,120 And I began to realize that maybe I was the one who was deprived.   136 00:17:39,120 --> 00:17:45,560 There was room to learn something from the piety of others, and I began to see those   137 00:17:45,560 --> 00:17:57,320 great churches as the deposit of nearly 1,700 years of Christian devotion.   138 00:17:57,320 --> 00:18:02,480 I say that was a slight improvement in my attitude.   139 00:18:02,480 --> 00:18:11,400 I was growing in the way I believe Jesus wants us all to grow when he speaks about the oneness   140 00:18:11,400 --> 00:18:24,160 of his church.   141 00:18:24,160 --> 00:18:33,780 To mention Jesus is to note that part of our heritage that draws us together.   142 00:18:33,780 --> 00:18:38,660 It is not our differences that deserve to be exalted.   143 00:18:38,660 --> 00:18:46,140 They need to be worked at and studied and discussed, but we must always see the Lord   144 00:18:46,140 --> 00:19:04,340 Jesus Christ as the focus of the heritage, for that we have together.   145 00:19:04,340 --> 00:19:15,760 we do worship the same Lord. We even celebrate the same Eucharist. The fact that we have   146 00:19:15,760 --> 00:19:24,180 different liturgies, the fact that we have different doctrines, the fact that we order   147 00:19:24,180 --> 00:19:33,880 our ministries differently does not determine the real nature of the   148 00:19:33,880 --> 00:19:41,940 sacrament. Only God can do that, only the Lord Jesus Christ. And so where there is   149 00:19:41,940 --> 00:19:50,060 bread and wine and the words of our Lord, take eat this is my body, take drink this   150 00:19:50,060 --> 00:19:55,220 is my blood. There is the sacrament.   151 00:20:00,420 --> 00:20:07,780 And so the heritage which we have together has finally brought us to   152 00:20:07,780 --> 00:20:16,220 acknowledge the nature of our unity as a Christian church, even though we are many   153 00:20:16,220 --> 00:20:24,700 churches, we need to recognize that we have baptism together. As one old saint   154 00:20:24,700 --> 00:20:29,740 in an ecumenical meeting said, there are only two kinds of people in the world,   155 00:20:29,740 --> 00:20:36,940 those who know that God loves them and those who don't.   156 00:20:36,940 --> 00:20:49,640 And by our baptism, by the churches conveying the word of God to us, we are among the people   157 00:20:49,640 --> 00:20:52,320 who know that God loves us.   158 00:20:52,320 --> 00:21:00,320 We have that in common.   159 00:21:00,320 --> 00:21:06,480 To speak about that unity, however, we must quickly say there is another point of unity   160 00:21:06,480 --> 00:21:12,180 that is in repentance and in the confession of sin.   161 00:21:12,180 --> 00:21:18,940 We do not know how to confess our sins explicitly.   162 00:21:18,940 --> 00:21:25,580 We still feel a little more comfortable thinking that the people of another church have the   163 00:21:25,580 --> 00:21:34,400 greater sin, the greater error, the greatest lack of understanding and truth.   164 00:21:34,400 --> 00:21:41,800 But we know we could be wrong. We know that enough that we've come to the time   165 00:21:41,800 --> 00:21:48,960 where we will try to speak about those very differences together so that we   166 00:21:48,960 --> 00:21:53,360 repent in the presence of each other as well as in the presence of God and not   167 00:21:53,360 --> 00:22:11,880 in private. Then by God's grace, something begins to happen to our distinctive heritages.   168 00:22:11,880 --> 00:22:20,280 Our very differences begin to be, as it were, the gifts of the Spirit. When St. Paul spoke   169 00:22:20,280 --> 00:22:30,160 in 1 Corinthians 12 about the differences in the Christian congregation of ancient Corinth.   170 00:22:30,160 --> 00:22:34,940 He was talking about the individuals in that congregation.   171 00:22:34,940 --> 00:22:40,940 Yet I believe there is a similarity for the differences among the many churches of our   172 00:22:40,940 --> 00:22:44,380 time.   173 00:22:44,380 --> 00:22:53,020 God, as I have said, in his grace has turned our very differences into channels of great   174 00:22:53,020 --> 00:22:56,980 value and purpose.   175 00:22:56,980 --> 00:23:05,940 That is the way that he makes it possible for us to enrich each other, to fulfill even   176 00:23:05,940 --> 00:23:11,860 in our division a great part of the mission of the Church.   177 00:23:11,860 --> 00:23:19,700 therein unity becomes a challenge. Up to this point I have spoken about how unity   178 00:23:19,700 --> 00:23:27,300 exists in spite of us. I have spoken about how unity of the Church is the   179 00:23:27,300 --> 00:23:37,720 gift and work of God. But with that kind of grounding you and I are now   180 00:23:37,720 --> 00:23:47,920 strengthened to work for making the unity of the church more visible. You see   181 00:23:47,920 --> 00:23:55,680 there's a way in which that unity is not visible today, and the fact that unity is   182 00:23:55,680 --> 00:24:02,200 the gift and work of God has made some people act as though the more invisible   183 00:24:02,200 --> 00:24:11,880 the unity was the better. But that is not where Jesus would let us rest. He has   184 00:24:11,880 --> 00:24:19,040 made it clear that we have a responsibility to love each other. He has   185 00:24:19,040 --> 00:24:26,840 made it clear that that love should not be a Pyramus and Thisbe kind of romance,   186 00:24:26,840 --> 00:24:33,320 enjoyed in separation as though that's the way it had to be. Quite to the   187 00:24:33,320 --> 00:24:39,280 contrary, he has wanted us to stand forth with each other among those who are not   188 00:24:39,280 --> 00:24:44,120 Christian and make it clear what Christian love means between us and   189 00:24:44,120 --> 00:24:56,320 among us. And yet, even he has not made the expression of Christian love easy.   190 00:24:56,320 --> 00:25:01,320 because he has also commanded us to pursue truth.   191 00:25:01,320 --> 00:25:08,320 And therefore it is that it is right today that we should have in our minds the hunger for truth.   192 00:25:08,320 --> 00:25:14,320 Love without truth becomes an abstraction.   193 00:25:14,320 --> 00:25:20,320 It becomes a meaningless sentimentality,   194 00:25:20,320 --> 00:25:34,680 unstable in all its ways. But how in our devotion to truth shall we also be   195 00:25:34,680 --> 00:25:42,800 clear about our love? Some specific means have developed. Representatives from one   196 00:25:42,800 --> 00:25:47,880 church at meetings of another church, as now here this day at the Eucharistic   197 00:25:47,880 --> 00:25:56,880 Congress is one way. Then there are the interconfessional dialogues to which   198 00:25:56,880 --> 00:26:02,800 Cardinal Baum referred, going on between Lutherans and Roman Catholics for ten   199 00:26:02,800 --> 00:26:09,300 years now, but involving Episcopalians, Orthodox, and we could go through the   200 00:26:09,300 --> 00:26:17,160 whole roster of churches showing how we are talking about the command to search   201 00:26:17,160 --> 00:26:24,240 for truth but doing it together, not enjoying our isolated selves and   202 00:26:24,240 --> 00:26:32,400 building up our self-satisfaction, when what God wants is an honest pursuit   203 00:26:32,400 --> 00:26:36,880 together for the unity of the Church.   204 00:26:36,880 --> 00:26:53,800 Then there are the councils of churches, with an increasing number of Roman Catholic bishops   205 00:26:53,800 --> 00:27:02,060 and their dioceses participating across the United States and in other lands.   206 00:27:02,060 --> 00:27:09,460 And even where there is not membership, a great degree of cooperation exists.   207 00:27:09,460 --> 00:27:16,020 Especially in the World Council of Churches, we have been grateful and enriched by the   208 00:27:16,020 --> 00:27:22,940 participation of Roman Catholics in the Commission on Faith and Order.   209 00:27:22,940 --> 00:27:26,660 There we study truth together.   210 00:27:26,660 --> 00:27:33,380 Likewise, we have benefited mutually, I think, from the joint working group, where we lay   211 00:27:33,380 --> 00:27:43,640 the plans for further study and work, and there are other units of cooperation.   212 00:27:43,640 --> 00:27:50,500 But we know that we have only begun our walk together.   213 00:27:50,500 --> 00:27:57,820 eyes must be to the future. And so having talked about pluralism and heritage and   214 00:27:57,820 --> 00:28:09,620 unity, we must also speak of hope. However, as we do so, let us not think that our   215 00:28:09,620 --> 00:28:17,540 hope is for a unity out there entirely. Rather, it is because of the unity God   216 00:28:17,540 --> 00:28:23,780 has given us in spite of ourselves that we are able to hope. We have an anchor   217 00:28:23,780 --> 00:28:29,660 for our hope. We already have some evidence of our hope. We begin to see the   218 00:28:29,660 --> 00:28:37,620 glimmer of the new day. And so in the Eucharist we can take seriously what he   219 00:28:37,620 --> 00:28:47,380 says, that we should receive his body and blood in sacramental form until he comes.   220 00:28:47,380 --> 00:28:56,420 Yes, there will always be something future about the unity of the Church, but our hope   221 00:28:56,420 --> 00:29:10,540 for greater visibility for the unity is, according to his world, that the world may know.   222 00:29:10,540 --> 00:29:18,380 we have tended to be satisfied with ourselves in our several communions.   223 00:29:18,380 --> 00:29:26,820 It will not do for us to blow the trumpets for our unity, our comprehensive unity, and   224 00:29:26,820 --> 00:29:31,260 then think we can be satisfied with ourselves as Christians.   225 00:29:31,260 --> 00:29:38,380 Our view must be ever outward, as indeed God's view is, thinking about all humanity.   226 00:29:38,380 --> 00:29:43,680 For he would place us before the world as his witnesses.   227 00:29:43,680 --> 00:29:52,240 It is with that vision that we are motivated to show our love for each other, to pursue   228 00:29:52,240 --> 00:30:00,440 truth together rather than separately, and to find the ways we can work together in common   229 00:30:00,440 --> 00:30:03,860 service in the world.   230 00:30:03,860 --> 00:30:06,740 It is that the world may know.   231 00:30:06,740 --> 00:30:16,320 It is that we may fulfill the mission of the Church given to us by our Lord Jesus Christ.   232 00:30:16,320 --> 00:30:25,000 Our real hope is the one Christ gave us, not just for the unity of the Church, but for   233 00:30:25,000 --> 00:30:30,240 the unity of all humanity.   234 00:30:30,240 --> 00:30:37,720 remote as that may seem. I would leave with you a lesson I learned in my youth   235 00:30:37,720 --> 00:30:44,540 from a sister, Sophie Muller, working in the Appalachians even before that was   236 00:30:44,540 --> 00:30:56,680 very popular. And she took me on one of her trips. She was a nurse. We went up to   237 00:30:56,680 --> 00:31:05,500 the end of the road in the hills. We climbed over plank fence after plank fence. And as   238 00:31:05,500 --> 00:31:13,260 we did, even though we were trying to catch our breath, she told me how she had made this   239 00:31:13,260 --> 00:31:21,660 trip on a winter night through the snow to deliver a baby that she was now going to visit   240 00:31:21,660 --> 00:31:25,380 because the baby was sick.   241 00:31:25,380 --> 00:31:28,180 And the father was in prison.   242 00:31:28,180 --> 00:31:32,820 And we finally arrived at the humble cottage.   243 00:31:32,820 --> 00:31:36,340 And there was a mother out hoeing in the garden,   244 00:31:36,340 --> 00:31:43,540 pregnant again, three children about her feet as she worked.   245 00:31:43,540 --> 00:31:48,500 And as we left, I said to Sister Sophie, this is hopeless.   246 00:31:48,500 --> 00:32:03,460 There are times when I have sighed that same word about any material realization of the   247 00:32:03,460 --> 00:32:07,300 unity of the church.   248 00:32:07,300 --> 00:32:14,940 But Sister Sophie gave me the only Christian answer.   249 00:32:14,940 --> 00:32:21,940 We don't know that word down here.   250 00:33:14,940 --> 00:33:40,060 I reminisce Cardinal Baum and my spiritual confreres and associates in the Lord, and   251 00:33:40,060 --> 00:33:42,780 all friends in Christ.   252 00:33:42,780 --> 00:33:59,300 Well, you have to admit that I'm the only show here, holy show here.   253 00:33:59,300 --> 00:34:03,460 I will tell you how this happened.   254 00:34:03,460 --> 00:34:10,160 Last night I had dinner with his eminence, Cardinal Crowell, and he said,   255 00:34:10,160 --> 00:34:12,160 wear your robes.   256 00:34:12,160 --> 00:34:18,200 Well, if one of the Cincinnati Reds had told me, I wouldn't have.   257 00:34:18,200 --> 00:34:25,880 You got it, thank you.   258 00:34:25,880 --> 00:34:40,280 But when the captain of the Phillies tells me, I do it.   259 00:34:40,280 --> 00:34:49,820 Remnants of Cardinal Willerbrand, that's a baseball joke.   260 00:34:49,820 --> 00:35:10,820 Apropos of robes, I must tell you, years ago I was giving a lecture in Cleveland, in Hotel Cleveland, and I had just arrived in time for the lecture.   261 00:35:10,820 --> 00:35:19,620 I went to my room and put on these robes and I said to the four members of the reception   262 00:35:19,620 --> 00:35:25,860 committee that I would be grateful if they would go down to the dining room with me while   263 00:35:25,860 --> 00:35:31,740 I ordered a glass of milk and some graham crackers.   264 00:35:31,740 --> 00:35:37,940 There was a waitress in the early flirties taking the orders.   265 00:35:37,940 --> 00:35:45,440 She took the orders of the four men, and then she looked at me, and she said,   266 00:35:45,440 --> 00:35:48,440 Well, Cock Robin, what will you have?   267 00:35:48,440 --> 00:35:58,440 Laughter and applause   268 00:35:58,440 --> 00:36:14,160 Well, we are here to meditate and talk about the Holy Eucharist.   269 00:36:14,160 --> 00:36:22,800 Now we have different points of view on this stage.   270 00:36:22,800 --> 00:36:29,720 And what are our differences like?   271 00:36:29,720 --> 00:36:33,360 They're only lovers' quarrels.   272 00:36:33,360 --> 00:36:43,320 A husband and wife who love one another never fight about their love for one another.   273 00:36:43,320 --> 00:36:46,220 It's a broken fender.   274 00:36:46,220 --> 00:36:53,660 It's a meat bill, groceries, but never their love.   275 00:36:53,660 --> 00:37:02,860 And we are agreed on one thing, the deep and profound love of Christ and his church.   276 00:37:02,860 --> 00:37:17,900 That's why I say it's just a lover's quarrel.   277 00:37:17,900 --> 00:37:27,720 The subject assigned was pluralism and unity.   278 00:37:27,720 --> 00:37:38,040 The very day that our Lord announced the Eucharist, there was great pluralism.   279 00:37:38,040 --> 00:37:42,240 Four different theological schools came into being.   280 00:37:42,240 --> 00:37:46,440 They were all mentioned in the sixth chapter of John.   281 00:37:46,440 --> 00:37:53,240 The crowd, the Jews, the disciples, Peter.   282 00:37:53,240 --> 00:37:57,400 Four pluralistic views.   283 00:37:57,400 --> 00:38:01,600 Here is the view of the crowd.   284 00:38:01,600 --> 00:38:08,280 When our Lord spoke about the Eucharist, they said, it means nothing.   285 00:38:08,280 --> 00:38:15,000 They were interested only in the loaf, not in the love.   286 00:38:15,000 --> 00:38:20,040 They saw no sign whatever in the Eucharist that God was giving them.   287 00:38:20,040 --> 00:38:26,600 They, as our blessed Lord said, you followed me because you were hungry.   288 00:38:26,600 --> 00:38:31,260 That was one school that sees no significance in the Eucharist.   289 00:38:31,260 --> 00:38:38,580 The second, the Jews in the synagogue at Capernaum.   290 00:38:38,580 --> 00:38:49,940 They recognized a sign, but they said Christ can't be the sign.   291 00:38:49,940 --> 00:38:56,580 Moses had given them a sign, they said, but our Lord had not given them a sufficient sign.   292 00:38:56,580 --> 00:39:01,580 even though he multiplied bread for 5,000.   293 00:39:01,580 --> 00:39:05,580 And in addition, they said,   294 00:39:05,580 --> 00:39:08,580 we know his father and mother.   295 00:39:08,580 --> 00:39:14,580 So how can he be a sign of anything we know as earthly origin?   296 00:39:15,580 --> 00:39:19,580 Third school, the disciples.   297 00:39:19,580 --> 00:39:22,580 They knew what our Lord meant.   298 00:39:22,580 --> 00:39:29,100 He understood him.   299 00:39:29,100 --> 00:39:35,860 He that eateth my flesh and drinketh my blood hath everlasting life.   300 00:39:35,860 --> 00:39:44,780 But they were trained under the Bultmanns and the Heideggers of those days, and they   301 00:39:44,780 --> 00:39:50,540 said in the beautiful translation of the NEB, the New English Bible,   302 00:39:50,540 --> 00:39:59,740 how can we stomach talk like that? And they left and walked with him no more.   303 00:39:59,740 --> 00:40:08,820 They knew what he meant, but they would not receive it. And that is why our   304 00:40:08,820 --> 00:40:11,300 Our blessed Lord did not call them back.   305 00:40:13,620 --> 00:40:15,080 He didn't say, I'll change it.   306 00:40:17,140 --> 00:40:18,740 And the fourth school was Peter.   307 00:40:21,420 --> 00:40:23,180 Peter couldn't give an explanation.   308 00:40:26,340 --> 00:40:29,460 All Peter said was, well, Lord, to whom shall we go?   309 00:40:31,600 --> 00:40:33,780 Peter said, first I'll have faith in you,   310 00:40:33,780 --> 00:40:36,020 and then I'll get the explanation afterwards.   311 00:40:36,020 --> 00:40:41,900 Thou alone hast the words of eternal life.   312 00:40:41,900 --> 00:40:48,540 So the Eucharist at the very beginning created pluralism.   313 00:40:48,540 --> 00:40:55,820 Now how will we ever get to unity in it?   314 00:40:55,820 --> 00:41:06,540 I believe by concentrating our thought on the death and the resurrection of Christ,   315 00:41:06,540 --> 00:41:15,900 and particularly his death, that makes a great difference in our point of view.   316 00:41:15,900 --> 00:41:21,420 Take for example Simon of Cyrene and Joseph of Arimathea.   317 00:41:21,420 --> 00:41:24,300 These were secret disciples.   318 00:41:24,300 --> 00:41:28,540 They were members of the Sanhedrin.   319 00:41:28,540 --> 00:41:34,260 Nicodemus never appears in the daytime, only at night.   320 00:41:34,260 --> 00:41:38,020 And what brought them out?   321 00:41:38,020 --> 00:41:41,260 The crucifixion of our Lord.   322 00:41:41,260 --> 00:41:44,380 And they came to the cross and buried him.   323 00:41:44,380 --> 00:41:50,780 Otherwise the body of our Lord would have been only food for carrion birds.   324 00:41:50,780 --> 00:41:55,740 It was the crucifixion that united them.   325 00:41:55,740 --> 00:42:01,220 Now the crucifixion is closely related to the Eucharist, and I'm about to tell you   326 00:42:01,220 --> 00:42:04,940 in a few moments why it is the center.   327 00:42:04,940 --> 00:42:15,940 We concentrate for the most part on just one aspect of the Eucharist, the life-giving side.   328 00:42:15,940 --> 00:42:20,260 But there's a death side of the Eucharist.   329 00:42:20,260 --> 00:42:24,940 Now most of us have studied biology.   330 00:42:24,940 --> 00:42:27,360 Remember the metabolic processes of nature?   331 00:42:27,360 --> 00:42:34,300 The anabolic, the buildup, the catabolic, the turn down, tear down?   332 00:42:34,300 --> 00:42:42,540 Let's first of all treat the anabolic or the life-giving side of nature and the Eucharist.   333 00:42:42,540 --> 00:42:52,460 If for example, the sunshine, the moisture in the earth, the carbons and the phosphates   334 00:42:52,460 --> 00:43:01,940 could speak, they would say to the plants, unless you eat me, you shall not have life   335 00:43:01,940 --> 00:43:05,340 in you.   336 00:43:05,340 --> 00:43:11,980 If the plants could speak, they would say to the animals,   337 00:43:11,980 --> 00:43:18,420 unless you eat me, you shall not have life in you.   338 00:43:18,420 --> 00:43:20,860 If the chemicals and plants and animals could speak,   339 00:43:20,860 --> 00:43:26,100 they would say to us, unless you eat me,   340 00:43:26,100 --> 00:43:29,140 you shall not have life in you.   341 00:43:29,140 --> 00:43:32,660 And our blessed Lord said, unless you eat me,   342 00:43:32,660 --> 00:43:36,420 you shall not have life in you.   343 00:43:36,420 --> 00:43:39,620 The lower is transformed into the higher.   344 00:43:39,620 --> 00:43:43,540 Chemicals into plants, plants into animals,   345 00:43:43,540 --> 00:43:47,340 animals into man, man into Christ.     </div> <div style="width: 750px; height: 300px; overflow: scroll;" 1="" br=""> 1 00:00:00,000 --> 00:00:17,600 That is the anabolic building upside of the Eucharist.   2 00:00:17,600 --> 00:00:22,760 And I spoke about the importance of the death of Christ.   3 00:00:22,760 --> 00:00:26,760 So now we come to the catabolic.   4 00:00:26,760 --> 00:00:31,060 Nature teaches us that too.   5 00:00:31,060 --> 00:00:42,480 If the plants, if the plants could speak, they would say to the sunshine, to the moisture,   6 00:00:42,480 --> 00:00:51,160 to the chemicals in the earth, you are inert, you're lifeless.   7 00:00:51,160 --> 00:00:54,820 Would you like to live, not be just a thing?   8 00:00:57,060 --> 00:01:01,300 Well, you cannot live in me the way you are.   9 00:01:01,300 --> 00:01:04,440 If you chemicals want to live in my kingdom,   10 00:01:04,440 --> 00:01:07,180 you will have to die to yourself.   11 00:01:09,740 --> 00:01:12,320 And if the animals could speak,   12 00:01:14,580 --> 00:01:17,000 they would say to the plants,   13 00:01:17,000 --> 00:01:21,000 You're fixed, you're immobile.   14 00:01:21,000 --> 00:01:27,360 You cannot move from shade to sunshine.   15 00:01:27,360 --> 00:01:33,380 You cannot see or hear or taste.   16 00:01:33,380 --> 00:01:35,580 I live in a higher kingdom.   17 00:01:35,580 --> 00:01:39,680 Would you like to live in me, you plants?   18 00:01:39,680 --> 00:01:41,680 Not as you are.   19 00:01:41,680 --> 00:01:47,680 You have to be pulled up by the roots.   20 00:01:47,680 --> 00:01:52,680 And you have to be ground beneath the very jaws of death.   21 00:01:52,680 --> 00:02:00,680 And then alone you can live in my kingdom and be a sentient being.   22 00:02:00,680 --> 00:02:04,680 Man says to the animals,   23 00:02:04,680 --> 00:02:07,680 You cannot think.   24 00:02:07,680 --> 00:02:10,680 You cannot scan the stars.   25 00:02:10,680 --> 00:02:14,680 You cannot love.   26 00:02:14,680 --> 00:02:18,680 Would you like to live in my kingdom?   27 00:02:18,680 --> 00:02:21,680 Not as you are.   28 00:02:21,680 --> 00:02:24,680 You will have to die to yourself.   29 00:02:24,680 --> 00:02:27,680 You will have to submit yourself to the knife   30 00:02:27,680 --> 00:02:30,680 and to the shedding of blood.   31 00:02:30,680 --> 00:02:36,320 Then alone can you live in my kingdom and Christ says to us   32 00:02:36,960 --> 00:02:41,760 Unless you die to yourself. You cannot live in me   33 00:02:53,680 --> 00:02:55,680 In other words   34 00:02:56,800 --> 00:02:58,800 The Eucharist is a sacrifice   35 00:03:00,680 --> 00:03:02,680 and a sacrament.   36 00:03:05,520 --> 00:03:11,160 You have to have a sacrifice before you can have a sacrament.   37 00:03:13,200 --> 00:03:16,400 Now in a short time, if I do not talk too long,   38 00:03:18,240 --> 00:03:20,240 you'll go to dinner.   39 00:03:22,640 --> 00:03:27,480 The food will be your sacrament, but that food had to be sacrificed   40 00:03:27,480 --> 00:03:38,640 and subjected to fire and the flame, maybe the shedding of blood. So that the   41 00:03:38,640 --> 00:03:48,600 Eucharist therefore relates us primarily to the death of Christ, then he becomes   42 00:03:48,600 --> 00:03:51,340 becomes our life.   43 00:03:51,340 --> 00:03:55,240 The risen Christ becomes our life.   44 00:03:55,240 --> 00:04:00,680 We, it might be objective,   45 00:04:00,680 --> 00:04:03,480 but Christ has died once,   46 00:04:03,480 --> 00:04:07,260 says the epistle to the Hebrews.   47 00:04:07,260 --> 00:04:10,720 He cannot die again.   48 00:04:10,720 --> 00:04:13,900 How, therefore, do you say that the mass is a sacrifice   49 00:04:13,900 --> 00:04:17,800 and that Christ is continuing to die again?   50 00:04:17,800 --> 00:04:20,300 Who says he can die only once?   51 00:04:21,700 --> 00:04:25,540 The answer is, our Lord can die only once   52 00:04:25,540 --> 00:04:28,940 in the body that he took from the Blessed Mother.   53 00:04:28,940 --> 00:04:31,380 But Christianity means he takes your human nature,   54 00:04:31,380 --> 00:04:33,880 yours and yours and yours and mine.   55 00:04:33,880 --> 00:04:35,580 And he says, give me your human nature   56 00:04:35,580 --> 00:04:37,380 and I can die again in you   57 00:04:37,380 --> 00:04:39,260 and I'll give you the risen life.   58 00:04:39,260 --> 00:04:41,020 That is the Eucharist.   59 00:04:41,020 --> 00:04:54,020 That is why St. Paul says,   60 00:04:54,020 --> 00:05:02,220 we carry about with us the death of Christ in order that we might be a life to others.   61 00:05:02,220 --> 00:05:10,900 Now I began with speaking of differences and the fact that there's only a lover's quarrel.   62 00:05:10,900 --> 00:05:17,340 I think that many of our difficulties come from our theological language.   63 00:05:17,340 --> 00:05:29,220 We've got fixed expressions, Latin words particularly, and they can create prejudices and they prevent   64 00:05:29,220 --> 00:05:32,860 us from understanding the Eucharist.   65 00:05:32,860 --> 00:05:40,900 husband and wife, for example, that love one another as a husband and wife ever   66 00:05:40,900 --> 00:05:45,340 try to explain their love by Freud.   67 00:05:46,780 --> 00:05:57,660 They may not even know that he is a fraud or whatever it is, but so I think   68 00:05:57,660 --> 00:06:03,420 that the theological jargon to some extent has kept us apart.   69 00:06:03,420 --> 00:06:08,120 And here's a little instance of that.   70 00:06:08,120 --> 00:06:21,560 There was a poem written by Rilke in which he tells the story of a two-story house.   71 00:06:21,560 --> 00:06:30,060 The little boy slept on the second story, his parents on the first story.   72 00:06:30,060 --> 00:06:34,920 There was a floor that kept them apart.   73 00:06:34,920 --> 00:06:39,920 At night, the little boy was frightened.   74 00:06:39,920 --> 00:06:50,040 He would knock a book onto the floor, throw a pencil, cough very loudly.   75 00:06:50,040 --> 00:06:56,640 to awaken his mother. And finally his mother came upstairs, gave him a drink of water,   76 00:06:56,640 --> 00:07:06,640 and everything was clean and lovely. Now that floor, to my mind, is much of our theological   77 00:07:06,640 --> 00:07:18,160 talk. And I believe that we will soon, just simply by talking to one another, by dropping   78 00:07:18,160 --> 00:07:25,880 pencils and dropping books, that we will come to a deeper understanding of this great sacrament   79 00:07:25,880 --> 00:07:26,880 of love.   80 00:07:26,880 --> 00:07:36,520 Now, there's nothing that I can say to you, nothing, that will convince you of the Eucharist   81 00:07:36,520 --> 00:07:41,880 as a sacrifice and as a sacrament.   82 00:07:41,880 --> 00:07:47,400 There are some things you just have to experience.   83 00:07:47,400 --> 00:07:51,280 Then you come to know.   84 00:07:51,280 --> 00:07:56,240 The great mysteries of God are understood that way.   85 00:07:56,240 --> 00:08:09,440 Now I have in my whole life been tremendously interested in the masses of sacrifice and   86 00:08:09,440 --> 00:08:14,680 in the real presence of our Lord in the blessed sacrament.   87 00:08:14,680 --> 00:08:26,080 And I believe, and I have seen it fulfilled many times, that if you're looking for faith   88 00:08:26,080 --> 00:08:32,560 in the real presence of the Lord and the sacrament, go there.   89 00:08:32,560 --> 00:08:37,200 Kneel down.   90 00:08:37,200 --> 00:08:38,200 Be silent.   91 00:08:38,200 --> 00:08:45,200 Let him talk to you, and he will convince you, as he has convinced everyone, of his   92 00:08:50,960 --> 00:08:57,960 real presence. In other words, and with this I conclude, when some of the apostles first   93 00:09:01,120 --> 00:09:08,120 met our Lord, they said to him, where do you live?   94 00:09:08,200 --> 00:09:11,200 You know what he said?   95 00:09:11,200 --> 00:09:14,200 Come and see.   96 00:09:14,200 --> 00:09:16,200 That's what I say to you.   97 00:09:16,200 --> 00:09:19,200 Come and see.     </div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ecumenical Conference: Eucharist in Pluralism and Unity Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Dr. Robert Marshall Archbishop Sheen Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-05 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/lnC/1.0/">http://rightsstatements.org/vocab/lnC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_601-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.chrc-phila.org/files/original/c50a713730edfff7d4bd26327bb812e3.mp3 1c0297610f7f700f0004ccb18fb7c0a6 https://omeka.chrc-phila.org/files/original/cdaaa30a34a09cdff7e6b957e1f5980b.mp3 3db165b2a441588e74182304638632b6 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ecumenical Theology Symposium: Summary and Overview Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Dr. Robert Nelson Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-05 Rights Information about rights held in and over the resource http://rightsstatements.org/vocab/lnC/1.0/ Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_507-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.chrc-phila.org/files/original/651e88f0aa7b1c69536e2e3244fd6ed3.mp3 928c968ae4cda02cabe6c827796db924 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ecumenical Conference: Eucharist As Sign and Symbol Part 1 Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Dr. Robert Torbet Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-05 Rights Information about rights held in and over the resource <a href=" http://rightsstatements.org/vocab/lnC/1.0/"> http://rightsstatements.org/vocab/lnC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_606-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.chrc-phila.org/files/original/df34235eda1894e9000d6c482f2f9fa9.mp3 865bdcea0ef062d13d181969cfa474aa Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ecumenical Conference; Eucharist as Sign and Symbol Part 2 Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Dr. Robert Torbet Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-05 Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_606-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.chrc-phila.org/files/original/3dd1620f2f60c7e780bb05993defce49.mp3 497a011e161ec969b62c49f6e2cc7efd https://omeka.chrc-phila.org/files/original/7a81f7a9fbc2206057a840793fec731a.mp3 ed5a5b606fed078816eca9477aed95e9 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Audio cassette Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ecumenical Theology Symposium: Eucharist as lived Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Audio of the 41st International Eucharistic Congress. Creator An entity primarily responsible for making the resource Dr. William H Lazareth Date A point or period of time associated with an event in the lifecycle of the resource 1976-08-05 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/lnC/1.0/">http://rightsstatements.org/vocab/lnC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context MC80_41IEC_cassette_505-02 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Source A related resource from which the described resource is derived 41st International Eucharistic Congress- MC80 https://omeka.chrc-phila.org/files/original/78348d05d8ad7b2277b889a5c0b377fa.pdf 2b4d03bdd7a01909c868522e82b44bb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Heuser from Mother Drexel, undated Subject The topic of the resource Heuser correspondence. Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letter to Heuser from Mother Drexel about a visit from Heuser and concerns about the Sisters of the Blessed Sacrament constitution. Creator An entity primarily responsible for making the resource Drexel, Katharine Mary, -- Saint, -- 1858-1955. Source A related resource from which the described resource is derived Herman Joseph Heuser Papers - MC 1 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC1.B2.F13-Drexel.H124D Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/" target="_blank">http://rightsstatements.org/vocab/InC/1.0/</a> https://omeka.chrc-phila.org/files/original/4690f338cfa3b631df165cdc79efccc0.pdf df0b11baa97cea20d1f04442639d62e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pamphlets Description An account of the resource The Pamphlet Collection contains pamphlets and other printed materials relating to subjects of Catholic interest. There is also ephemeral material such as brochures, event programs, leaflets, and newspaper clippings. The material covers a wide range of topics relating to the history of the Catholic Church in the United States including Catholic individuals, doctrinal and theological matters, events effecting the Catholic Church and Catholic population, Catholic history in the United States, and Catholic opinions on political, social, and cultural affairs. Majority of the Pamphlet Collection has not be digitized. Please visit our <a href="http://chrcphila.pastperfectonline.com/" target="_blank">online catalog</a> for more information. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Praying with Mother Katharine Drexel, 1986 Subject The topic of the resource Drexel, Katharine, 1858–1955. Catholics--Pennsylvania--Philadelphia. Catholic women. Prayer. Description An account of the resource Booklet with prayers and reflections of Saint Katharine Drexel. Creator An entity primarily responsible for making the resource Drexel, Katharine, 1858–1955. Source A related resource from which the described resource is derived Mother Katharine Drexel Beatification and Canonization - MC110 Publisher An entity responsible for making the resource available Sisters of the Blessed Sacrament. Date A point or period of time associated with an event in the lifecycle of the resource 1986 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/" target="_blank">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context MC110.B2.F16 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.chrc-phila.org/files/original/9368a3a185eef5f7525ca6112c2bd3ac.jpg eb2a9435c8005449eebc767733faff9a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 20" x 12" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Photograph of the farewell dinner at the Waldorf-Astoria Hotel, New York City, N.Y. for the Most Rev. Ralph Leo Hayes on the occasion of his departure for Rome. Photographer's stamp appears in bottom right corner. Identifier An unambiguous reference to the resource within a given context 100.5.1935, Nov. 16 Subject The topic of the resource Hayes, Ralph Leo, Bishop, 1884-1970. Banquet camera photographs--1930-1940. Banquets--New York (State)--New York--1930-1940. Bishops--United States. Catholic Church--United States--Clergy. Title A name given to the resource Farewell dinner tendered to The Most Reverend Ralph Leo Hayes D.D. on the occasion of his departure for the Eternal City, November 16, 1935. The Waldorf-Astoria. November 14, 1935 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank">http://rightsstatements.org/vocab/NKC/1.0/</a> Creator An entity primarily responsible for making the resource Drucker & Baltes. Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1935-11-14 https://omeka.chrc-phila.org/files/original/9bd1ce421766ad858983a33b8334bad3.jpg 1dec97104c4542ad29951375e5e96674 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pamphlets Description An account of the resource The Pamphlet Collection contains pamphlets and other printed materials relating to subjects of Catholic interest. There is also ephemeral material such as brochures, event programs, leaflets, and newspaper clippings. The material covers a wide range of topics relating to the history of the Catholic Church in the United States including Catholic individuals, doctrinal and theological matters, events effecting the Catholic Church and Catholic population, Catholic history in the United States, and Catholic opinions on political, social, and cultural affairs. Majority of the Pamphlet Collection has not be digitized. Please visit our <a href="http://chrcphila.pastperfectonline.com/" target="_blank">online catalog</a> for more information. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Miscellaneous Creator An entity primarily responsible for making the resource Duval & Hunter. Description An account of the resource Printed at bottom of certificate: "Duval & Hunter, lith Phila." Undated. Identifier An unambiguous reference to the resource within a given context 2010.047.071 Subject The topic of the resource Irish Catholic Benevolent Union of the United Sates. I.C.B.U. of the United States. Title A name given to the resource Certificate showing that [illegible] Beneficial Society is a member of the Irish Catholic Benevolent Union of the United States. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Format The file format, physical medium, or dimensions of the resource image/jpeg https://omeka.chrc-phila.org/files/original/30ce4706d5ebabc1bcfafbe25bf5f346.jpg 784bc6aa7db419d2da0ff2cd8014691f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pamphlets Description An account of the resource The Pamphlet Collection contains pamphlets and other printed materials relating to subjects of Catholic interest. There is also ephemeral material such as brochures, event programs, leaflets, and newspaper clippings. The material covers a wide range of topics relating to the history of the Catholic Church in the United States including Catholic individuals, doctrinal and theological matters, events effecting the Catholic Church and Catholic population, Catholic history in the United States, and Catholic opinions on political, social, and cultural affairs. Majority of the Pamphlet Collection has not be digitized. Please visit our <a href="http://chrcphila.pastperfectonline.com/" target="_blank">online catalog</a> for more information. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Miscellaneous Creator An entity primarily responsible for making the resource Duval & Hunter. Description An account of the resource Printed at bottom of certificate: "Duval & Hunter, lith Phila." Undated. Identifier An unambiguous reference to the resource within a given context 2010.047.072 Subject The topic of the resource Irish Catholic Benevolent Union of the United Sates. I.C.B.U. of the United States. Pius IX Beneficial Society. Title A name given to the resource Certificate showing that the Pius IX Beneficial Society is a member of the Irish Catholic Benevolent Union of the United States. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Format The file format, physical medium, or dimensions of the resource image/jpeg https://omeka.chrc-phila.org/files/original/e63a7fb82cbce5fdb07398fd95eadb19.jpg 08be488018e0a5d9b84f6e3cb531f090 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Miscellaneous Creator An entity primarily responsible for making the resource Duval, P. S. Description An account of the resource Lithograph of architect's drawing of exterior of St. Joseph's Hospital in Philadelphia. Signed bottom left: "N. Lc. Lebrun, Archt. 1859". Signed bottom right: "P.S. Duval & Son lith. Phil." Identifier An unambiguous reference to the resource within a given context 2010.047.006 Subject The topic of the resource Architectural drawings--1850-1860. Catholic Church. Archdiocese of Philadelphia (Pa.) Catholic hospitals--Pennsylvania--Philadelphia--Pictorial works. Lithographs--1850-1860. Philadelphia (Pa.)--Buildings, structures, etc.--Pictorial works. St. Joseph's Hospital (Philadelphia, Pa.) Title A name given to the resource St. Joseph's Hospital, Philadelphia, Penna. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1859 Format The file format, physical medium, or dimensions of the resource image/jpeg https://omeka.chrc-phila.org/files/original/7ba410e18acb44a40f2cec9099812297.jpg af1f4d3c7c210811aa57e8732595de84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Miscellaneous Creator An entity primarily responsible for making the resource Duval, P. S. Description An account of the resource Color lithograph portrait of Pope Pius IX. Published by P.S. Duval & Son, Phila. Identifier An unambiguous reference to the resource within a given context 2010.047.014 Subject The topic of the resource Pius IX, Pope, 1792-1878. Catholic Church--Italy--Clergy--19th century. Lithographs--Color--1860-1870. Popes--19th century. Portraits--1860-1870. Title A name given to the resource Pie IX. Photographie D'Apres Nature Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1864 https://omeka.chrc-phila.org/files/original/ee104e2c6559e67b8f7f9f965487003a.jpg 485b166e1d7ede1e4ff649472d36561f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pamphlets Description An account of the resource The Pamphlet Collection contains pamphlets and other printed materials relating to subjects of Catholic interest. There is also ephemeral material such as brochures, event programs, leaflets, and newspaper clippings. The material covers a wide range of topics relating to the history of the Catholic Church in the United States including Catholic individuals, doctrinal and theological matters, events effecting the Catholic Church and Catholic population, Catholic history in the United States, and Catholic opinions on political, social, and cultural affairs. Majority of the Pamphlet Collection has not be digitized. Please visit our <a href="http://chrcphila.pastperfectonline.com/" target="_blank">online catalog</a> for more information. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Miscellaneous Creator An entity primarily responsible for making the resource Duval, P. S. Description An account of the resource Membership certificate for a Marian Sodality at St. Mary's Church in Philadelphia. The name of the Sodality is not listed. Certificate shows that Mary McMullen was admitted to the Sodality on February 14, 1864. At top is an image of the interior of a church (possibly St. Mary's). Image is from a lithograph by P.S. Duval & Co., Phila. Identifier An unambiguous reference to the resource within a given context 2010.047.034 Subject The topic of the resource Catholic Church--Societies, etc. Confraternities--Pennsylvania--Philadelphia--19th century. Lithographs--1860-1870. Mary, Blessed Virgin, Saint--Societies, etc. Old St. Mary's Church (Philadelphia, Pa.) Title A name given to the resource Behold Thy Mother Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1864-02-14 Format The file format, physical medium, or dimensions of the resource image/jpeg https://omeka.chrc-phila.org/files/original/ba87b10653a0842b26e976955d6ca9a8.jpg e2c89bfc3e2db48dcc8c9b365353b2ed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource E.B. & E.C. Kellogg (Firm). helps & Watson. Whiting, F. P. Description An account of the resource Colored lithograph portrait of Archbishop John Hughes of New York, NY (1850-1864). Appears to be a memorial lithograph done after his death. Printed below lithograph: "E. B. & E. C. Kellogg, 245 Main St., Hartford, CT."; "Phelps & Watson, 18 Beekman St., N.Y."; "F. P. Whiting, 87 Fulton St., New York". Identifier An unambiguous reference to the resource within a given context 100.2.1.Hughes, John (7) Subject The topic of the resource Hughes, John, 1797-1864. Bishops--United States--19th century. Catholic Church--United States--Clergy--19th century. Catholic Church. Archdiocese of New York (N.Y.) Lithographs--Color--1860-1870. Portraits--1860-1870. Title A name given to the resource The Most Rev. John Hughes, D.D. First Archbishop of New York Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1864 https://omeka.chrc-phila.org/files/original/8d212c61f90c1ec0d0e4c97e67286101.JPG 36ca1a62376ec631a106c5e18f556b71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Miscellaneous Creator An entity primarily responsible for making the resource E.B. & E.C. Kellogg (Firm). Description An account of the resource Color lithograph portrait of Captain Thomas Francis Meagher. Signed bottom left: "E.B. & E.C. Kellogg, 245 Main St., Hartford, CT." Signed bottom right: "Geo. Whiting, 37 Fulton St. New York". Identifier An unambiguous reference to the resource within a given context 2010.047.007 Subject The topic of the resource Meagher, Thomas Francis, 1823-1867. Lithographs--Color--1850-1860. New York (State). Militia. Regiment, 69th. Portraits--1850-1860. United States--History--Civil War, 1861-1865--Military personnel--Union. Zouaves--Union--1860-1870. Title A name given to the resource Capt. Thomas Francis Meagher. Zouave Corps of the "Sixty ninth" Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available Whiting, Geo. Format The file format, physical medium, or dimensions of the resource image/jpeg https://omeka.chrc-phila.org/files/original/849147a9e08673c2e4705f4ad9f4126a.JPG f0f432113120f9f572df0510ced6f588 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Miscellaneous Creator An entity primarily responsible for making the resource Edwin F. Durang & Son. Description An account of the resource Drawing of exterior of Lane Memorial Buildings. 2010.044.02 is architectural drawing of interior and shows cells and "Mother Superior" room. Signed in bottom right corner: "E. F. Durang & Son, Architects". Identifier An unambiguous reference to the resource within a given context 2010.044.01 Subject The topic of the resource Architectural drawings--1910-1920. Catholic Church--20th century. Church buildings--Pictorial works. Convents--Pictorial works. Nuns--20th century. Title A name given to the resource Lane Memorial Buildings Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank">http://rightsstatements.org/vocab/NKC/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1914-02-09 https://omeka.chrc-phila.org/files/original/8824a32ecb4cd5773cad9b420e0895f4.JPG c3f20f290bb182e62cb7a864474384f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Miscellaneous Creator An entity primarily responsible for making the resource Edwin F. Durang & Son. Description An account of the resource Drawing of floor plan of Lane Memorial Buildings, which shows cells and "Mother Superior" room. Signed below title: "E. F. Durang & Son, Architects". Date taken from 2010.044.01. Identifier An unambiguous reference to the resource within a given context 2010.044.02 Subject The topic of the resource Architectural drawings--1910-1920. Catholic Church--20th century. Church buildings--Pictorial works. Convents--Pictorial works. Nuns--20th century. Title A name given to the resource Lane Memorial Buildings Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank">http://rightsstatements.org/vocab/NKC/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1914-02-09 https://omeka.chrc-phila.org/files/original/87bfbe973e737a68b855473c6c78aa6d.mp3 592f4370704d5d551f1611dff6d480dd Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Phonograph Record Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:07:13 Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 164kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elizabeth Laster's Trio: Side 1 Take My Hand Precious Lord; Side 2 He'll Understand and say Well Done Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Catholic Interracial Council. Race relations. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Elizabeth Laster's Trio: Side 1 Take My Hand Precious Lord; Side 2 He'll Understand and say Well Done Creator An entity primarily responsible for making the resource Elizabeth Laster's Trio. Source A related resource from which the described resource is derived Catholic Interracial Council -- MC68 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/" target="_blank" rel="noreferrer noopener">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context 1990.082.MC68.B9.F8 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.chrc-phila.org/files/original/78ab286cb4c6c406ac9317e1554c893e.JPG 4c21028572a26702d1d3052d4396b385 https://omeka.chrc-phila.org/files/original/4e71d1d7f2e2b534d1722297c5474115.jpg da372df37266d1574aba495d3c7ba1c2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Map Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Ellicott, Andrew, 1754-1820. Description An account of the resource Map of Washington, D.C. by surveyor Andrew Ellicott. Below title: "Engrav'd by Thackara & Vallance, Philada. 1792." Identifier An unambiguous reference to the resource within a given context 108.25.Ellicott, Andrew Subject The topic of the resource Engravings--Early works to 1800. Real property--Washington (D.C.) Washington (D.C.)--Maps--Early works to 1800. Maps. Title A name given to the resource Plan of the City of Washington in the Territory of Columbia : ceded by the States of Virginia and Maryland to the United States of America, and by them established as the Seat of their Government after the year MDCCC [1700]. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1792 https://omeka.chrc-phila.org/files/original/e6d163592808dcb0f951013d968ccc7c.jpg ad83facf014146c5a16a894a32b93b29 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 20" x 10" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Description An account of the resource Photograph of luncheon at meeting of Catholic Theological Society of America in New York. Photographer's mark appears in bottom right corner. Identifier An unambiguous reference to the resource within a given context 100.5.1946, June 26 Subject The topic of the resource Banquet camera photographs--1940-1950. Banquets--Pennsylvania--Philadelphia--1940-1950. Catholic Church--United States--Clergy. Catholic Theological Society of America--Meetings--New York (State)--New York--1940-1950. Catholic Theological Society of America. Title A name given to the resource Foundation Meeting of the Catholic Theological Society of America. Hotel Commodore. June 26, 1946 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank">http://rightsstatements.org/vocab/NKC/1.0/</a> Creator An entity primarily responsible for making the resource Empire. Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Date A point or period of time associated with an event in the lifecycle of the resource 1946-06-26 https://omeka.chrc-phila.org/files/original/d80031c63c673ce97c6b3eb3e26437e9.mp3 0222dbc1f290da69006cb0de4c162ae0 Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Phonograph Record Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 00:07:54 Bit Rate/Frequency Rate at which bits are transferred (i.e. 96 kbit/s would be FM quality audio) 226kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side 1 Executive Staff of Flamingo Club: Commission of Human relations; Side 2 Mr. Allen and Mrs Hurley: Untitled Subject The topic of the resource Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Catholic Interracial Council. Race relations. Radio broadcasting--Religious aspects--Catholic Church. Description An account of the resource Side 1 Executive Staff of Flamingo Club: Commission of Human relations; Side 2 Mr. Allen and Mrs Hurley: Untitled Creator An entity primarily responsible for making the resource Executive Staff of Flamingo Club Allen, Ralph. Hurley. Source A related resource from which the described resource is derived Catholic Interracial Council -- MC68 Date A point or period of time associated with an event in the lifecycle of the resource 1952-06-22 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/" target="_blank">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource mp3 Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context 1990.082.MC78.B7.F19 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. https://omeka.chrc-phila.org/files/original/7f29715cc6ab772bb45808988018c16c.jpg 82240d8d30266b431b0ccee6cf703233 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print Physical Dimensions The actual physical size of the original image 34 x 24.75 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Go Teach All Nations" Subject The topic of the resource Catholic Church. Archdiocese of Philadelphia (Pa.) Catholic Church. Diocese of Pittsburgh (Pa.) Catholic Church. Archdiocese of Baltimore (Md.) Catholic Church. Diocese of Harrisburg (Pa.) Catholic Church. Diocese of Wilmington (Del.) Clergy--19th century. Portrait photographs--1870-1880. Pius IX, Pope, 1792-1878. Mulholland, J. E., Rev. O'Connor, Francis, Rev. Stanton, Patrick A., Very Rev. O'Connor, Charles P., Rev. Corcoran, James, Very Rev. Bayley, James Roosevelt, 1814-1877. Moriarty, P. E. (Patrick Eugene), 1804-1875. Burk, Thomas N., Very Rev. O'Reilly, P. R., Rev. McGrane, M. A., Rev. Filan, Michael, Rev. McGlynn, T. J., Rev. Cantwell, Nicholas, Rev. Reilly, Patrick, 1807-1885. Becker, Thomas Andrew, 1832-1899. O’Hara, William, 1816-1899. O'Connor, James, Very Rev. Maher, Pierce, Rev. Kelly, John, Rev. Damen, A., Rev. Blenkinsop, P. J., Rev. Balf, Joseph, Rev. O’Connor, M. (Michael), 1810-1872. Shanahan, John Walter, Rt. Rev. Bishop, 1846-1916. Horstmann, Ignatius F. (Ignatius Frederick), 1840-1908. Hopkins, T. F. (Thomas F.), Rev. Fox, Thomas, Rev. Barry, Thomas, Rev. O'Reilly, James, Rev. McAnany, John, Rev. Martin, M. F., Rev. Walsh, M. A., Very Rev. Wood, James Frederick, 1813-1883. Charles, C. J. H., Very Rev. McConomy, A. J., Rev. O’Neill, Francis P. Kenrick, Francis Patrick, 1796-1863. Maguire, B. A., Rev. Villiger, B., Rev. Powers, Thomas W., Rev. Sullivan, P. F., Rev. Galberry, Thomas, Very Rev. Garvey, P., Rev. Domènech i Veciana, Miquel Joan Josep, Rt. Rev. Bishop. Description An account of the resource Collage photograph containing large portrait of Pope Pius IX in the center and surrounded by 46 cameo photos of hierarchy and clergy, mainly associated with the Archdiocese of Philadelphia. There are photos of Archbishop Bayley of Baltimore; Bishop James Wood of Philadelphia; Bishop Kenrick, former bishop of Philadelphia; Bishop Becker of Wilmington; Rev. Patrick Reilly, the Vicar General of Wilmington; and Bishop O'Connor, former Bishop of Pittsburgh. The rest of the photos are of administrators and pastors of institutions and churches in and around Philadelphia. It includes Rev. James Corcoran, rector of St. Charles Seminary and the presidents of Villanova and St. Joseph's Colleges. Printed in bottom center of print: "Entered according to Act of Congress, in the year 1873, by David O'Hara, in the Office of the Librarian of Congress at Washington." Printed in bottom right corner of print: "Wenderoth, Photographer, Phila." Creator An entity primarily responsible for making the resource F. A. Wenderoth & Co. Date A point or period of time associated with an event in the lifecycle of the resource 1873 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 2010.085.38 Extent The size or duration of the resource. 1 print Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng https://omeka.chrc-phila.org/files/original/1f4b7d21f7411f7e2441c712b7914742.JPG d8b0db6f2c91c59f649d8f4d7efdbe42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graphics Description An account of the resource The Graphics Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Miscellaneous Creator An entity primarily responsible for making the resource F. Heppenheimer & Co. Description An account of the resource Print of parade with spectators lining the street. Published by Haasis & Lubrecht, Publishers, 107 Liberty St., New York. Printed by F. Heppenheimer & Co., 22 & 24 N. William St., N.Y. Identifier An unambiguous reference to the resource within a given context 2010.047.002 Subject The topic of the resource Fenian Brotherhood--History--19th century. Processions--New York (State)--New York--1870-1880. Fenians--New York (State)--New York--19th century. Title A name given to the resource The Grand Procession in Honor of the Fenian Exiles, in New York City, Feb. 9, 1871 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Publisher An entity responsible for making the resource available Haasis & Lubrecht. Date A point or period of time associated with an event in the lifecycle of the resource 1871-02-09 https://omeka.chrc-phila.org/files/original/345e6f157fe71db8dc2b016a368d5483.JPG f1581ad6ee7876073392194d972b2531 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics-Lithographs Creator An entity primarily responsible for making the resource F. M. Haskell & Co. Description An account of the resource Lithograph of St. Mary's Church in Roslyn, Long Island, New York. Includes inset portrait of Rev. Mortimer C. Brennan, Pastor. Signed in bottom left corner: "Lith. F.M. Haskell & Co., 61 Hanover St., Boston". Identifier An unambiguous reference to the resource within a given context 2011.002.13 Subject The topic of the resource Brennan, Mortimer C. Catholic Church--New York (State)--History--19th century. Catholic Church. Archdiocese of New York (N.Y.) Lithographs--1870-1880. Roslyn (N.Y.)--Buildings, structures, etc.--Pictorial works. St. Mary's Church (Roslyn, N.Y.) Church buildings--New York (State)--Roslyn--Pictorial works. Title A name given to the resource St. Mary's Church. Roslyn, L.I. Pastor Rev. Mortimer C. Brennan. Dedicated June 23rd, 1878 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Format The file format, physical medium, or dimensions of the resource image/jpeg https://omeka.chrc-phila.org/files/original/2fe474a029e00fbaf9d6e869da2aeb78.jpg ac8f0b55bf9f35f062be5d1c23dc6c2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Faber, Erwin F., 1866-1939. Description An account of the resource Engraving of sketch of Holy Trinity Cathedral, Quebec, Canada; consecrated in 1804. Signed by E. F. Faber (signature in bottom left corner is backwards). Identifier An unambiguous reference to the resource within a given context 100.1.1.HOLY T (Q) (2) Subject The topic of the resource Buildings, structures, etc.--Pictorial works. Canada--Quebec (Province)--Quebec. Catholic Church--Canada--History--17th century. Catholic Church. Archdiocese of Quebec. Church buildings--Pictorial works. Engravings--1890-1900. Historic buildings--17th century--Pictorial works. Holy Trinity Cathedral (Quebec, Quebec). Title A name given to the resource Holy Trinity, Quebec, Can. 1652 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank"> http://rightsstatements.org/vocab/UND/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/86c5eed8083f7157526f8ab42df6f390.jpg fd6bede1a5abe1ac99f80a7b7b8ad204 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Faber, Erwin F., 1866-1939. Description An account of the resource Engraving of sketch of St. Joseph's Cathedral, St. Augustine, FL. Signed by E. F. Faber in lower left corner. Identifier An unambiguous reference to the resource within a given context 100.1.1.JOS (SA) (2) Subject The topic of the resource Catholic Church--Florida--History--17th century. Catholic Church. Diocese of St. Augustine (Fla.) Church buildings--Florida--St. Augustine--Pictorial works. Engravings--1890-1900. Historic buildings--Florida--St. Augustine--17th century--Pictorial works. St. Augustine (Fla.)--Buildings, structures, etc.--Pictorial works. St. Joseph's Cathedral (St. Augustine, Fla.) Title A name given to the resource St. Joseph's Cathedral, St. Augutine, Fla. 1682 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Format The file format, physical medium, or dimensions of the resource image/jpeg https://omeka.chrc-phila.org/files/original/902e762cb764fc1ecc90b4988a2d670a.jpg ef9f229ea596982e28bfdc4080d15e74 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Faber, Erwin F., 1866-1939. Description An account of the resource Engraving of sketch of St. Louis Cathedral, New Orleans, La. Signed by E. F. Faber in bottom left corner (signature is backwards). Identifier An unambiguous reference to the resource within a given context 100.1.1.LOU (N) (2) Subject The topic of the resource Catholic Church--Louisiana--History--18th century. Catholic Church. Archdiocese of New Orleans (La.) Church buildings--Louisiana--New Orleans--Pictorial works. Engravings--1890-1900. Historic buildings--Louisiana--New Orleans--18th century--Pictorial works. New Orleans (La.)--Buildings, structures, etc.--Pictorial works. St. Louis Cathedral (New Orleans, La.) Title A name given to the resource St. Louis Cathedral, New Orleans, La. 1718 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/e1224e4a50e9193855484a884433ab7a.jpg 66a58914acf3d68c22a0f9913e00f9a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Faber, Erwin F., 1866-1939. Description An account of the resource Engraving of sketch of the Cathedral of Mexico, Mexico City, D.F., Mexico. Signed by E. F. Faber in bottom left corner (signature is backwards). Identifier An unambiguous reference to the resource within a given context 100.1.1.MEX (1) Subject The topic of the resource Catedral de Mexico. Catholic Church--Mexico--History--16th century. Catholic Church. Archdiocese of Mexico City (Mexico). Church buildings--Mexico--Mexico City--Pictorial works. Engravings--1890-1900. Historic buildings--Mexico--Mexico City--16th century--Pictorial works. Mexico City (Mexico)--Buildings, structures, etc.--Pictorial works. Title A name given to the resource Cathedral of Mexico. 1521 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/be3d77625344a94fe592f5d413dad39b.jpg 8d1c8bba0e01c1ec6bd8a8630da39829 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Faber, Erwin F., 1866-1939. Description An account of the resource Engraving of sketch of Notre Dame Church in Montreal, P.Q., Canada. Signed by E. F. Faber in bottom right corner. Identifier An unambiguous reference to the resource within a given context 100.1.1.NOT (MO) (1) Subject The topic of the resource Buildings, structures, etc.--Pictorial works. Canada--Quebec (Province)--Montreal. Catholic Church--Canada--History--16th century. Catholic Church. Archdiocese of Quebec. Church buildings--Pictorial works. Engravings--1890-1900. Historic buildings--Canada--16th century--Pictorial works. Paroisse Notre-Dame (Montreal, Quebec). Title A name given to the resource Notre Dame, Montreal, Can. 1534 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/page/NoC-US/1.0" target="_blank">https://rightsstatements.org/page/NoC-US/1.0</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/e7a2e9776849829b02003b0fe756cbc9.jpg a4321d1088b4f61a9d4eb92c169233a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Faber, Erwin F., 1866-1939. Description An account of the resource Engraving of sketch of Church of Notre Dame des Victoires in the Lower City, Quebec City, P.Q., Canada. Signed by E. F. Faber in bottom left corner. Printed on verso: "Church of the Notre Dame des Victoires, Lower Town, Quebec, Can. 1680." Identifier An unambiguous reference to the resource within a given context 100.1.1.NOT V (Q) (1) Subject The topic of the resource Buildings, structures, etc.--Pictorial works. Canada--Quebec (Province)--Quebec. Church of Notre Dame. Title A name given to the resource Notre Dame, Quebec, Can. 1680 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/589e116dded4ebf2ae331f11d546803c.jpg 7db6b5aeb414f0160f370e4c55f5e3ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Church Buildings Description An account of the resource The Church Buildings Collection contains numerous images of churches, institutions, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Faber, Erwin F., 1866-1939. Description An account of the resource Engraving of sketch of interior St. Peter's Church, Albany, NY. Signed by E. F. Faber (signature is backwards in bottom left corner). Identifier An unambiguous reference to the resource within a given context 100.1.1.PET (A) (1) Subject The topic of the resource Albany (N.Y.)--Buildings, structures, etc.--Pictorial works. Catholic Church--New York (State)--History--17th century. Catholic Church. Diocese of Albany (N.Y.) Church buildings--New York (State)--Albany--Pictorial works. Engravings--1890-1900. Historic buildings--New York (State)--Albany--17th century--Pictorial works. St. Peter's Church (Albany, N.Y.) Title A name given to the resource St. Peter's Church, Albany, NY, 1675 Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/68a0274dea046022fd45e311bea611f7.jpg 6975c94c805117fdb9247182c506c7a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Archbishop Ryan, from Apostolic Delegate, Falconio, 08/29/1904 Subject The topic of the resource Ryan Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letter to Archbishop Ryan, from Apostolic Delegate, Falconio, administration of Greek Ruthenians Creator An entity primarily responsible for making the resource Falconio, Diomede, 1842-1917. Date A point or period of time associated with an event in the lifecycle of the resource 1904-08-29 Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Ryan.61.357F Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/3732fe394100482d5f66338318ae0365.jpg 252ceba99ebca92c83be1d3ab3388e42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Archbishop Ryan, from The Apostolic Delegate, Falconio, 03/06/1905 Subject The topic of the resource Ryan Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letter to Archbishop Ryan, from The Apostolic Delegate, Falconio, Ruthenians in United States and the appointment of the Ruthenian Bishop. Creator An entity primarily responsible for making the resource Falconio, Diomede, 1842-1917. Source A related resource from which the described resource is derived Ryan, Patrick John - MC 76 Date A point or period of time associated with an event in the lifecycle of the resource 1905-03-06 Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Ryan.61.359F Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/2d96e97931177a51c8482b241dc57245.jpg fa8467ef0171bfd0be828c0e8fcc5a95 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Archbishop Ryan, from The Apostolic Delegate, Falconio, 03/23/1905 Subject The topic of the resource Ryan Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letter to Archbishop Ryan, from The Apostolic Delegate, Falconio, the Apostolic Delegate is seeking information concerning Father Hodobay, an apostolic visitor for Ruthenians of the United States, his behavior is questionable. Creator An entity primarily responsible for making the resource Falconio, Diomede, 1842-1917. Date A point or period of time associated with an event in the lifecycle of the resource 1905-03-23 Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Ryan.61.360F Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/2d8241ddf87365c88687e3f6eaf104a0.jpg 8cd36b4b2e715798e10453d1b3d4fbbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Archbishop Ryan, from the Apostolic Delegate (D. Falconio), 06/07/1906 Description An account of the resource Letter to Archbishop Ryan, from the Apostolic Delegate (D. Falconio), Ruthenian Catholics and their own bishop. Creator An entity primarily responsible for making the resource Falconio, Diomede, 1842-1917. Source A related resource from which the described resource is derived Ryan, Patrick John - MC 76 Date A point or period of time associated with an event in the lifecycle of the resource 1906-06-07 Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Ryan.61.361F Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> https://omeka.chrc-phila.org/files/original/d2b369e8332cf2298ce2184364c974fe.pdf d782b60f61fe73e508d1083ea305b8fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Father Walsh, from John J. Farren, 03/05/1917 Subject The topic of the resource Prendergast Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letter to Father Walsh, from John J. Farren. About a Mr. Durell's letter on his thoughts of Catholic priests as immoral. Creator An entity primarily responsible for making the resource Farren, John J. Source A related resource from which the described resource is derived Prendergast, Edmond Francis - MC 77 Date A point or period of time associated with an event in the lifecycle of the resource 1917-03-05 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context Prendergast.71.745f Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/" target="_blank">http://rightsstatements.org/vocab/UND/1.0/</a> https://omeka.chrc-phila.org/files/original/47a483af1f4e699dc8607ee270de171d.pdf de3fc1a1c527b068793d59521735fa7f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Correspondence Description An account of the resource Letters sent and received from various Manuscript Collections Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Members of the Catholic Institutional Cooperative Association, from Father McMenamin, 10/16/1950 Subject The topic of the resource Dougherty Correspondence. Catholic Church--Pennsylvania--Philadelphia--History--20th century. Archdiocese of Philadelphia (Pa.)--History. Description An account of the resource Letter to Members of the Catholic Institutional Cooperative Association, from Father McMenamin. Discuses importance of the lay people involvement. Creator An entity primarily responsible for making the resource Father McMenamin. Source A related resource from which the described resource is derived Dougherty, Cardinal Dennis Joseph -MC 78 Date A point or period of time associated with an event in the lifecycle of the resource 1950-10-16 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/" target="_blank">http://rightsstatements.org/vocab/InC/1.0/</a> Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource eng Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant MC78_80.3392 Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. This material is made available for private study, scholarship, and research use. For access to the original, contact: CHRC, chrc.aop@gmail.com, 215-904-8149. Spatial Coverage Spatial characteristics of the resource. Philadelphia https://omeka.chrc-phila.org/files/original/916b6fdd9ce476b8ddd7a36deb3b9484.jpg 445d0ba00631367e3aaa7eab55d5a49f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 15" x 10.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Felici, Giuseppe, 1839-1923. Description An account of the resource Group photograph of students of North American College in Rome with Bishop Kennedy, the rector. Note on verso reads: "Bishop Kennedy (Thomas F.), Rector of N. American College, Rome". Photographer's stamp appears in bottom right corner and reads "G. Felici, Roma. Via Babuino, 74, 75, 76." Title devised by cataloger. Identifier An unambiguous reference to the resource within a given context 100.1.1.NOR (06) Subject The topic of the resource Kennedy, Thomas Francis, Bishop, 1858-1917. Catholic theological seminaries--Italy--Rome. Group portraits. Pontifical North American College (Rome, Italy). Seminarians--Pictorial works. Title A name given to the resource Students and faculty of North American College, Rome, Italy Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/10184f6cfe822f3ec1944b452dc136ff.jpg 1fe821230673f0e4fda2a3cfdb1a16be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 15" x 10.75" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Felici, Giuseppe, 1839-1923. Description An account of the resource Group photograph of Msgr. Kelley with students and faculty of the North American College in Rome. Photographer's mark appears in lower right corner and reads: "G. Fel[ici]" (partially cut off). Title devised by cataloger. Identifier An unambiguous reference to the resource within a given context 100.1.1.NOR (07) Subject The topic of the resource Catholic theological seminaries--Italy--Rome. Group portraits. Pontifical North American College (Rome, Italy) Seminarians--Pictorial works. Title A name given to the resource Students and faculty of North American College, Rome, Italy. Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/25b64c2b8e8e7190a7a9c885eb152447.jpg c403e89b9147f59c3f657bc51eef3470 https://omeka.chrc-phila.org/files/original/64d249de426d2f9a38018bc9aa279f34.jpg 4fae5dba922189167382092042e1c9f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8" x 18.75" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Felici, Giuseppe, 1839-1923. Description An account of the resource Photograph of pilgrims from Philadelphia area in front of St. Peter's Basilica, Rome. List of individuals identified in photograph appears on verso. Also inscribed on verso: "Probably after Papal audience between 1926-1929". Photographer's stamp appears in bottom right corner. Title devised by cataloger. Editor's note: Photographer Giuseppe Felici died in 1923, so the pilgimage took place prior to 1926. Identifier An unambiguous reference to the resource within a given context 100.1.1.VATICAN (06) Subject The topic of the resource Burke, Thomas N. (Thomas Nicolas), 1830-1883. Fitzsimmons, Edmond J. Furey, Francis J., 1905- Lamb, Hugh L., 1890-1959. Leech, George Leo, 1890- Martusevich, Vito J. McCollough, Joseph A. Rowan, John F. Basilica di San Pietro in Vaticano. Catholic Church. Archdiocese of Philadelphia (Pa.) Catholics--Religious life--20th century. Christian pilgrims and pilgrimages--20th century. Group portraits--1920-1930. Panoramic photographs--1920-1930. Pilgrims and pilgrimages--Italy--Rome. Title A name given to the resource Pilgrims from Philadelphia area in front of St. Peter's Basilica, Rome Language A language of the resource eng Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found. https://omeka.chrc-phila.org/files/original/c6238d48d28f3958e14c1131886d2787.jpg 68d4c9df0dcef9f685028fcad1ba178e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photographs Description An account of the resource The Photographs Collection contains numerous images of religious persons, events, and places relating to the history of the Archdiocese of Philadelphia and the Catholic Church on a whole. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 11.25" x 16.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Source A related resource from which the described resource is derived Graphics Creator An entity primarily responsible for making the resource Felici, Giuseppe, 1839-1923. Description An account of the resource Portrait photograph of Cardinal Bisleti, Prefect of the Sacred Congregation of Seminaries and University Studies. Signed by G. Felici below bottom right corner of photograph. A note in Latin is inscribed under the photograph in ink. Identifier An unambiguous reference to the resource within a given context 100.2.1.Bisleti, Gaetano Subject The topic of the resource Bisleti, Gaetano, Cardinal, 1856-1937. Cardinals--Italy--20th century. Catholic Church--Italy--Clergy--20th century. Catholic Church--Italy--Clergy--History. Portrait photographs. Portraits. Title A name given to the resource Cardinal Gaetano Bisleti Language A language of the resource eng lat Type The nature or genre of the resource Image Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NoC-US/1.0/" target="_blank">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Access Rights Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies. Public Domain: We believe this material to be in the public domain and free of known restrictions under copyright law, including all related and neighboring rights. While CHRC claims no rights or authority over this material, we do ask that any publication or use of this material cite CHRC as the source of the images and the repository where the original documents can be found.